Kate Chopin’s The Awakening

She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her life, lets her goal become clouded instead of learning to depend on herself alone. Edna wants to overcome gender stereotypes, and is already using behaviours such as assertiveness and independence to question them, but the struggle is new to her and she fails to discover a method that would allow her to successfully leave behind society's preconceptions. Martin writes, Ambition, striving, overcoming odds, the focusing of energy on a goal are habits of mind associated with masculine mastery. A woman who wants to develop these skills has to defy a centuries-old tradition of passive femininity[.] .

Her choices to have affairs and disregard her vow of marriage represent her impaired judgment. The change in her attitude and interests becomes quite irresponsible, and that change along with her final decision to commit suicide tell the reader that Edna Pontellier is not capable of making valid judgments. Had Edna Pontellier been of sound mind and body, she would not have ended her young life by suicide. The fact that she can clearly and easily turn to such an alternative suggests that she is depressed and obviously in opposition to the church. The thoughts and actions of Edna Pontellier are solely determined by her manic depressive state, her apparent repressed abuse from her childhood, and her abandonment of Christianity.

4th ed. London: Bloomsbury Publishing Plc, 2001. 41-42. Print. Gilbert, Sandra, and Susan Gubar.

Choosing between Family and Individuality in Kate Chopin's The Awakening Kate Chopin's The Awakening focuses on a woman's struggle to become an individual while still being a mother and wife. In the process of this journey, the female heroine discovers that establishing her own identity means losing a mother's identity. Edna looks to be the "brave soul," a "soul that dares and defies" (Chopin 61). Edna's society looked down upon females who seek anything other than attending to their children and husband's needs. Therefore, she is seen as an outcast and must turn inward as well as outward towards nature for satisfaction and approval.

Edna's Escape The Awakening Edna’s Escape The ending of Kate Chopin’s The Awakening is both controversial and thought provoking. Many see Edna Pontellier’s suicide as the final stage of her “awakening”, and the only way that she will ever be able to truly be free. Edna’s suicide, however, is nothing more than her final attempt to escape from her life. Edna Pontellier’s life has become too much for her to handle, and by committing suicide she is simply escaping the oppression she feels from her marriage, the suppression she feels from her children, and the failure of her relationship with Robert. Edna Pontellier’s marriage is a failure in her own eyes.

The casting away of her ring symbolizes Edna throwing off the shackles of society and a loveless marriage to be her own person. She stamps on the ring, showing her distaste for her path in life and her choices in the past. Edna’s madness, and break down, show her deteriorating patience with her life and the mothering façade she wears day to day. Society views her as mad when she moves out of her husband’s house to live on her own. She breaks away from her life to set herself

New Essays on the Awakening. Cambridge: Cambridge UP, 1988. Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Westport, CT: Greenwood, 1990. Seyersted, Per.

Farmington Hills: Gale, 1999. 34 vols. 41-44. Print.

Cambridge: Cambridge UP, 1988. Papke, Mary E. Verging on the Abyss: The Social Fiction of Kate Chopin and Edith Wharton. Westport, CT: Greenwood, 1990. Showalter, Elaine. "Tradition and the Female Talent: The Awakening as a Solitary Book."

Keesey, Donald, Contexts for Criticism. Mayfield Publishing Company, 1994. Martin, Wendy, ed. New Essays on the Awakening. Cambridge: Cambridge UP, 1988.