Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Influence of females on jazz and blues
Research papers on josephine bakers
Josephine baker biography essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Influence of females on jazz and blues
Josephine Baker
While Jim Crow laws were reeking havoc on the lives of African Americans in the South, a massed exodus of Southern musicians, particularly from New Orleans, spread the seeds of Jazz as far north as New York City. A new genre of music produced fissures in the walls of racial discrimination thought to be impenetrable. Musicians such as Louis Armstrong, Duke Ellington, "King" Oliver and Fletcher Henderson performed to the first desegregated audiences. Duke Ellington starred in the first primetime radio program to feature an African American artist. And a quirky little girl from Missouri conquered an entire country enthralled by her dark skin, curvaceous body and dynamic personality. Josephine Baker was more than a Jazz musician. She embodied the freedom and expressiveness of that which is known as Jazz.
Born Josephine Freda McDonald on June 3, 1906, Josephine Baker was the product of a "footloose merchant of whom the family saw little, and a mother [who] supported herself and the children in a slum hovel by taking in laundry." #
Later, her mother had three children with another man, Arthur Martin: Richard, Margaret and Willie Mae. Ms. Baker was enrolled in a school in St. Louis until the age of six. When the family was experiencing financial difficulties, she was sent to perform domestic chores in the homes of white families. "When only seven, she worked for a woman who frequently beat her, made her sleep in the cellar, and who, after Josephine accidentally broke some china, thrust her hands into scalding water. Neighbors, hearing her agonizing screams, called the police and she was taken to the hospital."# By the age of ten, she had worked as a kitchen helper, baby-sitter and maid.
In ...
... middle of paper ...
...ll come when color means nothing more than the skin tone, when religion is seen uniquely as a way to speak one's soul; when birth places have the weight of a throw of the dice and all men are born free, when understanding breeds love and brotherhood."# I certainly hope I am alive to experience this wonderful world born from the imagination and initiative of Josephine Baker.
BIBLIOGRAPHY
BOOKS:
"Baker, Josephine," Current Biography Yearbook, 1964: 19 - 21.
ARTICLES:
Lamb, D., "Having Our Way: What Is It Really?" Aesthetic Realism Foundation 9/3/98: 2
WEBSITES:
http://search.biography.com/print_record.pl?id=12499 http://www.cmgww.com/stars/baker/quote.html http://www.gis.net/~dlamb/Josephine_Baker.html
http://www. npg.si.edu/exu/noir/broch3.htm
http://windows.../artistinfo.asp?name=Josephine%20Baker&p_id=p%20%20%20%20%20308
Josephine Baker was born to Carrie McDonald, in St. Louis, MO on June 3, 1906. The situation on who Baker’s father is up to debate, it is rumored that Eddie Carson was her father. Eddie Carson was a drummer and had an entertainment act with Baker’s mother. At birth, Baker’s name was Freda Josephine McDonald. (Robinson) Later, Baker changed her name when she got into the entertainment business. In her youth, Baker was always poorly dressed and hungry; she started working at the age of 8 years old. (Whitaker 64) She worked as domestic help for a white family; the woman of the house was reportedly abusive to Baker. At the age of 12, Baker dropped out of school. After Baker dropped out of school, she became homeless. (Wood 241–318)
Willie Wells was only married to Josephine for a short brief time. She realized she would never have to depend on a man for financial stability. A habit she might have learned growing up without her real father. She remarried in 1921 to Willie Baker, whose last name she decided to keep. She remarried again in 1937 to Frenchman Jean Lion, from which she obtained French citizenship. Then a last time in 1947 to a French orchestra leader Jo Bouillon, who helped to raise her 12 adopted children. She was never again officially...
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than many other African American entertainers.” Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences over those of her past contemporaries.
In Dr. King’s words: “Let us all hope that the dark clouds of racial prejudice will soon pass away and the deep fog of misunderstanding will be lifted from our fear drenched communities, and in some not too distant tomorrow the radiant stars of love and brotherhood will shine over our great nation with all their scintillating beauty.”
In the 1840’s, the Perkins’ family worked in the brick-making factory, and they were wealthy for a short period of time. Many businesses collapsed and were bought out, so the wealth didn’t last long. In 1870, the Perkins’ turned to dairy farming to get their money. Shortly after, Frances’ father, Frederick married a woman by the name of Susan Bean. On April 10th, 1880 in Boston, Massachusetts Fannie Coralie Perkins was born. In 1884, when Fannie was four years old, Frederick and Susan had a second child, Ethel (Downey 7). Fannie was very close to her family her entire life. She often spoke of ancestors, she adored and their ways of thinking helped her when she had to make big decisions later on in her life.
Ella Josephine Baker was born in Virginia, and at the age of seven Ella Baker moved with her family to Littleton, South Carolina, where they settled on her grandparent's farmland her grandparents had worked as slaves. Ella Baker's early life was steeped in Southern black culture. Her most vivid childhood memories were of the strong traditions of self-help, mutual cooperation, and sharing of economic resources that encompassed her entire community. Because there was no local secondary school, in 1918, when Ella was fifteen years old, her parents sent her to Shaw boarding school in Raleigh, the high school academy of Shaw University. Ella excelled academically at Shaw, graduating as valedictorian of her college class from Shaw University in Raleigh in 1927.
The Jazz Singer, released in 1927, is a black and white film that centers on a young man who wishes to conquer his dreams in becoming a professional jazz singer. This film, directed by Alan Crosland, demonstrates new developments from the decade of the 1920’s. During the decade, many new advances; such as the introduction of musicals and other technological advancements, were created. The Jazz Singer utilized these new advances of the decade and incorporated them into each scene. This is evident due to the elements of being the first talkie film, the introduction of the new musical genre and the introduction of the Hollywood stars system. By utilizing the new advances of the decade, Crosland’s film, changed the way cinema would be seen forever.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
... treasury in 1934 (Abbott, Leonard, Noel, 2013, pp 479). Josephine was an inspiration to others and was a driven woman. She wanted to help others and that is exactly what she did in her life. She helped women and their families, as well as mine workers. Her successful life ended in 1976 in Washington, DC.
While Bessie was young, and her older brothers and sisters started to work in the fields, Bessie took on some new responsibilities. She would now look after her sisters, and sometimes even help her mother in the garden. Bessie started school when she was six years old and walked four miles to school everyday. In school, she was very intelligent and excelled at math. Then, in 1901, when Bessie was nine, her life changed dramatically, her father George Coleman left his family. It was said that he was tired of the racial barriers that existed, and so he returned to Oklahoma (Indian Territory as it was called then) to search for better opportunities. When he was unable to convince his family to come with him, he left Susan and his family. Shortly thereafter, her older brothers also moved out, leaving Susan with four girls under the age of nine. This caused Susan to have to get a job, which she found very soon. She became a housekeeper for Mr. and Mrs. Jones, who allowed Susan to still live at home, and they would also give her food and other handed-down clothing. Since her mother was now at work, Bessie took on the responsibility of acting as a mother and a housekeeper. Every year at the cotton harvest, Bessie’s routine was changed because she now had to go out into the field and pick cotton for her family to be able to survive. This continued on until Bessie was twelve, and this was when she was accepted into the Missionary Baptist Church, where she completed all of her eight grades.
By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago. It was in New York where the “Harlem Renaissance” was born. This movement with jazz was used to rid of the restraints held against African Americans. One of the main reasons that jazz was so popular was that it allowed the performer to create the rhythm. With This in Mind performers realized that there could no...
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
As it mentioned above, the title itself, draws attention to the world-renowned music created by African Americans in the 1920s’ as well as to the book’s jazz-like narrative structure and themes. Jazz is the best-known artistic creation of Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues