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How was plath seen as a feminist icon
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The literary comparison shall explore the following pieces: Plath’s “Lady Lazarus,” Woolf’s “A Haunted House,” and Atwood’s “Siren Song,” and “Happy Ending.” The first comparison is between Lady Lazarus and Siren Song, both poems contain themes of manipulation and the role of women in a patriarchal society. Furthermore, Plath’s “Lady Lazarus” contains two major ideas to be studied: role of women and manipulation. The role of women can be seen as the speaker struggles in her life as revealed by her suicide attempts. The quotes, “I have done it again / one year in every ten” and “I am only thirty / And like the cat I have nine times to die” reveal that she has tried it, it is now a tradition for her to attempt and cause her own death (Plath 1-2, …show more content…
Even if she successfully committed suicide, her imaginative self, the divine person that performed the show, will survive. As any performer, and manipulative persona, the speaker -mimicking Sylvia- is always aware of the effect and power over others. As she now “eat[s] men like hair,” she has grasped her new self that has been reborn after the last attempt: A woman that knows and controls the arts of manipulation and dying in order to survive in a patriarchal and oppressive society (Plath 84). Similarly, Atwood’s “Siren Song” contains the same themes; the Siren is isolated but a men devourer, she does not fear males because she is just like the speaker of Lazarus at the end: manipulative. In her Song, the Siren explains the consequences of listening to her anthem. However, while attempting to scare and alert about her song, she sings it. The beginning sentences “this is the one song everyone / would like to learn: the song / that is irresistible:” captivate the audience just like a Siren’s song captivates her male-prey (Atwood …show more content…
These stories contain a rather cheerful theme: Love. Despite the different perceptions and similarities on it, both authors survey the theme of life and love. In Woolf’s piece, “A Haunted House,” the narrator and her husband live in a house with ghosts roaming that mean good for them. In the story, the turbulence comes when the ghosts want to reunite since they were lovers in life, and eventually they visit the narrator asleep in her bed. Through the idea of transcendence of love, Woolf reveals that the reason why this couple is being haunted is nothing more than love itself. The dead couple come to the realization that love is such a strong nature that the living couple reminds them of their times alive. Ultimately, the ghosts serve as a symbol for transcendence: the living couple realize that, regardless of their actions in this life, their love is so profound that even when they die, their love will never fade. Finally, the narrator asks the couple “Oh, is this your buried treasure? The light in the heart,” realizing that it is such a strong force, that it shall never fade away (Woolf 13-14). Likewise, Atwood also surveys the theme of love in “Happy Ending,” the narrative begins with a simple, straightforward story about a couple who fall in love and follow the
Both Virginia Woolf and Annie Dillard are extremely gifted writers. Virginia Woolf in 1942 wrote an essay called The Death of the Moth. Annie Dillard later on in 1976 wrote an essay that was similar in the name called The Death of a Moth and even had similar context. The two authors wrote powerful texts expressing their perspectives on the topic of life and death. They both had similar techniques but used them to develop completely different views. Each of the two authors incorporate in their text a unique way of adding their personal experience in their essay as they describe a specific occasion, time, and memory of their lives. Woolf’s personal experience begins with “it was a pleasant morning, mid-September, mild, benignant, yet with a keener breath than that of the summer months” (Woolf, 1). Annie Dillard personal experience begins with “two summers ago, I was camping alone in the blue Ridge Mountains of Virginia” (Dillard, 1). Including personal experience allowed Virginia Woolf to give her own enjoyable, fulfilling and understandable perception of life and death. Likewise, Annie Dillard used the personal narrative to focus on life but specifically on the life of death. To explore the power of life and death Virginia Woolf uses literary tools such as metaphors and imagery, along with a specific style and structure of writing in a conversational way to create an emotional tone and connect with her reader the value of life, but ultimately accepting death through the relationship of a moth and a human. While Annie Dillard on the other hand uses the same exact literary tools along with a specific style and similar structure to create a completely different perspective on just death, expressing that death is how it comes. ...
The death camp was a terrible place where people where killed. Hitler is who created the death camp for Jews. The death camp was used for extermination on Jews. This occurred on 1939 – 1945. The death camps were in the country of Europe. Hitler did all this because he didn’t like Jews and the religions. The book Night is a autobiography written by Elie Wiesel. The poem called First they came for the communist written by Martin Neimoller is a autobiography.
Opening the poem, the siren introduces her song as “the one everyone would like to learn: the song that is irresistible” (Charters 914). Many people, leaders or middle-class, would love to use the song to control over others and defeat their enemies. Grazing the surface of the poem, the siren appears to have a tone that is mocking, sarcastic, and condescending towards her victim as she sings her song. The men know that death awaits them if they fall for the song, “they see the beached skulls, but they still “leap overboard” (Charters 914). The Siren entices her victim by promising to tell them the secret of the song in return for helping her escape from her “bird suit”. There are two version of the siren, one with a mermaid tail and the other with harpy wings (Charters 914). Women are very often associated with birds and their songs. These women, just like pets, are sometimes locked up in a cage made of different stereotypes of what a woman could or should be. It was thought that is women were allowed to do wha...
Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men. In The Story of an Hour, the main character, Mrs. Louise Mallard, is a young woman with a heart condition who learns of her husband’s untimely death in a railroad disaster. Instinctively weeping, as any woman is expected to do upon learning of her husband’s death, she retires to her room to be left alone so she may collect her thoughts. However, the thoughts she collects are somewhat unexpected. Louise is conflicted with the feelings and emotions that are “approaching to possess her.”
The collection about Thomas and Beulah was my favorite of the three that we read. I really enjoyed reading the poems about there relationship and trying to understand the dynamics within it. After reading it and giving it some thought, I believe that Thomas and Beulah had a marriage full of love. However I also believe that they lacked something else very important to any relationships especially marriage, respect. I do not think that this was a conscious or deliberate choice made by either I just think that after years of being together they lost sight of what was really important.
Suicide Note, written by Janice Mirikitani, is a poem in which a girl apologizing to her parents and expressing herself and her actions. The poem is well constructed and the author describes many of the feelings using metaphors. The author’s purpose was to show people how many kids felt in her days. Although there is no reason for a person, who chooses to fail and pity themselves, to end there life, let alone write about how they pity themselves. I hate these kinds of poems because they are stupid for such stupid actions, but I guess the author had a reason. No matter the circumstances, not child or adult should take their own
To me it feels Lucy Larcom feelings are kinda Typical. She did mention how she was a country girl and it was un usual for country girls to work out in bigger places because there used to being so independent. I think that she liked it because being a country girl they liked being put to work or were always working hard because working in the country isn't easy. And now they only have to work a few hours a day. And they in joyed only having to work a few hours. In the quote they said that “The preferred it to going out as “hired help.”” Then Lucy went on saying how it was like a mans pleasure in entering upon a business. I do think what he thought was pretty typical and she did In joy it because it was something she has never done before so
For my confirmation, I chose to follow and take the name Cecilia. She was born in the 2nd century to a very rich family living in Rome with a deep connection with God and the angels.
Woolf shifts from describing the process of writing to describing an obstacle. Woolf encapsulates the essence of female expectations by citing the Angel in the House. The Angel in the House references a narrative poem written in the nineteenth century to describe the ideal Victorian woman. Woolf illustrates the Angel in the House “as shortly as [she] can” in order to acknowledge her audience and to make her speech brief and comprehensible for the listening women. Through employing anaphora, Woolf explains, “she was intensely sympathetic...intensely charming...utterly unselfish…” These descriptions are standards for women which the Angel in the House embodied. Woolf expands the audience’s understanding of the Angel in the House by providing concrete examples of her self-sacrificing nature. This is juxtaposed with Woolf’s behavior; Woolf purchased a Persian cat instead of using her earnings to purchase something more practical. Her impractical tendencies are contrasted with the selflessness of the Angel in the House, outwardly depicting that Woolf challenged her expectations as a woman. Woolf employs profound imagery to describe her haunting by the Angel in the House, “The shadows of her wings fell on my page; I heard the wrestling of her skirts in the room.” Through appealing to both visual and auditory senses, Woolf develops the Angel in the House from a creation of her subconscious into a concrete being, which is how she viewed it. Woolf finds the Angel in the House so intolerable she kills it in an act of “self-defence,” claiming that the Angel in the House would have killed her if she had not killed her first. Woolf definitively states, “She died hard,” which is emphatic
“Resurrection of the Errand Girl: An Introduction” establishes the entire collection of poems. The reason for the title, Head off and Split, is introduced, and the themes of social justice, sexuality, and family are presented. This poem enhances the themes and their overall meaning through imagery, historical references, and various literary devices. These, in turn, encourage deeper thought into what is really being said.
When Sylvia Plath was told her father died at the tender age of nine, she bitterly said, “I’ll never speak to God again.” In her brief but indispensable writing career, Plath distinguished herself in the poetical realm with her body of work that includes but is not limited to poems, short stories, and one semi-autobiographical novel. Her legacy lives on through her dark themes laden with powerful images such as the moon and skulls, while a father-type figure acts as a significant force either as a central antagonistic power or an influential shadow looming in the background. Brooding thoughts and despondent emotion overcome the reader when faced with one of Plath’s numerous works such as “Daddy,” “The Colossus,” and “Lady Lazarus.” Sometimes straightforward in understanding, Plath’s works contain intermittently placed, unique choices in diction like “mule bray, pig-grunt” throughout her works. On February 11, 1963, Plath was found with her head placed in her kitchen oven (death by carbon monoxide), yet she continues to resonate with people to this day; is it because we are able to relate to her melancholy and heartache? Or because of our sickening-interest in her suicide and the events that led to it? Maybe it is both. Because of her father’s death at a young age, Sylvia Plath’s poems underlies a theme regarding her suicidal demise and victimization at the hands of a patriarchal society, particularly from her husband, Ted Hughes, and late father, Otto Plath.
Edgar Allan Poe once said, “The boundaries which divide Life and Death are at best shadowy and vague. Who shall say where the one ends and the other begins?”(1). Death and its effects, as well as the mechanics of writing, are depicted in many of Atwood’s works, deeply influenced by her passion for Edgar Allan Poe’s works in literature. Death for Atwood in “Happy Endings” is not simply another macabre literary experiment. Atwood demonstrates that through death, beginnings and endings share a meaning that is one and the same and it resonates throughout the structure, narrative, reader interpretation, and overall tone of this piece of
The extensive descriptions of Mrs. Dalloway’s inner thoughts and observations reveals Woolf’s “stream of consciousness” writing style, which emphasizes the complexity of Clarissa’s existential crisis. She also alludes to Shakespeare’s Cymbeline, further revealing her preoccupation with death as she quotes lines from a funeral song. She reads these lines while shopping in the commotion and joy of the streets of London, which juxtaposes with her internal conflicts regarding death. Shakespeare, a motif in the book, represents hope and solace for Mrs. Dalloway, as his lines form Cymbeline talk about the comforts found in death. From the beginning of the book, Mrs. Dalloway has shown a fear for death and experiences multiple existential crises, so her connection with Shakespeare is her way of dealing with the horrors of death. The multiple layers to this passage, including the irony, juxtaposition, and allusion, reveal Woolf’s complex writing style, which demonstrates that death is constantly present in people’s minds, affecting their everyday
Lady Lazarus repeats the struggle between Nazi and Jew which is used in Daddy, with the Nazi atrocities a background across which the amazing, self-renewing speaker strides. The speaker orchestrates every aspect of her show, attempting to undermine the power an audience would normally have over her. She controls her body, instead of being a passive object of other eyes.
In an essay on feminist criticism, Linda Peterson of Yale University explains how literature can "reflect and shape the attitudes that have held women back" (330). From the viewpoint of a feminist critic, "The Lady of Shalott" provides its reader with an analysis of the Victorian woman's conflict between her place in the interior, domestic role of society and her desire to break into the exterior, public sphere which generally had been the domain of men. Read as a commentary on women's roles in Victorian society, "The Lady of Shalott" may be interpreted in different ways. Thus, the speaker's commentary is ambiguous: Does he seek to reinforce the institution of patriarchal society as he "punishes" the Lady with her death for her venture into the public world of men, or does he sympathize with her yearnings for a more colorful, active life? Close reading reveals more than one possible answer to this question, but the overriding theme seems sympathetic to the Lady. By applying "the feminist critique" (Peterson 333-334) to Tennyson's famous poem, one may begin to understand how "The Lady of Shalott" not only analyzes, but actually critiques the attitudes that held women back and, in the end, makes a hopeful, less patriarchal statement about the place of women in Victorian society.