Kasimir Malevich
Kasimir Malevich, a Russian painter and designer, was born near Kiev on February 26, 1878 (Guggeheimcollection.org) and was “one of six children from Russified Poles” (Articons.co.uk). While living in Ukraine, he became absorbed into art during his teens, “largely teaching himself” the basics (Articons.co.uk). After saving his money “from his job as a railroad clerk” (Articons.co.uk), Malevich enrolled in the Moscow Institute of Painting, Sculpture, and Architecture in 1903 and began to study art more seriously. Later he trained at Kiev School of Art and Moscow Academy of Fine Arts and “produced portraits, landscapes, and genre scenes” in his early stages of his career (Artstudio.com).
By 1907 Malevich “took part in the Moscow Artists' Society's twice yearly exhibition along with such artists as David Burliuk, Aleksander Shevchenko and Natalia Goncharova” (Articons.co.uk). “He began working in an unexceptional Post-Impressionist manner, but by 1912 he was painting peasant subjects in a massive `tubular' style similar to that of Leger as well as pictures combining the fragmentation of form of Cubism with the multiplication of the image of Futurism” (ibiblio.org).
In these initial years of study, art was not the only interest in Malevich’s repertoire. “In 1913, with composer Mikhail Matiushin and writer Alexei Kruchenykh, Malevich drafted a manifesto for the First Futurist Congress” (Guggenheimcollection.org) and began taking a “more philosophical and theoretical approach to art” (Articons.com). Also in that year, the artist “designed the sets and costumes for the opera Victory over the Sun” for these friends which was showed at the Salon des Independants in Paris in 1914.
Kruchenykh and others introduced Malevich to the “ the notion of ‘zaum’” in 1913, which was a “state where experience occurs beyond the naturally perceived world” (Articons.com). “This concept and his work for the Cubo-Futurist opera Victory Over The Sun (1913) propelled Malevich into the style of Suprematism” (Articons.com). It was at this time he began “creating geometric patterns in style he called Suprematism” (ibiblio.org). Although Malevich claimed to have created a picture “consisting of nothing more than a black square on a white field,” (ibiblio.
Modris Eksteins presented a tour-de-force interpretation of the political, social and cultural climate of the early twentieth century. His sources were not merely the more traditional sources of the historian: political, military and economic accounts; rather, he drew from the rich, heady brew of art, music, dance, literature and philosophy as well. Eksteins examined ways in which life influenced, imitated, and even became art. Eksteins argues that life and art, as well as death, became so intermeshed as to be indistinguishable from one another.
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
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This paper discusses the artist, Leon Bakst and his influences in the Ballet Russe as a costume and scenic designer and analyses its significant social message (political message, or etc.) as related to its time period.
...). A future research idea piggybacks on this program by encouraging an initiation of state and/or national legislation, specifically for change moving towards healthier school nutrition and additional school nutrition education. This legislation would also mandate increases in the amount of time children are allowed for physical activity in their school day as a lack of physical activity is a huge risk factor for overweight and obesity. Another thought is to designate a school health coordinator who will be responsible for maintaining and continuing the positive work that this study began. Utilizing the success of this program and others like it in this regards will lead to action on all levels of the social ecological framework. Ultimately, a multilevel examination of determinants and interventions needs to be aimed at preventing child overweight and obesity.
It is imperative that society coalesces to help prevent childhood obesity. No child or parent wants to suffer through any type of heart condition or disease, whether it be now or later on in their lives. Experts have seen the rising obesity rate as a wake-up call to take the “epidemic” of childhood obesity very seriously. Because of the fact that childhood obesity is interconnected with so many health issues it significantly affects lifespans. Childhood obesity can be prevented and needs to be in order to ultimately save the lives and future lives of children.
The effects of obesity in children are immediate health problems as well as long term health problems. According to the WebMD article “Children’s Health” states that “children have fewer weight-related health and medical problems than adults. However, overweight children are at high risk of becoming overweight adolescents and adults, placing them at risk of developing chronic diseases such as heart disease and diabetes later in life.” Obesity has negative effects on children, which raises concern, because lon...
For the past 10 years, obesity has become an epidemic. Not only adults are obese but children as well. The number of children with obesity keeps increasing each year. There are children being diagnosed with type 2 diabetes and other serious health problems due to their obesity. Some experts are predicting that obesity will became the number one leading cause of premature death, instead of tobacco. There are many ways to prevent obesity in children and is up to the parent, to provide their children with healthier food options.
Further evidence is becoming available of more detailed analyses of the incidence of obesity by age, sex and geographical region. Using graph (i) below, produced for the National Child Measurement Programme from the NHS Information Centre (2009), we can see that the percentages of children falling into the “underweight”, “overweight” and “obese” categories remain generally stable over the three years reviewed, except that there was an increase of just over 1% in the “obese” category between 2006/07 and 2008/09. It is, however, disturb...
The painting was done near the beginning of the twentieth century when science was developing at a rapid rate. Einstein's Theory of Relativity was gaining ground at the time. Malevich's painting seemed to borrow from this theory that attempted to explain relative motion. His suprematism style attempted to capture a neo-realism in painting portraying pure feeling and perception. This new style was communicated by the discarding of natural references. Malevich grew tired of painting in the traditional style with everything looking and feeling the way they are in life. His new style tried to free viewer from their traditional a priori views concerning shape and colors imposed on them by their senses. Suprematist style focuses was on depictions of movement and dynamism. Flight and anti-gravity fascinated Malevich. Much of his paintings were a top down view of the subjects arranged on a white background. The white background represents infinite space, while the subjects were reduced to geometric blocks. The message of the paintings comes out in the relative position of the blocks to the background. The infinite background of the paintings is to divorce the paintings from the finite earth. Malevich himself said that his paintings "do not belong to the earth exclusively." The paintings sought to transcend to a different level. Malevich's suprematist style sought to take people to the fourth dimension, which was pure sensation.
Felix Mendelssohn was one of the most famous composers during the 19th century. Although in his music he did show some features of romanticism, he was strongly influenced by traditional genres such as counterpoint etc. In this essay, the biography of the composer, background of the genre and analysis of the piece will be investigated
In recent years, same-sex relationships have become more encompassing in US society. State legislation is changing such as accepting gay marriages, enforcing anti-discrimination laws, and legal gay adoptions; the lesbian, gay, bisexual, and transgender community is becoming public. Gay-headed families, like heterosexuals, are diverse and varying in different forms. Whether a created family is from previous heterosexual relationships, artificial insemination, or adoption, it deserves the same legal rights heterosexual families enjoy. Full adoption rights needs to be legalized in all states to provide a stable family life for children because sexual orientation does not determine parenting skills, children placed with homosexual parents have better well-being than those in foster care, and there are thousands of children waiting for good homes.
Homosexuality is becoming more and more accepted and integrated into today’s society, however, when it comes to homosexuals establishing families, a problem is posed. In most states, homosexuals can adopt children like any other married or single adult. There are many arguments to this controversial topic; some people believe that it should be legal nationally, while others would prefer that is was banned everywhere, or at least in their individual states. There are logical reasons to allow gays to adopt children, but for some, these reasons are not enough. The main issue really is, what is in the best interest of the child? This type of problem isn’t really one with causes, effects, and solutions, but one with pros and cons. Like any other adoption situation, a parent prove themselves to be responsible and capable enough to raise a child on their own, or with a spouse.
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...1. Influenced by the futurists and is known to have been one of the founders of Constructivism, he left painting because of its decorative aspect and subjectivity. He was more interested in carrying on a universal language and believed that art should serve a cause. In these harsh terms he completely discarded painting, saying “Down with art if it is an escape route from a meaningless life! Not for art that reproduces the external world, prettifying it with a decorative mantle, but for a constructive art that reflects our way of life.” (The Future is our only Goal) This quote is embedded in my mind as I think of Rodchenko’s line of work and how he was against the painterly aesthetic but managed to undertake painting once again in his last years of his career. A medium that he left forgotten throughout his work describes both the start and end of his career.