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The theme of family
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Joy Luck Club In The Joy Luck Club, by Amy Tan, one examines the story of four Chinese families throughout the generations. By examining specific examples of sacrifice within each of the four families, sacrifice will be proved to be one of the main themes of the story. Ying-Ying St. Clair made quite a precious sacrifice while she was in China. The sacrifice was 14 years of her life. That which adds to this sacrifice is that the years make up the time from which she was age 18-32, which most people consider to be their prime years. These lost years of loneliness were what she unknowingly sacrificed for having killed her first unborn child. She punished herself by moving into a small and shabby house that was occupied by three families and was infested by mice and flies. She chose to live here despite the fact that she came from a wealthy family and could have returned to them whenever she wanted to. Of the place she chose to live, she said " It was not a comfort to be there, and that is what I wanted." (P.249). Thus, one can see that as a result of a selfish act, Ying-Ying ends up sacrificing a large piece of her life. Suyan Woo also sacrifices a piece of herself, yet it was out of love. After she had been fleeing the Japanese for three days on foot, she was no longer able to carry her two babies. She left them by the roadside in hopes that someone would find them. That which shows that she was abandoning herself rather than her babies is the fact that she left all of her valuables and a note with them(P. 282). Suyan obviously wasn't leaving them in order to increase hopes of her own survival. Thus, one can see that in the Woo family, the theme of sacrifice is quite apparent, not to mention dramatic. The Jong family too, makes many sacrifices. Lindo's mother promised her into marriage at a young age in order to give her a better life. Ever since then, her mother had referred to her as "Huang TaiTai's daughter". It is evident that giving her daughter to Huang TaiTai's was not a selfish act, like unloading a burden, but it was a loving sacrifice.
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
Youqing first makes considerable sacrifices for his family by caring for their lambs. In the novel, his father Fugui explains how the “family’s two lambs relied entirely upon Youqing to feed them. Doing such hard work at home took away from Youqing’s time, so he always had to run to school…One time it snowed but he still ran to school barefoot in the snow” (99-100). In his care of the lambs, Youqing makes a physical sacrifice by running barefoot through the snow. He also sacrifices his time and energy, which is particularly notable because he is just a ten-year-old child. Even Fugui notices and shows concern for his child when he notes, “he looked pathetic, being just that age when kids never want to get up” (98). Still, Youqing does what he knows is necessary for the survival of his family. At the same time, Fugui grows as a father by showing concern for his son’s
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
that the choice she made was a sacrifice. Frances did not exactly understand what her mother
Woo cleans the house herself and no longer has a housekeeper. With the money she saved, she hired Mr. Chong, an ancient piano teacher, who can barely hear and whose eyes are too dulled to tell when Jing-mei messes up. He is so genuine that Jing-mei feels guilty and picks up the basic skills, but she is so bent on not pleasing her mother that she continues to purposefully lack in her efforts. She hates the piano. She hates the fact that her mother is shaping her identity. She hates that her mother forces it upon her. She hates that it's everything she isn’t: disciplined, elegant, and most of all controlled. Jing-mei wants to be who she wants to be, and with the piano around, she only continues to be who her mother wants her to be, but she can not tell her mother this. She is supposed to play a piece called “Pleading Child” which is a “simple, moody piece that sounded more difficult than it was”. Even though she had not practiced and didn't know the piece, she played anyway. Halfway through, she began to realize how awful she was. The silence that followed her performance and her parent’s disappointed looks unfolded the undeniable truth, Jing-mei was not a piano
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
An-Mei Hsu was born and raised in China, but not by her mother. Her mother became the concubine of another man when An-Mei’s father had died. So An-Mei and her little brother went to live with there grandmother who they called Popo. At the house in which they lived they were not aloud to talk about, or even speak of there mother and soon enough, An-Mei and her little brother had forgotten her altogether. But Popo becomes very sick, and An-Mei’s mother returns to the home. When she was there she cuts a piece of her arm off and puts it in to soup for Popo. This was to show great respect, and was also a way of trying to cure the sick. "Here is how I came to love me mother. How I saw my own true nature. What was beneath my skin. Inside my bones." (pg40) This is the point where An-Mei is thought about respect and honor. She saw what her mother had done for Popo, and found it in her heart to forgive her and love her again. From then on she wanted to make sure that her daughters would have honor, and respect for the family ways. "The pain you must forget, because sometimes that is the only way to remember what is in your bones." (pg41) She saw what her mother take a piece of her own flesh and give it to Popo in order to earn her respect and honor back.
Each Mother brought baggage with her across the pacific. They wanted to teach their daughters from all of their pain and suffering, but were never able to communicate the complexities of their life. Suyuan Woo struggles to explain herself to her daughter "'This feather may look worthless, but it comes from afar and carries with it all my good intentions.' And she waited, year after year, for the day she could tell her daughter this in perfect American English"(3). The journey that brought Suyuan to America was long and full of hardship. From the Japanese invasion of Kweilin were she lost her husband and had to leave her daughters, to her assimilation in America. Suyuan wanted to teach her daughter about these hardships so that she could understand the extent of her potential. " My mother believed you could be anything you wanted to be in Ameri...
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
...her to feel despair. Her misery resulted in her doing unthinkable things such us the unexplainable bond with the woman in the wallpaper.
In the novel, The Joy Luck Club, by Amy Tan, Ann-Mei Hsu, Lindo Jong, and Ying Ying St. Clair are all women who grow up in a traditional China, where there is sexism. They deal with serious problems that corrupt their lives. Through perseverance and the passing of time their lives return to normal.
The movie, The Joy Luck Club, focuses around the lives of four Chinese mothers and their Chinese-American daughters. The story takes place a few months after Junes mother, Suyuan has died. The mothers and daughters hold very different principles, where the mothers are still very traditional to their Chinese upbringings the daughters are much more “American.” The movie can be viewed from the Feminist Literary Theory, since the 8 main characters are female. The women’s life stories are told through a series of flashback scenes that deal heavily with female gender roles and the expectations of women. While the mothers and their daughter grew up in vastly different worlds, some of their experiences and circumstances correlate solely due to that fact that they experienced them because they are females.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
...eceives people on earth, but it’s all out of a place of sorrow. She does it merely to look for her daughter in hopes of finding her.