Kinetic Sculpture

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Kinetic Sculpture

A six foot circular cast iron table is perfect to gather around for conversations. If one drops a glass on it there’s no doubt it will shatter. Tonight me and three kinetic sculptors will gather around the table to eat and discuss matters of sculpture. Where it is moving and what the best parts of it there are.

Wm Dubin is on a plane from Ireland right now. He is an excellent craftsman who’s been around for a long time, since the abstract expressionist movements of the early 1950’s. His work is quite elusive, it has never been collected by anyone. He is somewhat like William Blake. He’s an older man now, he’s got hairy ears. Keeps to himself. People I’ve talked to say he can be found wandering the streets of industrial zones, top hat and cane just staring at the steel ghosts of the Irish industrial era. This is where he pulls most of his inspiration. Its always hard to please old people, they must have things their way, they’re just used to it. My guess is that he probably eats like an old factory worker. Mashed potatoes, stew, beef stuff that a factory worker eats after a hard days work.

His sculptures look like industrial parks fit for a world of people a quarter inch tall. There is gears, motors, engines, and polished pipes that lead to unknown places. The constant sound of electricity and firing of pistons all in uniform motion. He has such skill at precision tuning he could have been an excellent machinist. He believes in balancing technical skill and creative intuition. In the 1950’s this was looked down upon by the schools and artists, due to the abstract expressionist movement. Dubin was considered the enemy, his sculptures were polished, technical, and functional and in a school were free expression and uselessness of methodical approaches were embraced Dubin was an outsider. Maybe this is why he keeps to himself.

The American

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