In Hosseini’s novel, The Kite Runner, mistakes and their confrontation is a major theme. The Kite Runner takes us on the journey of life as an immigrant through the eyes of refugee Amir. It is through the mistakes of Amir and his family and friends that the novel develops. The most significant and central mistake in the novel is of Amir not standing up for Hassan whilst he is being raped. Although this mistake is the most significant and central one, I will also look into two others; Baba cheating with Ali’s wife and Soraya and her previous marriage. To confront our mistakes we may try to ‘redeem ourselves’ by doing good that we believe may make up for this mistake or even just getting this mistake out in the open and talking about it. The Kite Runner shows that people who ‘bottle’ their secrets up as the characters seem to be ‘haunted’ by their past until they confront their mistakes.
As stated earlier the central mistake is that of Amir not going to the aid of Hassan whilst Assef was raping him. Amir never told anyone about what had happened and so he never confronted his mistak...
The way our friends treat us in the face of adversity and in social situations is more revealing of a person’s character than the way they treats us when alone. In Khaled Hosseini’s novel The Kite Runner, ethnic tensions, nationality, and betrayal become the catalyst that drives and fuels Amir, Assef, and other characters to embark on their particular acts of cruelty. Serving as a way to illustrate the loss of rectitude and humanity, cruelty reveals how easily people can lose their morals in critical circumstances. Through Amir, Assef, and the Taliban’s actions, cruelty displays the truth of a person’s character, uncovering the origin of their cruelty. Amir’s cruelty spurs from his external environment and need for love from his father, choosing
Actions made in a moment of pain, anger or simple immaturity can take anyone to make mistakes that can change their lives completely. Everyone has something in the past that is shameful, embarrassing and regrettable that is kept present daily. Whether this event happened during childhood, adolescence or early adulthood, this event could haunt and have shaped that person’s life into what he or she is today. In a similar way, in the book The Kite Runner by Khaled Hosseini is shaped by a tragic and eventful past that has shaped Amir’s, Baba’s, and Hassan’s life. The four literary elements that will be used in this essay that Hosseini strategically uses in this book are: irony, simile, Metaphor, and personification.
Assef is the same guy that rapes Hassan. Amir runs into Assef, who is now apart of the Taliban, while trying to get Sohrab. Amir says, “I’ll pay you for him, … I can have money wired” (282). Amir is trying to buy Sohrab from Assef, but Assef doesn’t need the money. His parents are rich and live in this gorgeous place called Rockingham. He says, “Have you ever heard of Rockingham? Western Australia, a slice of heaven… So if I need money, I’ll have them wire it to me” (282). If Assef needed money, he would just have his parents send it to him. Assef wants something else from Amir. Assef wants to settle some ‘unfinished’ business with Amir. Assef fights Amir, but really he ends up just beating him with brass knuckles. In the end, Amir feels better. He says, “My body was broken-but I felt healed. Healed at last. I laughed” (289). Amir feels the pain of Assef continuously beating him, but he also feels like he is at peace, because when he wanted Hassan to hurt him back, he wouldn’t. He laughs because he is feeling at peace. Now that he has finally gotten what he has been waiting for and what he thinks he deserves. By Amir getting beaten feeling peace, he is finally fulling
The Kite Runner, written by Khaled Hosseini, shows how lying and deceit is a counterproductive route when trying to live with a dreadful past, exhibited through the actions of Amir. Amir’s decision to withhold the truth and blatantly lie in several situations due to jealousy and his desire for Baba to be proud of him amounts to further pain and misery for himself and those he deceives. Because of Amir’s deceit towards Baba and Hassan, his guilt from his past manifests itself into deeply-rooted torment, not allowing him to live his life in peace. The guilt from Amir’s past is only alleviated when he redeems his sins by taking in Sohrab, contributing to the theme that the only way “to be good again” is through redemption, not shunning the past.
In Khaled Hosseini’s inspirational novel The Kite Runner; Amir as a young boy is forced to step up, face his fears and right what once was wrong. The haunting past event that occurred during his childhood creates a dark shadow that has strongly carried its way to Amir’s adulthood. Even after moving away from his home country to another continent, with the hopes to bury those old memories away, Amir finds himself having to go back home to a land that he no longer knows of, and is forced to relive his past childhood with Hassan; his dearest friend. For the first time, he must learn on his own to step forth and face his fears. Can you really make things right again – even after all hope is lost?
It is difficult to face anything in the world when you cannot even face your own reality. In his book The Kite Runner, Khaled Hosseini uses kites to bring out the major themes of the novel in order to create a truly captivating story of a young boy’s quest to redeem his past mistakes. Amir is the narrator and protagonist of the story and throughout the entire novel, he faces enormous guilt following the horrible incident that happened to his closest friend, Hassan. This incident grows on Amir and fuels his quest for redemption, struggling to do whatever it takes to make up for his mistakes. In Hosseini’s novel, kites highlight aspects of Afghanistan’s ethnic caste system and emphasizes the story’s major themes of guilt, redemption and freedom.
The Kite Runner is a book about a young boy, Amir, who faces many struggles as he grows up in Kabul and later moves to America to flee from the Taliban. His best friend and brother , Hassan, was a big part of his life, but also a big part of guilt he held onto for many years. The book describes Amir’s attempt to make up for the past and resolve his sins so he can clear his conscious. Amir is worthy of forgiveness because although he was selfish, he was very brave and faced his past.
The world-renowned novel, The Kite Runner was written by Afghanistan born American novelist Khaled Hosseini. Hosseini was born into a Shia Muslim family in Kabul that later in life decided to move to Paris. Hosseini was unable to return to Kabul due to the Taliban take over, this cause the Hosseini family to seek political asylum in America. The actions that Hosseini witnessed of his beloved home country influenced his novel with the themes of guilt and redemption. “The guilty one is not he who commits the sin, but the one who causes the darkness.” – Victor Hugo. In The Kite Runner the theme of guilt and redemption is shown through the character development of the protagonist Amir. Hosseini used Amir’s guilt of his past to grow the impression that with regret lies a hope for redemption.
Even when Amir was nasty and cruel to him, he had always been a faithful, kind soul. He never doubted that Amir was his friend and that he held a special place in his heart. When Hassan got raped, Amir did not help Hassan. There were ultimately two options: step up to the bullies and rescue Hassan, or run away. Even after hearing Assef say how Amir would never do the same for him, about how he would never stand up for him, he still chose to run away and pretend like he did not just witnessed what had happend. There is also scene where Amir is feeling guilty and both the boys are around a pomegranate tree. Amir just starts pelting Hassan with pomegranates and threatens to him to throw one back. He exclaims, “You’re a coward,” (...). And what does Hassan do? He picks up a pomegranate, but instead of hurling it in Amir’s direction, he smashes it on himself and says, “are you satisfied?” (....). There is this constant pressure on Hassan and Amir’s relationship. The Afghan society would not approve of such “friendship.” Both of the boys were good, but Amir was so young when he made the mistakes that it made the reader question whether there was a way for Amir to be morally good again.
“It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out” (Hosseini). In The Kite Runner, Hosseini shares Amir’s journey to atonement. As Amir states, he was unable to bury his past, similar to his father, Baba, who spent the majority of his life haunted by his sins. While both father and son are consumed by guilt, the way in which they atone for their iniquities is dissimilar. While Baba attempts to live his life according to the Afghan saying, “ Life goes on, unmindful of beginning, end...crisis or catharsis, moving forward like a slow, dusty caravan of kochis [nomads]” (Hosseini 356), Amir strays from this traditional perspective. Baba chose to continue his life unmindful of his past, while Amir, eventually decides to confront his. Although both Baba and Amir have acted immorally, the choices they make find redemption affect the success of their individual attempts. In the novel, Amir’s quest for atonement is more effective than Baba’s because he acts virtuously, while his father, acts selfishly. Ultimately, Amir is the more successful of the two because, in opposition to Baba, he seeks holistic atonement and is willing to make sacrifices to achieve redemption.
In Khaled Hosseini’s The Kite Runner, the author follows the development of protagonist Amir through a life filled with sorrow, regret, and violence. Amir encounters numerous obstacles on his path to adulthood, facing a new test at every twist and turn. Amir embarks on the long journey known as life as a cowardly, weak young man with a twisted set of ideals, slowly but surely evolving into a man worthy of the name. Amir is one of the lucky few who can go through such a shattered life and come out the other side a better man, a man who stands up for himself and those who cannot, willing to put his life on the line for the people he loves.
Though some may rise from the shame they acquire in their lives, many become trapped in its vicious cycle. Written by Khlaled Hosseini, The Kite Runner describes the struggles of Amir, his father Baba, and his nephew Sohrab as they each fall victim to this shameful desolation. One repercussion of Baba hiding his sinful adultery from Amir is that Amir betrays Hassan for his father’s stringent approval. Sohrab’s dirty childhood also traumatizes him through his transition to America. Consequently, shame is a destructive force in The Kite Runner. Throughout the course of the novel, Baba’s shameful affair, Amir’s selfish betrayal, and Sohrab’s graphic childhood destroy their lives.
The story The Kite Runner is centered around learning “to be good again.” Both the movie and the book share the idea that the sins of the past must be paid for or atoned for in the present. In the book, Amir can be seen as a troubled young boy who is struggling with a tremendous amount of guilt. It is easy to blame Amir’s actions on his guilt and his father’s lack of love for him.
During The Kite Runner, Khaled Hosseini reinforces the theme of the loss of innocence and redemption. Many characters lose innocence or are the cause of another character losing theirs. Amir both loses his innocence and that of others. His innocence is stolen by his father. In the novel Amir overhears Baba saying, “‘If I hadn’t seen the doctor pull him out of my wife with my own eyes, I’d never believe he’s my son’” (Hosseini 24-25). This affects Amir for his entire life as he tries to compete with Hassan for his father's attention. He does not realize that in doing so, this crumbles his world as he knows it. It makes Amir resentful, calloused, and even cruel, all of which are characteristics of someone who has lost their innocence. In turn, Amir’s loss of innocence causes other to lose their innocence because of his lack of courage and disregard for others feelings.