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Definition of sexuality in literature
Sexuality in literature
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Theme: There are, as expected, numerous themes in the story. One Such being the theme of normalcy; what is normal? To dysart normal is waking up and each day trying to decipher the minds of kids deemed unfit for society. Our idea of normal is quite distinct then his, as we don't even think of his profession as anything normal let alone his idea of a normal day. This right away there is a conflicting stance of this hurman construction. Furthermore, Dysart has devoted his life to helping these kids achieve a sense of normality. And he attempts to do the same for Alan but fails as he in turn realizes that what ALan does, his mean of worship, are his own. This even makes Dysart doubt the helpfulness of his career, whether he is really helping …show more content…
He worships Equus as his god, drawing parallels between him and Jesus and insisting that he wears chains to pay for humanity's sins. This unique religion is what gives Alan his sense of self and passion, and Dysart says that to take away a person's worship, in this case Alan’s passion, is the worst thing someone could possibly do. Dysart himself wishes he could feel such a strong religious calling and in that regard such a passion, and he is fascinated by the Ancient Greeks, who saw small, individual gods in everything. In many ways, Equus provides examples of unconventional means of worship that are just as important as conventional religions. Sexuality is another theme repeated in the play. As a seventeen-year-old, Alan is attempting to balance his budding sexual desires with his strong will to please his god, Equus. It gets even weirder when Alan begins to think of Equus in a sexual manner, getting excited by the sight of his skin and describing him in vivid detail. He describes his moments with horses with sexual excitement; even climaxing during their nightly rides, which sets up an intimacy between the two that make it all the more blasphemous when he attempts to sleep with Jill. Thus Jill serves as a test for Alan to see if he can channel his sexuality down a normal path, but in the end, he
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
People are constantly searching for their voices. A voice gives someone independence and the ability to make her own decision. The First Amendment ensures that all United States citizens possess the freedom of speech; however, not all people are given the ability or opportunity to exercise that right. When a person has no voice they rely on others to make their decisions. Throughout Zora Neale Hurston’s Their Eyes Are Watching God, Janie constantly struggles to find her voice. Her marriage to Logan Killicks, Joe Starks, and Tea Cake help her discover and utilize her voice in different ways. During Janie’s first marriage to Logan she has no voice, Joe silences Janie’s tiniest whisper and controls her similar to a slave; in contrast to Logan and Joe, Tea Cake encourages Janie to use her voice and make her own decisions. Janie cannot express her voice until she discovers happiness and independence through her final marriage.
Their Eyes Were Watching God is a novel that presents a happy ending through the moral development of Janie, the protagonist. The novel divulges Janie’s reflection on her life’s adventures, by narrating the novel in flashback form. Her story is disclosed to Janie’s best friend Phoebe who comes to learn the motive for Janie’s return to Eatonville. By writing the novel in this style they witness Janie’s childhood, marriages, and present life, to observe Janie’s growth into a dynamic character and achievement of her quest to discover identity and spirit.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
“She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight,” (11). The novel, Their Eyes Were Watching, God by Zora Neale Hurston, tells a story of a woman, Janie Crawford’s quest to find her true identity that takes her on a journey and back in which she finally comes to learn who she is. These lessons of love and life that Janie comes to attain about herself are endowed from the relationships she has with Logan Killicks, Joe Starks, and Tea Cake.
In Their Eyes Were Watching God, by Zora Neale Hurston, the reader is given a particular glimpse into Janie's life with reference to the men she has known. Janie's three men are all very different, yet they were all Janie's husband at one point in her life. Although they all behaved differently, in lifestyle as well as their relationship with Janie, they all shared certain similarities.
Society and culture surround everyone at all times. It helps raise and shape the population into what it is from the moment a person is born to their death. It is a very powerful factor in the world. It can cause hatred and war but it can also cause love and acceptance. It affects our behavior, tolerance, and decisions. In Chinua Achebe's Things Fall Apart and Zora Neale Hurston's Their Eyes Were Watching God, both authors create characters who act in a manner that conforms to the cultural expectations of their time surrounding love for others, work and economical statues, and treatment of others, demonstrating that both men and women hide and ignore parts of themselves that do not coincide with cultural expectations.
her whole life. Hurston, in the beginning of the book, said that women “forget all those things
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
In Zora Neale Hurston’s novel, Their eyes were watching God the main character Janie is on a quest for self-fulfillment. Of Janie’s three marriages, Logan and Joe provide her with a sense of security and status. However, only her union with Teacake flourishes into true love.
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
In Zora Neale Hurston’s romantic novel Their Eyes Were Watching God, two settings are contrasted to reinforce the author’s theme of a search for true love. The setting of Eatonville, Florida, where main character Janie experiences life as the mayor’s wife, is contrasted with the Florida Everglades, where Janie lives with Tea Cake in a much more relaxed atmosphere.
Love is different for each and every person. For some, it comes easy and happens early in life. For others, such as Janie Mae Crawford, in Their Eyes Were Watching God by Zora Neale Hurston, it happened much later in life. Oddly, after two failed marriages. Janie sought love in several different men and marriages, hoping to find true love; however, she was often left with abuse, hardship, and a broken-heart. As stated by Hoffman “Well, I think everyone struggles with self-love.” Amour Propre¹ Love for one’s parents is honorable, love for one’s child is unconditional, but self-love is often denied. Loving ourselves isn’t a one-time event. It’s an endless, moment by moment ongoing process. It wasn’t until Janie found self-love that she discovered confidence, peace, and fulfillment. Her finding of self-love helped her understand freedom and self-worth.
“We wander for distraction but we travel for fulfillment,” is a great description for what Janie Crawford is looking for on her journey in Zora Neale Hurston’s Their Eyes Were Watching God (10). It is very clear from the text that Janie is searching for something to fill an empty gap she has due to her past experiences. Her problems could have rooted from her early childhood when she was abandoned by both parents. Her identity struggle can be traced from her bad luck with men. No matter what the cause for her inner conflict, Janie struggles to find fulfilment and has many identity issues. However through her journey, she finds clarity about who she is as a woman, person, and what she wants in life.
Ovid's work ridicules the concept of marriage and harmony between the sexes. It paints men and women as individual creatures who have little desire of joining with the opposite sex. The male gods are impelled by Cupid's power to chase certain female characters. Of course, the female characters are not interested and choose to evade capture so that they may continue with their individual desires. When the female god Venus falls for a human male and lays with him, she goes to great lengths to protect him from the wild animals. She specifically tells him to be bold "when you approach the timid animals, those who are quick to flee: but do not be audacious when you face courageous beasts" (Ovid 936). The man Adonis chose not to heed the god's warning and went on to hunt a wild boar with the aid of his hounds. The boar that Venus despised killed the human that she lusted after. This is another example of individual wants taking precedence over the joined couple. Pygmalion was so much of an individualist that he created his own mate from ivory.