Key Features Of Humanism

Humanism is a balanced arrangement of thought concentrating position on human rather than heavenly or supernatural matters. Its not motionless, It is a liberal philosophy of life that, without any divine belief, authorizes our skill and concern to principal decent lives of individual serenity that seek to the greater worthy of humanity. Heather Dorrell suggested that "Humanism is a rational philosophy based on belief in the dignity of human beings, informed by science and motivated by human hope and human compassion." It claims that individual authority is an conclusion that must be collected with shared concern in order that it shall not be foregone to the enhancement of material conditions. Humanism also relies in the expansion of art,

Key figures include Aphra Behn and Shakespeare.

Types of humanism:

Renaissance Humanism: was developed

Western Cultural Humanism: was rational

Philosophical Humanism: on human need.

Christian Humanism: a philosophy advocating the self-fulfillment of man within the framework of Christian principles.

Realistic Humanism: is defined by unique of its foremost proponents, Corliss Lamont, as "a naturalistic philosophy that rejects all supernaturalism and relies chiefly upon purpose and science, democracy and human compassion."

Religious Humanism: largely emerged out of Ethical Culture, Unitarianism, and Universalism.

High Renaissance

It centred in Italy, Early 16th Century. The High Renaissance was the conclusion of the artistic growths of the Early Renaissance, and one of the excessive detonations of original intellect in history. The three of the greatest artists in history: Michelangelo Buonarroti, Raphael and Leonardo da Vinci.

By about the 1520s, High Renaissance art had become exaggerated into the style known as Mannerism.During the High Renaissance, architectural concepts derived from classical antiquity were established and used with greater

The plans of Renaissance buildings typically have a square, symmetrical appearance in which proportions are usually based on a module. The primary features of sixteenth-century structures, which fused classical Roman technique with Renaissance aesthetics, were based in several foundational architectural concepts: facades, columns and pilasters, arches, vaults, domes, windows, and walls. Renaissance architects also incorporated columns and pilasters, using the Roman orders of columns (Tuscan, Doric, Ionic, Corinthian, and Composite) as models . The orders can either be structural, supporting an arcade or architrave, or purely decorative, set against a wall in the form of pilasters. During the Renaissance, architects aimed to use columns, pilasters, and entablatures as an integrated system. Renaissance vaults do not have ribs and are semicircular or segmental and on a square plan, unlike the Gothic vault which is frequently rectangular. The barrel vault was returned to architectural vocabulary, as at the St. Andrea in