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Metaphysical elements in John Donne's poems
Sonnet 15 analysis
Sonnet 15 analysis
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John Donne's poetry reflects many things about him as a poet. Mainly, that his poetry reflects his character make-up as he writes the poem. In the later years of his life, he entered into a religious stage that he continued with until his death in 1631. Sonnet 14 is an example of his religious period, where he is "besieged" and asks God to come into his life in a very real way. His use of parallelism, powerful diction and syntax, and paradox presents thoughts on this subject in an umatched way and stresses the depth of his feelings in this sonnet. (Please infer that references of God refer to the Trinity)
Donne uses the Trinity in a couple of ways in Sonnet 14. His first example of the Trinity is seen in line two. The Trinity or the Father, the Son, and the Holy Spirit are characterized in this line by the words knock, breathe, and shine. These words have biblical background and are justified by verses in the New Testament of the Bible.
Jesus uses a parable in a book of the Bible saying that He knocks on peoples' hearts and they are the ones who open the door to Him. The translation of this is, that Jesus only enters a person's heart or life if we let Him in. Donne wants Jesus to knock on the door of His life because he is willing to let Him in.
God is often referred to as the Person who breathes life into man. The example of this is in the Old Testament where he breathed life into Adam and Eve, thus creating life within them. Donne must believe that he has no "life" within him. His justification for this comes from the verse saying that we are dead to God until we are reborn. In our rebirth, He will breathe into us life or Eternal Life.
The Holy Spirit will shine through the believers and that is ...
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...very Bride of Satan. Donne also works in paradox into his sonnet. One such paradox can be "untied" when Donne himself is "untied" by looking at the different meanings of the words enthrall and ravish. The most obvious paradox in the sonnet is the fact that Donne will be free only if God should imprison or enslave him. Donne's uses of syntax and diction gives the impression of how forceful and how dominating sin and God can be in his life. Sonnet 14 gives a personal look at Donne's soul at this point. Even in this late a stage of his life, he still feels that God is absent in it. The impression is evident however that God was once a part of his life, yet sin came back in and had taken over yet again. Donne's reluctance to return to such a lifestyle prompts his plea of enslavement and imprisonment by God in order to find the freedom to love and be loved by Him.
John uses many examples of figurative language in his sonnet. To begin with, when Mr. Donne first commences his poem, he uses the personification “Death, be not proud” (1). The author is giving death the human characteristics of being “not proud.” The rest of the line continues as “though some have called you thee. ” Death should not be prideful even if people think it is. John displays through this first line how he feels about death: he is too prideful for his own good. Furthermore, Donne uses another personification when he states “Mighty and dreadful, for thou are not so” (2). Again, he is giving death, a concept not a human, real characteristics. He believes death is not “mighty” or “dreadful” but something else. It gives his opinion that death is not “dreadful” to people in their lives but possibly beneficial. Later, the poet says “Thou art slave to fate, chance, kings, and desperate men” (9). Death is merely being controlled by things like fate which is the only way he can act. He has no way to move on his own without these other forces. Like with war, death is the result not the cause: death cannot physically make people fight. This comparison devalues death in its importance and therefore its necessity. John Donne’s use of metaphors and personifications in his poem to emphasize his belief that death is not as bad as people or death thinks it really is but can actually be advantageous.
Whether Donne wrote his poem for his wife or just touched a universal theme for of us to learn from, the huge apparent differences bring the mortal love between the speaker and his lady to a level of perfection and no journey can ever break that.
In the poem “Batter My Heart, Three-personed God” by John Donne a plea of repentance is being seeked from a humbled man to his Creator. Donne has fell into the clutches of Satan and he is in desperate need of God’s mercy, however the poem doesn’t seem to be a plea for that mercy it is more along the lines of a violent cry out for the Holy Spirit to take over. This poem is a young man that is struggling with sin, and is seeking salvation by any means possible; he is even willing to take desperate measures to have salvation. Donne is in a constant struggle between good and evil. In the poem Donne is pleasing with God to enter into his heart and rid him of all of the evil that has overtaken him. Bold imagery is used throughout the poem to explain the constant struggle that the writer is experiencing that the given time.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
I found Donne’s “Holy Sonnet 10” and “Holy Sonnet 14” to be similar in style, but different in context. Obviously, it is logical that they are similar in style because they are written by the same author.
that Donne wrote [the poem] when he was a young man about town in Elizabethan
Ribes, P. (2007, July 16). John Donne: Holy Sonnet XIV or the Plenitude of Metaphor. Retrieved October 6, 2011, from Sederi: http://sederi.org/docs/yearbooks/07/7_16_ribes.pdf
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
In lines 9-12, Donne speaks to death in a way that is belittling. It is as if he were trying to make Death feel small and inadequate. Death is told that he is a slave to chance and to certain men, and that he dwells with poison, war and sickness. The speaker is referring to the fact that killing can happen at the will of someone other than Death. The speaker then informs Death that drugs are able to make us sleep as well if not better than the sleep of Death. Why then is Death proud ("why swell'st thou then"), he asks, implying that Death has nothing to boast in. This all shows the powerlessness of Death.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
One of Donne's famous poetic devices is diction. Again in line one and ten appear "Mark" and "Oh stay." These words are denotations of strong causative voice in order to obtain mistress' attention. In addition to diction, another outstanding part is his rhetoric skill. For example, "Me it sucked first, and now sucks thee," (line 3). His using different ...
John Donne will not accept death as the finale, his religious conviction supports in the belief of eternal life proceeding death. Throughout the poem Donne’s main purpose was the personification of death, his use of figurative language gave death humanistic characteristics and made death vulnerable and unintimidating. The structure of three quatrains and a couplet for the poem allowed for easier understanding of the context because the layout and rhyme scheme helped the poem flow and also revealed the tones. The imagery of death described by Donne breaks down death’s pride and bravado, as well as shine an encouraging light past the process of dying, on to the hope of delivery to eternal life. Each element played a significant role in the interpretation of the paradox of the poem, that ultimately death is not the universal destroyer of life.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.
In the first stanza of the poem, Donne tries to convince his lover to have sexual intercourse with him. At first one would not realize that this is his intention because he uses a flea to describe sex which is a very far-fetched description of the act hence this poem being metaphysical. Using a conceit he belittles the impact of sex and the power it has over him even though it may be untrue. Knowing that she has thought about it before, he assures her that by withholding sex from him is something so small that it does not give her power in the relationship.
Granted that Donne's personification of God reduces the deity from an almighty force to a human archetype, divinity is not undermined. The metaphoric figures of inventor, ruler, and lover, each retain specific skills and purpose, but can not compare to the Christian suggestion of God's role and strength. However, the presentation of striking, violent imagery charges the poem with a sense of power and complete domination, and allows the image of God to transcend his designated human forms. Through the projection of life's frailty, powerlessness in captivity, and sexual