John Miltons Paradise Lost
John Milton’s Paradise Lost is a religious work, and is in many ways an autobiography of Milton’s own life. John Milton was raised catholic and converted to Protestantism. Later in life he became a Calvinist. His strong Calvinists beliefs can be seen throughout Paradise Lost. It was Milton’s desire to be a great poet, but he did not believe that was his purpose in life. He believed that he had been put here to serve God, and that any thing that he wrote should be in one way or another related to that purpose. In this way Milton felt that in writing Paradise Lost not only was he writing the epic poem he had always wanted to, but also fulfilling his godly purpose here on earth.
At the time that Milton was writing Paradise Lost he was a prisoner in his home and to his blindness. He had been involved in the rebellion with Cromwell when the King had been executed and the monarchy had been run out of England. When Cromwell died and the King returned to power he was forced to go into hiding and no longer had any rights of an English man. If he had come out of hiding he most likely would have been executed for treason. He had also lost his sight completely and was being taken care of by his daughters.
The subject of Paradise Lost is man’s disobedience and how disobedience leads to the loss of happiness. He is dealing not only with the disobedience of Adam, Eve, and Satin, but also with his own disobedience. Different autobiographical issues are dealt with through Adam and Satin. Adam seems to represent his sins against God, which led to his blindness, and Satin could represent his disobedience to the King.
The first book deals with the war in heaven and the devils being sent out into ...
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...ventually die for their sins. Being kicked out of the garden also has some autobiographical significance in the life of Milton. He loved gardens and both of his punishments, blindness and being imprisoned in his home made it impossible for him to enjoy them.
In the last book Michael shows Adam what is to come for the human race. This gave Adam some hope for the future and makes it easier for him to carry on after falling from God. Adam sees that much good will come from his sin in the end.
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Works Cited
Masson, David. Afterword “A Brief Life of Milton” Paradise Lost. By John Milton. Ed. Scott Elledge. New York: W.W. Norton & Company, 1993.
Milton, John. Paradise Lost. Ed. Scott Elledge. New York: W.W. Norton & Company, 1993.
Wagenknecht, Edward. The Personality of Milton. Norman, Oklahoma: University of Oklahoma Press, 1970.
In Paradise Lost, Women’s inability to control themselves leads to disobedience and disaster follows. The disobedience of Eve is described using reference to the seven deadly sins.
Paradise Lost is John Milton’s epic poem about the battle between Satan and God. The poem is quite controversial due to the fact that this was written during the time period that the Catholic Church was facing major corruption. People were already having concerns about God and what was right from the Catholic Church; because of this and many other textual reasons Paradise Lost has a very controversial relationship with Christianity.
The seat of faith resides in the will of the individual and not in the leaning to our own reasoning, for reasoning is the freedom of choosing what one accepts as one’s will. In considering the will was created and one cannot accuse the potter or the clay, Milton writes to this reasoning, as “thir own revolt,” whereas the clay of humankind is sufficient and justly pliable for use as a vessel of obedience or disobedience (3.117). The difficulty of this acceptance of obedience or disobedience is inherent in the natural unwillingness in acknowledging that we are at the disposal of another being, even God. One theme of Paradise Lost is humankind’s disobedience to a Creator, a Creator that claims control over its creation. When a single living thing which God has made escapes beyond the Creator’s control this is in essence an eradicating of the Creator God. A Creator who would create a creature who the Creator would or could not control its creation is not a sovereign God. For who would not hold someone responsible for manufacturing something that could not be controlled and consider it immoral to do so? To think that God created a universe that he has somehow abdicated to its own devices is to accredit immorality to the Creator. Since the nucleus of Milton’s epic poem is to “justifie the wayes of God” to his creation, these ‘arguments’ are set in theological Miltonesque terms in his words (1. 26). Milton’s terms and words in Paradise Lost relate the view of God to man and Milton’s view to the reader. Views viewed in theological terms that have blazed many wandering paths through the centuries to knot up imperfect men to explain perfect God.
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
Milton’s holy and virtuous values were influenced by his study for the ministry at Christ’s College, Cambridge. He earned a Bachelor of Arts in 1629, and a Master of Arts in 1632. During his time at Christ’s College his religious views became more radical, causing him to further dislike the hierarchy of the established church (Danielson 6). Upon graduation he did not enter the ministry. He said that he was so ...
The attention Milton gives to each character, and their specific personality, allows us to interpret their actions as consciously chosen deeds within the larger framework of the poem. Great detail is given to the idea of "creation". Beyond that of the creation of the world in Book I, there are many instances where the act of creation itself becomes an act of endowing power on some object or person. The most obvious example would be the creation of Adam and Eve by God. By creating the pair, God, desires them to glorify His ways through their praises and deeds. He gives them enough power over their destiny to choose to worship Him as the Almighty. The fact that they have free will is important to God because they choose to give Him praise despite any outside temptation. There is one obvious drawback to this kind of power. They chose to follow Satan’s beguiling words. The fact that they had the free will to follow Satan’s words meant that their decision was cosmically more important because it was arrived at through conscious thought. We can see this idea of power demonstrated throughout Paradise Lost. The dual relationship between the beneficial act of bestowing power at the time of creation and the negative side of the free will to use that power freely, shows up within every character. Instances of creation appear in every book, and can be associated with every character. Some of the first appearances of the word "author" are connected with the idea of creation. In Book III, the throngs of assembled angels say,"Eternal King, the Author of all being/Fountain of light, thyself invisible/..." (III, 376-7) Here God is portrayed as the great originator of everything in all of creation. To be the "author" of something is to be the creator, much the same way as Milton himself is creating the world of the poem. In virtually every instance the act of "authoring", is associated with images of primacy and legitimacy. The ultimate act of creation, that of shaping the physical world itself, brings about another reference to this idea.
Paradise Lost is an epic poem written in blank verse by the 17th-century poet John Milton. John Milton was a full-time writer but, by the time he had got to writing Paradise Lost, he was already completely blind. With the help of secretaries, he completed the epic poem and break it up into ten books. In Paradise Lost, there are many examples of allusions. Allusions are “an expression designed to call something to mind without mentioning it explicitly; an indirect or passing reference”. Throughout the poem, Milton uses allusions by referring piece from the poem to Biblical, Mythological, and Literary references.
John Milton's great epic poem, Paradise Lost, was written between the 1640's and 1665 in England, at a time of rapid change in the western world. Milton, a Puritan, clung to traditional Christian beliefs throughout his epic, but he also combined signs of the changing modern era with ancient epic style to craft a masterpiece. He chose as the subject of his great work the fall of man, from Genesis, which was a very popular story to discuss and retell at the time. His whole life had led up to the completion of this greatest work; he put over twenty years of time and almost as many years of study and travel to build a timeless classic. The success of his poem lies in the fact that he skillfully combined classic epic tradition with strongly held Puritan Christian beliefs.
Born in London, England in the early seventeenth century, Milton grew up to be a widely respected and known poet and a considerable political proponent (“John Milton”). Growing up, he excelled in his schooling and frequently attended church services. At the age of seventeen, Milton continued his education at Christ’s College located in Cambridge, England. After some consideration, he fully decided writing poetry would be what he would do for the rest of his life. During the time when
Milton, John. ‘Paradise Lost.’ 1674. Norton Anthology of English Literature. 7th ed. 2 vols. New York: Norton, 2000, 1: 1817-2044.
Milton. New York: Norton, 1957. Elledge, Scott, ed., pp. 113-117. Paradise Lost: An Authoritative Text, Backgrounds and Sources.
In conclusion, Paradise Lost can be seen through a historically contextual lens that allows us to see the parallels between Milton’s life and experiences during the reign of Charles I, and the predominant themes in his epic poem. Many of the themes in Paradise Lost, from the broader situational occurrences to the behavior of individual character’s and their attitudes toward the situations in which they find themselves can be seen as directly influenced by Milton’s time as a Parliamentarian in 17th century England.
In the opening lines of Paradise Lost, Milton wastes no time conveying to his readers what his purpose in writing the epic is. He writes in the beginning that he intends to “assert Eternal Providence, / and justifie the wayes of God to men” (I. 25-26). What exactly does this mean though? In order to be able to clearly judge and evaluate what these lines imply, it is important that one understands what exactly Milton’s thoughts we regarding “Eternal Providence” and the “wayes of God”. Stemming from this idea, it is important to also realize how the idea of free will intertwines with the omniscience of God. For Milton, God’s omniscient did not constrain the free will of Adam and Eve. However, this idea presents the reader with a paradoxical situation that Milton as an author was fully aware of. Paradise Lost presents the reader with eternal providence and free will as being part and parcel of each other, neither constrains the other, and it is these two aspects, along with that of knowledge that lay the groundwork in understanding Paradise Lost.
Reichert, John. Milton's Wisdom: Nature and Scripture in Paradise Lost. Ann Arbor, The University of Michigan Press. 1992
Even if the Bible were to die in the dust and no one ever turned its pages again for religious illumination, Milton's work will still remain-and perhaps inspire some to read more scriptures. But overall, Paradise Lost is arguably one of the greatest achievements in the history of English literature, and those who are unable to appreciate it because of their own philistine nature, have not caused Milton or Christianity or the English language any hurt, but only their own unredeemed