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Chrysanthemums by steinbeck literary analysis
The Chrysanthemums by John Steinbeck summary
Chrysanthemums by steinbeck literary analysis
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John Steinbeck's “The Chrysanthemums” John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner. Steinbeck's strong and somewhat manly description of Elisa while working in the garden, gives the distinct impression that she is not as weak as a stereotypical housewife would be. He writes that "Her face was lean and strong and her eyes were as clear as water. Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with." As evidenced by this excerpt you can see that she has covered up her hair with a "man's hat" and has thrown an apron over her dress in attempts to cover up her femininity. This apron also takes on a similar role as a man's tool belt as he works the land. This initial description lends to the notion that Elisa wants to be stronger as a woman, to stand beyond the stereotype of a housewife. Other phrases used by Steinbeck further the above points. The author mentions that her face was "handsome," her work with the scissors was "over-powerful," and her fingers "destroyed such pests." This description shows an inner strength that Elisa possesses; yet she is unable to bring this out. She also hints to the reader that she would like to take on more masculine responsibilities after her husband Henry comments on the size and beauty of her chrysanthemums. He says that he wishes she'd work out in the orchard and "raise some apples that big." She reacts to this by saying "Maybe I could do it too. I've got a gift with things, all right. My mother had it. She could stick anything in the ground and make it grow.” All of these de... ... middle of paper ... ...sion of Steinbeck's short story, Steinbeck has her fall right back into the rut she so despised. She comes back to reality and "turned up her coat collar so he could not see that she was crying weakly-like an old woman." Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
Elisa's unhappiness in her role as the wife of a cattle farmer is clear in her gardening. Through the authors detailed diction it is clear that gardening is her way of freeing herself from her suffocating environment. “The chrysanthemum stems seemed too small and easy for her energy” which is “over-eager” and “over-powerful” (Steinbeck 460). The intensity with which she gardens, “terrier fingers destroy[ing] such pests before they could get started” suggests more than simply a deep interest, but a form of escape completely submerging her self into the task (Steinbeck 460). It is possible that some...
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
...and ready to be rediscovered again. Early in the story Henry offers Elisa to a dinner in town and half heartedly suggests going to a local fight. Elisa not keen of fights refuses. In retrospect to her inner ambitions Steinbeck tactfully portrays the message that the only way to follow “the bright direction” Elisa strongly wants is to be willing to fight for it. Nonetheless, don’t be fooled to believe any such inspirations to be acquired will come to you. But Elisa verily on the edge at the end of the story asks Henry about the fights and he suggests if she wants to go. She refuses, Steinbeck again symbolically suggesting she is unwilling to fight for what she wants. So her chrysanthemums will remain out of reach until she decides to do so.
Throughout the story, Henry Allen’s selfishness and mixed priorities result in the neglect of Elisa which causes her to feel unappreciated and unloved. Elisa is not very comfortable around her husband Henry, this fact is illustrated when “he leaned over the wire fence that protected her flower garden from cattle and dogs and chickens” (Steinbeck 270). By keeping Henry outside of the garden, on the other side of the fence it is shown that Elisa does not trust him to get near her chrysanthemums. The chrysanthemums are very symbolic in the story as they symbolize Elisa Allen herself, and her only source of joy in the world. Henry is not welcomed into the garden for fear that her confidence, joy and beauty may be crushed. Henry opposes Elisa and the hard work the protagonist has put into her chrysanthemums. Henry tells her that “[he wishes she would] work out in the orchard and raise some apples [as big as her chrysanthemums]” (Steinbeck 270). In doing so, Elisa’s efforts go un...
Elisa's efforts to dress up and make herself attractive are misplaced on him, as are her determinations to get him to value the astonishing exquisiteness of her cherished chrysanthemums, the demonstration of her appealing sense. Elisa's passion to share this vital portion of her temperament is such that, when the tinker seems to recognize her enthusiasm for her flowers, she responds with an exhilaration that approaches the magnificent. Miserably, when she learns that he has tossed out the chrysanthemum she handed him casually on the road, she grasps that his concern was false, and is left more solitary and discouraged than before. The stranger gives Elisa a uplift of assurance that was not in her before. She took off the clothes that made her manly; she washes and wears “her newest underclothing and her nicest stockings and the dress which was the symbol of her prettiness. She worked carefully on her hair, penciled her eyebrows and rouged her lips. (Steinbeck 1145). She obviously wishes to awaken the male scrutiny in her husband but he neglects to see her for her
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
Steinbeck conveys the feeling of isolation that the main character, Elisa Allen, struggles with while describing the setting. This is shown when the narrator stated, “The high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world” (Steinbeck 846) and continued by stating the, “valley (was) a closed pot” (Steinbeck 846). Just as Elisa is depicted as living in an isolated area she also feels a separation from others. This was supported in the text when she was, “working in her flower garden, looked down across the yard and saw Henry, her husband, talking to two men in business suits” (Steinbeck 846). Her husband
To fully appreciate literature, we must look at it from every angle possible. There are many ways to criticize a piece of literature. Each way helps a reader to better understand the work in its own different way. I hope to outline and give examples of the many different ways that the short story The Chrysanthemums by John Steinbeck can be interpreted.
Within the society of The Chrysanthemums, Elisa is a very strong and independent woman, who is also very neat and organized in the work that she does. These attributes all contribute to her great personality, but allows for some separation from the ideal figure of women in society. Evidence of Elisa’s dignified and separated personality is when Steinbeck goes on about her over-powerful and mature nature on page 1 and 2 of The Chrysanthemums; “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. The chrysanthemum stems seemed too small and easy for her energy.” (Steinbeck, 1-2). As for Mabel, within the society she is considered a nervous, depressed and isolated woman, who has been forced to labour over her brothers since her parents are gone, and the society/community has not helped her to see her inner beauty and strength. With this in mind, we can see that in her eyes, Mabel’s only way to find happiness is by finding someone to love (her). Mabel’s need and desperateness for someone to love (her) is pretty frequent and conscious throughout The Horse Dealer’s Daughter, although it is sometimes hard to see how isolated and separated Mabel is from the society, not just her family. Evidence of these feelings are shown when Lawrence exclaims; “She thought of nobody, not even of herself. Mindless and persistent, she seemed in a sort of ecstasy to be coming nearer to her fulfilment, her own glorification, approaching her dead mother, who was glorified.” (Lawrence,8). Throughout both stories, Elisa and Mabel show separation and isolation from society and their “roles,” but each express their separation in a different way. For Mabel, she is separated/isolated from society because she has no parental influence to guide her, and she is
In John Steinbeck’s story, “The Chrysanthemums,” isolation is a major theme portrayed, and Elisa, the wife who loves her chrysanthemums to no end, can be described in many different ways that reflect this. Elisa is confined to the roles of women that society holds as standard, and only finds release from her gardening, causing her to not be very open or outgoing around her husband, Henry Allen. The initial dialogue presented between Henry and Elisa sets the tone for their unrefined talk, and shows the couple's internal problems. In the beginning of the story, we learn that Elisa's skills as a gardener denies Henry the slightest opportunity for anger or protest. These actions in the short story lead the readers to believe that Elisa is very
“She tried not to look as they passed it, but her eyes would not obey.” Here is when she realizes that she was taken advantage of, the man had gotten rid of the chrysanthemums. “He might have thrown them of the road.That wouldn’t have been much trouble, not very much. But he kept the pot, He had to keep the pot. That’s why he couldn’t get them off the road.” Also “She said loudly, to be heard over the motor.’It will be good, tonight, a good dinner.’”(pg 1253) This gives the reader the realization that the man needed the pot to sell it and that in fact their inference about Elisa getting taken advantage of was correct. When Elisa comes to the realization she becomes emotional. “She turned up her coat collar so he could not see that she was crying weakly like an old woman.”(pg1253) She was emotional because now she knew that her life will always be what it is now. There will be nothing more to her life but her chrysanthemums, just like the chrysanthemums had nothing else but Elisa. She is stuck. In this story the chrysanthemums symbolize the life of Elisa and many other
Elisa is a country housewife. She is semi-distant from her husband and greatly distant from the world around her. She is a homebody, meaning that she rarely leaves the boundaries of her home and she has a lot of time and energy being built up. She uses some of this energy to clean up her house, but most of it is spent on her flower garden. Her garden is a place of solitude. It’s her own little world where she can let herself go and be the person that she wants to be. Her feminine side is brought out in her garden, the nurturer for the chrysanthemums, a mother almost to them. When the tinkerer comes to her home and into her garden he shows interest in her chrysanthemums. She takes this also as an interest in her as well. The garden in other words is a symbol for her femininity and womanhood.
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
In the end, we see that the character is not so much a victim of her surroundings, but rather of her own naïve hopes. Elisa doesn't realize that she has the power to change her situation. Instead, she chooses to remain in her garden and plant her chrysanthemums.