Satan’s spiteful actions, attitude, and appearance are exposed in John Milton’s Paradise Lost and other texts. Satan is a mesmerizing but revengeful figure who utilizes doubt to break the relationship established between man and God.
In Paradise Lost Milton creates Satan’s character with intricate conflicting dualities, ultimately creating him as both good and bad. Milton’s careful and complex development of Satan’s character both establishes and revokes the idea of Satan being good and bad. He uses this tension between Satan’s appealing attributes and bad qualities allowing the reader to be able to relate to Satan on some level. He is also using this tension to tempt the reader to give into Satan’s alluring speeches and challenging them to resist it. Satan is a great speaker; he knows exactly what everyone wants to hear. His speeches are so convincing that even the reader is tempted to fall into the notion that they are all just innocent victims: “Me though just right, and the fixed laws of heaven Did first create your leader, next free choice, with what besides, in counsel or in fight, Hath been achieved of merit, yet this loss” (ln 18-21) Even though Satan’s speeches are intriguing and sound wonderful they are embedded...
Satan’s aspired manner of conduct, his absurd attempts to battle God, and his misleading craftiness construct his intriguing and vital character in John Milton’s Paradise Lost. As illustrated in Paradise Lost, The Screwtape Letters, and Scripture, Satan is a vicious baleful demon who uses deceitful strategies for his own ambitious gain. Satan’s power of manipulation, form shifting, and his own free will, led to his fall as the ruler of hell.
In John Milton’s, The Paradise Lost, Milton’s representation of Satan makes us uncomfortable due to the recognition of his humanizing and relatable reaction to what happened to him. The reader expects Satan to be an evil, and malevolent figure who does evil acts because he loves it and there is no defense for it. While these aspects are prevalent in his character in the poem, Satan does not come across as a completely wicked person but instead, a victim. The representation of Satan has a personifying quality that any of us may have and do not want to admit. In book one, Milton’s portrayal of Satan makes us uneasy because we relate to his actions, which are ordinary human responses to similar situations. It is troubling to say that in this particular poem, Satan resembles humans. However, our human nature is to have an instant reflex to justify our actions without taking any responsibility, which resembles the way Satan justifies his mischievous acts in this poem. Most of the time, we would never think of Satan as a victim; yet, we find ourselves discovering our human nature in Satan’s rationalizations. So, what humanizes this monstrous figure? After thoroughly reading book one, there are many instances when Satan justifies what he has done to make sense of it. Satan believes that God deceived him because he did not know how much power he possessed. According to Satan, God did unjust things that justified his actions. Satan has a whole rationale that God had arbitrary power that caused Satan to become the way he is in the poem. This perception serves as Satan’s foundation on behalf of his justification, which we all can relate to because he does not take responsibility but pr...
In Milton’s Paradise Lost, Milton characterizes himself as a prophet in order to encourage us to listen to God’s order and turn away from our evil. As one becomes aware of Milton’s prophetic intentions, one recognizes how Milton uses Satan and his reaction to his downfall with God as a way to lead us to think of our own human sins and experience. Milton’s characterization of Satan’s envious, jealous, prideful and rebellious nature while battling God allows us to see Satan as mirror reflection of our own selves. By characterizing Satan, an evil icon, as a being with human flaws, Milton encourages us to see our own weaknesses in order to turn away from these sins.
Milton uses many events like the ones listed above to encourage the reader to view Satan as a hero. "Satan is described to be the brightest and most important angel" (McColley 32). These traits of Satan show...
Throughout time, John Milton's Paradise Lost has been studied by many people and comprehended in many different fashions, developing all kinds of new interpretations of the great epic. There have been many different interpretations of this great epic. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. All through out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.
Hero can be distinct as an individual who is accepted or idealized for bravery, exceptional accomplishment, or dignified traits. On the other hand, Satan is known as the leader of all wickedness. With these descriptions in mind, one can determine that John Milton’s character, Satan, in Paradise Lost, is in fact the epic’s hero. Although non-traditional, one can determine that Satan is the epic hero because of textual evidence found in all twelve books of Paradise Lost. The implications implied throughout the twelve books of Paradise Lost entail Satan as the hero because of the information Milton provides to the reader about Satan’s actions and results thereof.
The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary criterion that is based on a protagonist, who undergoes conflict on the outside and from within and is prevented by a specific flaw to accomplish their main goal, creates an epic Hero. In Paradise Lost, God does not face conflict because he is perfect and all-knowing, and Adam’s conflict is not presented from the very start, Satan’s is. Because Satan is the main character of the work and possesses qualities that would deem him heroic, such as his determination against tough odds, his ability to lead, and his human-like nature to error, he can be seen has the Hero of the famous poem.
The theme of the 'heroic' in John Milton's Paradise Lost is one that has often been the focus of critical debate, namely in the debate surrounding which character is the 'true' hero of the poem. Most critics of the subject have, however, noted that the difficultly in defining the 'hero' of Milton's work is mainly due to our “vague understanding of what constitutes heroism”1 and the fact that “the term itself is equivocal”2. The 'vague' terming of what heroism can be defined as it what draws critics to disagree with one another over the nature of heroism, as Charles Martindale points out that there are 'different models of heroic', many of which Milton employs in his epic poem. To incorporate these different 'models' of the heroic into his poem, Milton relates various elements of these models to his characters, allowing him to 'test' and 'revalidate' certain ideas and images of the heroic. For the most part, the models of the heroic fit broadly into two camps, which leads critics like John Steadman to identify the “conflict between secular and divine criteria of the heroic”3. Furthermore, within these two main models of heroism critics mostly attempt to define the characters of Satan, Adam and the Son of God, depending on their characteristics throughout the poem.