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Character development broad point
The use of symbolism in the novel
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Traditions in a culture can influence how the citizens in a society live their day-to-day lives. A very influential tradition is superstition, which has guided many lives since the beginning of time. For this reason, superstition has played a main role in many important pieces of literature. This is seen in William Shakespeare’s who worked with many professionals such as Plutarch who helped influence Shakespeare into writing this tragedy, The Tragedy of Julius Caesar (1623), the tradition of superstition is gone against many times throughout the play. This being why the misinterpretation and going against the traditions of Roman culture lead the demise of many characters throughout The Tragedy of Julius Caesar. The tradition of superstition …show more content…
This dream is explained by Caesar when he says “...she dreamt tonight she saw my statue, which, like a fountain with an hundred spouts, did run pure blood, and many lusty Romans came smiling and did bath their hands in it...”(act 2, sc2). The use of imagery is used to support the foreshadowing of Caesars death on the Ides of March. Often the characters throughout this play misinterpret these bad omens, this misinterpretation can be caused by the fact that when these omens occur the characters do not agree with what the omens are telling them. This can be seen when Calpurnia is telling Caesar about her dream, Caesar begins to think about what the dream meant Decius tells Caesar that this dream is good. So when Caesar is contemplating whether or not to take this dream seriously Decius arrives at Caesar’s home and begins to convince him that he has interpreted the dream incorrectly and that in fact the dream was a good omen not a bad omen,“ This dream is all amiss interpreted; It was a vision fair and fortunate; Your stature spouting blood in many pipes, in which so many Romans bathed, Signifies that from you great Rome shall suck, Reviving blood, an that great men shall press, for tinctures stains relics cognizance, this by Calpurnia/s dream is signified.”(act 2 scene 2). When Caesar ignores his wife Calpurnia’s warnings this shows …show more content…
But when some ignore the signs of the superstition it can dramatically affect the lives in a negative way of those who go against the signs. This can be seen when Cassius and Caesar ignore the storm on the night before the assassination. In literature unfortunate weather is sign of a bad event coming, so when the storm happens Cassius says, “Now could I, Casca, name to thee a man, Most like this dreadful night.”(Scene 1 act 3). Instead of Cassius relating the storm to Caesars death and what will happen after his assassination, he relates is to Caesars powerful existence and how it is not good for Rome. So instead of being able to avoid the repercussions of Caesars death and listening to the bad omen of the storm he could have recognized how this plan would not was not beneficial in the long run. Cassius misinterpreted the storm in his own way, he did not want the storm to represent Caesars death, he did not even consider the fact that that the storm may relate to the conspirators plan. Cassius wanted to kill Caesar out of jealousy and anger and nothing was going to stop him no matter what bad omen may have came from Caesars death. Another misinterpretation that can be seen from this play is when he is about to be leave for the Senate and his servants come in and warn Caesar not to go to the Senate just like Calpurnia had before.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
Cassius needed a reason to motivate Brutus to join the conspiracy so that the plan would develop. “Brutus, I do observe you now of late: I have not from your eyes that gentleness…” (1.2.34) Cassius is saying that Brutus hasn’t been as affectionate toward him as he typically is. Maybe he suspects something is wrong with Brutus and he thinks it has something to do with Caesar. But I think he didn’t really care about how Brutus was treating him, he was just “buttering him up” so to say. Brutus thinks that Cassius is just being his friend and trying to help, when in reality Cassius is manipulating him. This manipulation of friendship is what drives the rest of the play. Brutus has a hard time seeing through this manipulation of Cassius and it ends up driving him to assassinating his friend, Caesar. Cassius fabricated letters to make them seen like they were from the people of Rome saying that they wanted Brutus as their leader. These letters were really the controlling factor of the assassination because they gave Brutus another reason to assassinate Caesar. Cassius then realized how easy it was to manipulate Brutus. “Well, Brutus, thou art noble. Yet I see thy honorable mettle may be wrought from that it is disposed. Therefore it is meet that noble minds keep ever with their likes; for who so firm that cannot be seduced?” (1.2.320-324) Cassius is saying that even
Much of Rome perceives Caesar as a superior being and immortal, but Cassius holds a contrasting perspective of Caesar. There is a point in his story where Caesar is crying for help, “Help me, Cassius, or I sink!” (111). Cassius also reveals a time when Caesar fell ill in Spain and how Caesar was completely taken over by this sudden sickness, “And when the fit was on him, I did mark/ How he did shake-’tis true, this god did shake,” (120-121). Cassius tells of Caesar’s weakest points, exposing moments in which Caesar does not seem godly at all. By illustrating the time in which Caesar fell ill Cassius proves that Caesar is not a celestial because become gods do not become ill, only normal citizens do. Cassius diminishes Caesar’s godly nature by illustrating how this great immortal being, cannot swim or can become terribly ill, just as any other commoner. Cassius, by exposing these moments in Caesar’s life, demonstrates to Brutus that Caesar is not fit to be a leader and is not the god Romans perceive him to be; his actions create a different person than his words. This supports Cassius’ point that Caesar is not fit to be a leader because Caesar is deceiving the people of Rome. Cassius continues to elaborate on his episode when he informs Brutus that he was crying for others to bring him water, “Ay, and that tongue of his that bade the Romans/Mark him, and write his speeches in their books,/Alas it cried, ‘Give me some drink, Titinius” (125-127). The great Caesar, whom others admire and document his words, is now begging for a drink to help him recover from the sudden illness. Cassius emphasizes how Caesar is not divine since he cannot manage sudden, challenging events. He reveals how Caesar whose words can persuade the citizens of Rome is now begging for someone to help him. This diminishes his godly nature because it demonstrates how weak Caesar can become in an instant.
Caesar’s lack of somewhat savage Machiavellian traits foreshadows his downfall a multitude of times. From the beginning, the soothsayer warns him to watch out for the Ides of March. There are also bad signs; men in fire walks up and down the streets, and a lioness gives birth on the streets. Likewise, before he heads to the Senate House to receive the crown, Calphurnia tells him that she has had a nightmare, and pleads him to stay home. However, he ignores all the premonitions and moves toward where the Senators are, with no one to protect him when he is in danger. This action of Caesar contradicts the teachings of Machiavelli, “Before all else, be armed” (The Prince). As a result of his carelessness, the conspirators see that he has no chance of circumventing, and assassinates him. Similarly, he is unsuccessful in recognizing the outrage of Cassius and a few others; he isn’t doubtful enough of their secretive deeds and eventually loses the reigns to eliminate the defiance. "The same thing occurs in affairs o...
Throughout the play The Tragedy of Julius Caesar by William Shakespeare both fate and free will is demonstrated. Cassius argued that everyone has the power to change their future in what they do when Casca came to him frightened by omens. Though, omens have seemed to prove correct throughout the play, therefore it dominates the argument of Fate versus Free Will. All major events had an omen foreshadowing it. The first five were seen by Casca throughout the day.
The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings (1.2.139-141).” Through careful and strategic planning is Cassius able to persuade Brutus, a man who “for his virtue and valiantness, was well-beloved of the people (“Sources” 120),” into conspiring and acting upon the death of Caesar. Caesar also believes that men control their own fate by stating, in response to the omens and portents, “Danger knows full well / That Caesar is more dangerous than he (2.2.44-45).” Through this quote, Caesar presents his belief that he has the ability to overcome a superstitious fate. Therefore, he ignores all the signs and omens and thus determines his fate through an action that would seal his death.
In conclusion, Decius’s argument prevails, for he argues in what appeals to Caesar, while Calpurnia tries to scare Caesar with things that scare her. Caesar is not frightened by bad omens, but he worries over lack of power. Caesar decides to go the Capitol, and his impending death.
Cassius was the one who approached Brutus with the idea of conspiring to kill Caesar, who would soon become the king of Rome. Cassius proposed this matter to Brutus because he knows that Brutus is one of the most noblest men in Rome and would do anything for his country even if it meant sacrificing his own life. They both knew that Caesar’s upcoming coronation posed a threat to the ideals of Roman society because he intended to bring monarchy back to the Roman government. Later on the system of monarchy will soon turn into a tyranny. That is what Brutus and Cassius are afraid will happen if Caesar becomes king.
Superstition has been around for longer than history has been recorded on the earth, it was used to explain the unexplainable and to help people live their lives. For this reason, it has played a main role in many classical pieces of literature. Even though superstitions had been around for a long time when Julius Caesar took place, there were still some people who did not heed their warnings and paid the price for it. In Julius Caesar there are many examples of people listening to superstition, and there are some where characters do not listen to superstition. One person who is an example of not listening to superstition is Julius Caesar, himself.
Decius uses flattery and persuasion when speaking to Brutus. Decius is an active member of the Conspirators so he is very motivated into getting Caesar to go to the Senate House. The first thing that Decius says when he walks into Caesar's house is "Caesar, all hail! Good morrow, worthy Caesar" (II, ii, 30). Decius also goes on and calls Caesar "most mighty". Decius is already on Caesar's good side. After catching up on Calpurnia's dream, he uses his quick wit to distort Calpurnia's foreshadowing dream by saying it is "misinterpreted". He explains that the dream "Signifies that from (Caesar) Rome shall suck/Reviving blood, and that great men shall press/for tinctures, stains, relics, and cognizance" (II, ii, 31). Caesar seems to be amazed by this version of the interpretation; in fact, he likes this version a lot better mainly because Decius uses so much flattery.
Superstition has been around almost since people first inhabited the earth. For this reason, it has played a main role in many classical pieces of literature. One of Shakespeare’s tragedies, The Tragedy of Julius Caesar, is full of superstition and the supernatural. It contained so much superstition in order to foreshadow key events in the plot, to further develop characters, and to thrill and relate to the Elizabethan audience for whom the play was written.
Cassius believe that the “heaven” is upset with them because of what they are planning to do. Cassius is a man of action and Casca is more cautious, he is expressing his fear that the
The conspirators had planned the death of Julius. Brutus and Cassius, along with Decius, knew they had draw in to Caesar close. Proving Caesar that they had a firm friendship, that would solidify their situation and leave Julius completely sightless to his doomed fate. Caesar's wife Calphurnia would have a dream. She would see Caesar's statue run with blood and men with swords surrounding him.
...ed a vital role in the novel was when the fearfully voiced her opinion on whether Caesar should go to the Senate and when she was reported to have had a dream in which she, “…in her sleep cried out, ‘Help, ho! They murder Caesar!’ Who’s within?” (Act 2, ii, 3-4). Foreshadowing the murder of her husband, and begging him to not go out, Calpurnia essentially controlled the fate of Caesar. It is remarkable to think that if Caesar had only listened to his wife, the entire course of the story would have been dramatically different.