Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
king lear as a tragic play
king lear,a tragic figure English story
king lear,a tragic figure English story
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: king lear as a tragic play
King Lear: Shakespeare’s almost Tragic Figure A tragic figure is often defined as an individual that is of noble birth, such as a king or other member of nobility. The individuals around them always respect them, however, they are often responsible for their own downfall, which will eventually lead to their death. Although the play King Lear can be considered one of William Shakespeare’s greatest tragedies, the character King Lear himself, lacks the ability to bring forth feelings of pity within the reader or viewer, thus causing Lear to fall short of also being Shakespeare’s greatest tragic figure. Lear is shown throughout the play as being an egotistical man, and he is seen executing a variety of actions that lead to the reader feeling hate instead of pity, a crucial element that makes a tragic figure. To begin, King Lear makes the conscious decision to split up his land, but he choses the most egotistical way to decide which of his daughter’s received which piece of land. Near the beginning Lear says, “Which of you shall say we doth love us most,/ that we our largest bounty may extend/ Where nature doth with merit challenge,” (I.i.52-54). This quotation demonstrates how Lear was constantly seeking ways to build his ego, and was looking for reassurance that he was still the best man that he could be. It proves to the reader or viewer that Lear is clearly not in his right mind. Demonstrating that maybe this character cannot be trusted, as a true king would not be likely to enact this type of behaviour. Society has trained most individuals that someone who constantly seeks attention is not an individual that anyone should want to associate with. Lear’s attitudes in regards to giving up his land to his daughter’s show that he ne... ... middle of paper ... ... crucial trait of a tragic hero. Overall, while King Lear is able to fit many of the criteria of a tragic figure, such as being arrogant and noble, and also being responsible for his own downfall that leads to his own catastrophic end, he does not execute being a tragic figure well as he is missing the ability to draw pity from those following his story. Through Lear’s careless distribution of land, and the disowning and disrespect of Cordelia, Kent and the fool and the fact that he never understands and is remorseful for the tragedies that he caused, he is unable to become the true tragic figure he could have been. If King Lear had been able to make a change along the way and think about his actions and treatments of people, he would have been able to cause people to feel pity for him, which would have made him William Shakespeare’s greatest tragic figure.
We can all relate King Lear in a way. Sometimes people flatter us and tell us what we want to hear in order to get what they want. The people who really care about us, like the Cordelia’s of the world, tell us what we need to hear and are straight with us. Unlike King Lear, hopefully we don’t find out the hard way, who really has our back.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
King Lear, as poor of a choice as it is, decides to split his kingdom in three parts. This isn’t something he is required by law to do. In fact, he was only expected to bequeath it when he dies to one daughter. With good intentions he gives the kingdom freely without any thought of betrayal. He gives more than he needs to and only asks for love and hospitality from his daughters. However what he receives is nothing but cold- shouldered contempt “I will not speak with him. Say I am sick. If you come slack of former services. You shall do well. The fault of it ill answer”(Act I sc iii ln 8-10). He gives everything to his daughter but he ends up without any love or hospitality returned to him. He has nothing but his fool and the clothes on his back.
The element of Christianity enters here, because King is a God-appointed position, not to be given up. Lear, however, decides to disregard this fact, instead focusing on the immediate gratification he will receive from his daughters, and boosting his self-esteem while making him feel loved. Lear essentially offers his land and power for love, "Which of you shall we say doth love us most? That we our largest bounty may extend where nature doth with merit challenge," forgoing his God-given position and rights.
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
If we seek to justify Shakespeare's King Lear as a tragedy by applying Arthur Miller's theory of tragedy and the tragic hero, then we might find Lear is not a great tragedy, and the character Lear is hardly passable for a tragic hero. However, if we take Aristotle's theory of tragedy to examine this play, it would fit much more neatly and easily. This is not because Aristotle prescribes using nobility for the subject of a tragedy, but, more importantly, because he emphasizes the purpose of tragedy -- to arouse pity and fear in the audience, and thus purge them of such emotions.
King Lear is at once the most highly praised and intensely criticized of all Shakespeare's works. Samuel Johnson said it is "deservedly celebrated among the dramas of Shakespeare" yet at the same time he supported the changes made in the text by Tate in which Cordelia is allowed to retire with victory and felicity. "Shakespeare has suffered the virtue of Cordelia to perish in a just cause, contrary to the natural ideas of justice, to the hope of the reader, and, what is yet more strange, to the faith of chronicles."1 A.C. Bradley's judgement is that King Lear is "Shakespare's greatest work, but it is not...the best of his plays."2 He would wish that "the deaths of Edmund, Goneril, Regan and Gloucester should be followed by the escape of Lear and Cordelia from death," and even goes so far as to say: "I believe Shakespeare would have ended his play thus had he taken the subject in hand a few years later...."3
The passage given comes from Act 1; Scene 1 of ‘King Lear’. This initial scene is what would be called the ‘initiation of tragedy’ in this context as it supplies the tragic hero; in this case Lear himself with the road to his downfall. Lear is proclaimed as the ‘tragic hero’ as he adheres to the conventions of one. To be more precise, Lear contains within himself a fatal flaw and in this case it is his excessive pride as a King. It is this position; monarchy
actions can cause a great deal of predicaments for a leader such as King Lear, mainly
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
The first stage of Lear’s transformation is resentment. At the start of the play it is made quite clear that Lear is a proud, impulsive, hot-tempered old man. He is so self-centered that he simply cannot fathom being criticized. The strength of Lear’s ego becomes evident in the brutal images with which he expresses his anger towards Cordelia: “The barbarous Scythian,/Or he that makes his generation messes/To gorge his appetite, shall to my bosom/Be as well neighboured, pitied, and relieved,/As thou may sometime daughter.” (1.1.118-122). The powerful language that Lear uses to describe his intense hatred towards Cordelia is so incommensurable to the cause, that there can be only one explanation: Lear is so passionately wrapped up in his own particular self-image, that he simply cannot comprehend any viewpoint (regarding himself) that differs from his own (no matter how politely framed). It is this anger and resentment that sets Lear’s suffering and ultimate purification in motion.
King Lear by Shakespeare portrayed the negative effects of power resulting in destruction caused by the children of a figure with authority. Through lies and continual hatred, characters maintained a greed for power causing destruction within their families. The daughter’s of Lear and the son Gloucester lied to inherit power for themselves. Edmund the son of Gloucester planned to eliminate his brother Edgar from his inheritance.
King Lear is a play about a tragic hero, by the name of King Lear, whose flaws get the best of him. A tragic hero must possess three qualities. The first is they must have power, in other words, a leader. King Lear has the highest rank of any leader. He is a king. The next quality is they must have a tragic flaw, and King Lear has several of those. Finally, they must experience a downfall. Lear's realization of his mistakes is more than a downfall. It is a tragedy. Lear is a tragic hero because he has those three qualities. His flaws are his arrogance, his ignorance, and his misjudgments, each contributing to the other.
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
The play of King Lear is a tragedy like many of Shakespeare’s plays, and many of them deal with the tragic hero that end up meeting their demise thanks to their tragic flaw. The tragic hero of this play is King Lear, and he is a man that is a ruler of the kingdom of Britain in the 8th century B.C. He is a very old man surrounded by grave responsibilities, which are taking care of the land and taking care of the citizens of the kingdom. Lear the tragic hero must feel suffering and contrast those good times to the suffering, except his suffering leads to chaos and ultimately his death. The definition of a tragedy from our class notes is, “an honorable protagonist with a tragic flaw, which is also known as a fatal flaw. This eventually leads to his/her demise” (Class Notes). The definition of a tragic hero if laid out in black and white and King Lear meets all these requirements and his nobleness initiated his tragic flaw. King Lear is a tragic hero because he is a man that is very arrogant and does not see the world for what it really is. We can show how Lear is a tragic hero by using some of the elements of Aristotle’s definition of a tragic hero that are nobleness, arrogance (tragic flaw), and reversal of fortune.