Kate Chopin: Feminism In The Late Nineteenth Century

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In the context of a tumultuous time for the United States that was undergoing drastic changes socially, politically and ideologically, Kate Chopin published her first novel At Fault in 1890. Probably not aware of her role as one of the forerunners of the feminist movement in the late nineteenth century, Chopin embarked on expressing what women do feel, experience and suffer in their everyday lives. The first seeds of feminism, effectively, started essentially with the emergence of a group of women writers in England as well as in the United States who dared to speak about women from the standpoint of women and targeting a female audience. In spite of the fact that women had been taught to keep quiet, repress their voices and “internalize the codes of genteel womanhood” (Showalter 177), women writers during the nineteenth century attempted to reconstruct themselves as free individuals and refashion the image of the ideal woman. This was possible through writing that enabled them to “break new ground[s] and create new possibilities” (Showalter 19). G.H Lewes defines “female literature” as the articulation of women’s experience which “guides itself by its own impulses to autonomous self-expression” (qtd. in Showalter 13). Following women’s awareness of the unequal treatment they receive from men, their
Literature at Chopin’s age reflected a predominantly masculine ideology that used to ban women from this realm due to their presumed inferiority. Even if women were allowed to write, their writing should abide by the religious and moral conservatism of the era. To put it differently, women’s writings were deemed valuable only if proved appropriate for the adamant moral and religious

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