Finally, different races noticed African Americans. Other cultures adopted many of the African Americans ideas of poetry art and music. African Americans had made an imprint in Harlem leaving culture over America. The Harlem renaissance had left a legacy and opened doors and inspired many generations of African American culture.
The African American spirit was alive in the blues and Langston drew that spirit into his poetry. Langston Hughes’ work was filled with the plight he suffered, the inequality of the ideal and the reality of American, and the dreams he aspired for his people and his country. Reading this major figure of the Harlem Renaissance today can bring the reader back in time to an era whose dreams longed for the world we have today. Works Cited Barksdale, Richard. Langston Hughes: The Poet And His Critics.
Many things came about during the Harlem Renaissance; things such as jazz and blues, poetry, dance, and musical theater. The African-American way of life became the “thing.” Many white people came to discover this newest art, dancing, music, and literature. The Great Migration of African-American people from the rural South to the North, and many into Harlem was the cause of this phenomenon. Harlem was originally a Dutch settlement. Harlem became one of the largest African- American communities in the United States, and during the Harlem Renaissance became a center for art and literature.
Many of Hughes’s poems stand out in their description of the black experience. Some of the poems that stand out include “Ku Klux,” “House In the World,” and “Children’s Rhymes.” These poems delve into the world of fear, segregation, and the lost innocence of black culture. These poems genuinely demonstrate the difficult lives most black people had to live. Langston Hughes was one of the most influential black poets of the twentieth century. He took part in the Harlem Renaissance and taught the world about black life and culture.
Black urban migration, combined with trends in a American society toward experimentation in the 1920's, and the rise of radical black intellectuals - including Langston Hughes, Countee Cullen, and Zora Neale Hurston --all contributed to the particular styles, themes, and the extraordinary success of black artists during the Harlem Renaissance period. Langston Hughes, a primary voice of the Harlem Renaissance in the 1920's, was known as "The Poet Laureate of Harlem". Hughes had pride in his black heritage, strong political beliefs, and the will to survive in a society where racial equality had to be fought for. Hughes' strength and determination shine through his poetry, he does not hide the fact that he lived with racism, but talks of his strength and to st... ... middle of paper ... ... may be seen as manifestos of selfhood, as affirmations of blackness and the positive sides of black life. Part of the energy that fuelled the Harlem Renaissance was the belief that black cultural achievement in the "high" arts would socially and spiritually uplift the race.
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois.
Musical Traditions were a strong precursor to the poetry of the Harlem Renaissance. The musical traditions developed during slavery and segregation, laid the foundations for literature and arts developed during the Harlem Renaissance, especially music such as blues and jazz. Thomas Jefferson noted “that
He gave his people a voice and encouraged pride and hope through his literary work, to overcome racial discrimination. Langston Hughes lived during the time of the Harlem Renaissance, an African American cultural movement of the early 1920s and 1930s that was centered in the Harlem neighborhood of New York City. It also came to be known as the New Negro movement, marked the first time that mainstream publishers and critics took African American literature seriously and that African American literature and arts attracted significant attention from the nation at large. Although it was primarily a literary movement, it was closely related to developments in African American music, theater, art, and politics. This was also the time of the “Great Migration”, where more blacks were migrating from the rural South to the urban North, to seek better jobs and lives for their families (George 62).
During and after World War One , the Great Migration caused many African Americans to move from rural areas of the country to the northern states. Many people flocked to Harlem, New York in hopes that they too would become a part of the culture phenomenon taking place. This culture boom became known as The Harlem Renaissance. The Harlem Renaissance was an influential movement that “kindled a new black culture identity “(History.com). With the turning of the age it seemed the perfect opportunity for Afro- Americans to create a new identity.
This agenda was also reflected in the efforts of Jamaican-born black nationalist Marcus Garvey, whose "Back to Africa" movement inspired racial pride among blacks in the United States. African American literature and arts had begun a steady development just before the turn of the century. In the performing arts, black musical theater featured such accomplished artists as songwriter Bob Cole and composer J. Rosamond Johnson, brother of writer James Weldon Johnson. Jazz and blues music moved with black populations from the South and Midwest into the bars and cabarets of Harlem. In literature, the poetry of Paul Laurence Dunbar and the fiction of Charles W. Chesnutt in the late 1890s were among the earliest works of African Americans to receive national recognition.