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The Great Wave Hokusai analysis
The great wave analysis
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The Great Wave or Under the Wave off Kanagawa is one of the most well known pieces of Japanese Art. It was created by Katsushika Hokusai between 1830-1832 during the Edo period. The Great Wave is a polychrome woodblock print measuring 10 ⅛ x 14 15/16 inches. In this critique, we will analyze Hokusai’s processes and use of design for The Great Wave. It is estimated that Hokusai created 30,000 pieces of art during his lifetime. Many artists changed their names a few times during their career, but Hokusai had at least thirty names that he went by. These name changes usually accompanied an artistic change. He began his artistic career painting designs on mirrors at the age of six in his father’s mirror making shop. He worked as an apprentice …show more content…
First, the three boats form a pattern of their own. Next, the fishermen on the boat are all clinging to the boat in the exact same way on every boat. Their round white heads with blue outfits form a pattern with their shape and color. Then we have a pattern within the water in multiple areas. One is with the dark blue color forming a stripped pattern with the white of the crest. The second is the dark blue forming a stripped pattern with a lighter shade of blue on the main wave. The third is the curled wave pattern on the crest of the wave. The last pattern is the repetitive dots made by the water splashing. All of these patterns aid in adding unity to the piece.
The Great Wave is a wonderful example of unity. The patterns mentioned above are repeated throughout the entire composition. The colors aid in unity by tying Mount Fuji together with the main wave. The fishermen’s outfit also match the color of the water. The background color used for atmosphere matches the color of the fishermen’s boat. The colors nicely complement each other and tie everything together. The curves used on a large scale and small scale unify the piece so that nothing is unusually
In 1857 Ando Hiroshige created a woodblock print titled Riverside Bamboo Market, Kyobashi representing a scene in Japan. The print is of a blue river, a bridge, and what looks like a mountain of bamboo. People are shown walking on the bridge as if they are entering the bamboo market. The colors in the artwork give off a calm feeling and the lines draw you into the details of the work. Calling the print Riverside Bamboo Market, Kyobashi, Ando Hiroshige presents the river as a market where people come to gain items to sustain focusing on the abundance of bamboo.
Gloria Skurzynski’s “Nethergrave” is a superior work of science fiction compared to Ray Bradbury's "A Sound of Thunder" because it has a more important theme, has better characterization, and is much more original. To elaborate in other words, Nethergrave artistically conveys a meaningful message through a distinct story while A Sound of Thunder bluntly restates a generic idea.
One way that the author develops the theme is with the use of similes. Murakami writes: “A wave like a huge snake…”(362). This quote is describing the huge wave that is about to strike the beach. The purpose of this simile is to make the wave seem alive
Norton, Deborah. “Japan Unique Fiber Art: Ikebana,” Surface Design Journal 17.1 (2002): 38-45. Art Source.
I learned about many significant artwork and artist in this class. This class provided me with a better understanding of the history of the world Art, but also helped me understand the development of art style. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
At first glance, the cheerful bright blue sky on the upper portion of the painting caught the most attention. The second dominant feature is the small sailboat with seagulls on the background where Monet illustrated in brightest white. Examining closely in that particular area, it is noticeable that the artist intended to incorporate a sheer layer of white surrounding the sailboat to create the illusion of sheen light breaking through the clouds and reflecting into the ocean. Monet used a variation of values along with the combination of heavy and light individual brushstrokes to create uneven tones to show the movement of the water caused by the weather and the sun. Several layers of underpaint can also be seen as the artist’s intention for the waves to appear fuzzier. The fuzzy wave in the foreground to the right is slightly bulged from the canvas showing the finer brushstroke slightly dabbed on the surface. Dense cracking is present all over the painting possibly due to the painting being very
In the book “The Great Sea”, author David Abulafia goes thru the history of the Mediterranean. Trade starts in one place and will link to other civilizations in the Mediterranean.
One idea to keep in mind is the inspiration behind Vox Balaenae. Crumb was ispired to write ?Voice of the Whale? after hearing the sounds of whales singing underwater. Vox Blanaenae represents sounds of nature , rather than therfor I feel that I believe that an analysis of Vox Balaenae should be done from a greater distance with less complex analytical tools. The piece is an overview of the begining of time through the end of time. Crumb makes this very clear by naming each of the variations after archeologial periods of time, Each movement represents a step in the evolutionary process , therfor the musical evolution should be observed and listened to in a similar manner. Crumb very appropiatly chose the form of theme and variation to bring the evolution of nature to music. Theme and variation requires that a theme , such as the Sea Theme , must pass on some element of itself to its variations. This mirrors the idea that at the begining of time there was one single ?thing? , and everything else flowed from it. This was Crumb?s goal, and if you listen to the piece , he achieves it. The observation of the Sea Theme and the first two variations provides excellent examples of what Crumb was doing. There are several important aspects of Vox Balaenae that makes it very cohesive and effective.
There are four men stranded on a boat who are introduced in the beginning of the story. The cook, the oiler, the correspondent, and the captain are all on a boat that "a man ought to have a bath tub larger than" (360). As the men fight the crest of each wave they encounter, it is obvious that this is a desperate situation. Showing their powerlessness the narrator describes a group of birds as sitting ."..comfortably in groups, and they were envied by some in the dinghy, for the wrath of the sea was no more to them than it was to a covey of prairie chickens a thousand miles inland" (363). Even though the men are in grave danger, the sun rises and sets and a shark even swims by but seems to have no need for the men in the boat. The men even believe that the waves are harsh on them and want to capsize the boat. The narrator explains that "[the waves were] nervously anxious to do something effective in the way of swamping boats" (361). Even though it is obvious that the ocean always has waves, it is hard fo...
In the novel Under a Cruel Star, written by Heda Margolius Kovaly, a Jewish woman that lived in Prague, Czechoslovakia during Nazi and Soviet rule of her country, the author tells about her life of always living under terrible circumstances. Whether it was from being sent to the ghettos or Nazi concentration camps at a young age, or living under fear of terror during the Soviet Communist rule of Prague, she seems to always look for the glimmer of hope in all her experiences. “The little bird, the third force, kept me alive to tell the story” (5). In this quote, this “little bird” that she references is the slight flicker of freedom that she sees at the end of every bad thing she is faced with. This book reminds people that the history of human’s
Jarves, J (1984) A Glimpse at the Art of Japan Charles E. Tuttle, Tokyo, Japan.
From the beginning, the four characters in the aftermath of a shipwreck do not know "the colour of the sky" but all of them know "the colours of the sea." This opening strongly suggests the symbolic situations in which human beings are located in the universe. The sky personifies the mysterious, inconceivable cause of reality , which humans cannot understand, and the sea symbolizes the earthy, mundane phenomenon, which humans are supposed to perceive. The symbolic picture generated by the above conflict implies the overall relationship between the individual and nature. In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans.
Overall the artist does make a unified scene in this composition. Birch used these principals of design to make his composition more effective like balance, movement, repetition and unity. The composition seems balanced because most of the subjects in the painting are all equally distributed and proportioned.
In The Sound of Waves, Yukio Mishima creates an exquisite story which has strong idealistic and mythic features. Although Mishima writes of young love and tranquility in The Sound of Waves, his later works are categorized as aggressive and containing violent sexual actions. Even Mishima himself referred to The Sound of Waves as "that great joke on the public" (qtd. in Ishiguro 385). However, one cannot compare this novel to Mishima’s other literary pieces; in order to classify it as romanticized, one must evaluate the usage of imagery, an idealized setting, mythical allusions, and characterizations which establish the romantic-driven qualities in The Sound of Waves.
Customs and beliefs is what make up a tradition, and tradition is the way one lives their life. In the novel, The Sound of Waves, Yukio Mishima exposed his own view on Japanese traditionalism. Throughout this novel, it is shown that Yukio Mishima believed that Japanese tradition consists of an organized social class, the Bushido code, and going after what one truly believes should be theirs. Mishima illustrated these personal views of Japanese traditionalism through the actions of the Shinji.