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Langston Hughes: The Harlem Dream

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During the 1900’s many African Americans moved from the south to the north in an event called the Great Migration. Many of the southern African Americans migrated to a place called Harlem. This is where it all began. Harlem became the breeding ground for blues, jazz, and gave birth to a new generation of Negro Artist. They referred to themselves as the New Negro. The New Negro was the foundation for an era called the Harlem Renaissance. The Harlem Renaissance allowed for the manifestation of the double consciousness of the Negro race as demonstrated by artists such as Langston Hughes. During the height of the Harlem Renaissance Langston Hughes created poetry that was not only artistically and musically sound but also captured a blues essence giving life to a new style of poetry as it depicted the African American struggles with self and society. One thing is for sure, Hughes consistent use of common themes allows them to be the very basis of the Harlem Renaissance. Langston Hughes is one of the most influential icons of the Harlem renaissance because of his poetry and musical talent.

Langston Hughes was one of the most influential poets during the Harlem Renaissance. With the use of blues and Jazz Hughes managed to convey a range of different themes all revolving around the Negro. “[Langston Hughes] The first poet to transform the idioms of blues and jazz into poetic verse” (Johnson and Farrell 55). This use of blues in written work was called the blues aesthetics. Hughes’s “Bound No’th Blues” is a perfect example of the Blues Aesthetics. “The blues reflects the trials and tribulations of the Negro in America on a secular level” (Waldron 140). “Bound No’th Blues” reflects the journey of a southern African American who m...

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...l icons of the Harlem renaissance because of his poetry and musical talent.

Works Cited

Alice Walker, Don Miller. “Langston Huges American Poet.” March, 1 1974

Davis, Author P. "The Harlem of Langston Hughes' Poetry." Phylon (1940-1956) 4th ser. 13.4 (1952): 276-283. Clark Atlanta University. . www.jstor.org. (1940-1956)

Johnson, Patricia A., and Walter C. Farrell. "How Langston Hughes Used the Blues." Melus Oppression and Ethnic Literature 6.1 55-63. The Society for the Study of the Multi-Ethnic Literature of the United States (MELUS). www.jstor.org. (1971):

Trotter, Joe W. "The Great Migration." OAH Magazine of History World War I 17.1 31-33. Organization of American Historians. . www.jstor.org (2002).

Waldron, Edward E. "The Blues Poetry of Langston Hughes." Negro American Literature Forum 5.4 140-49. St. Louis University. www.jstor.org. (1971):
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