There is a code, which unlocks human potential setting an individual on a path to excellence. This code is not in the sole possession of a few select individuals but all who know, understand, and apply the code. Anyone can be a talented super nova.
Many have portended for years that super nova talent is rare. Such gifts are innate and occur in hotbeds, “An environment that favors rapid growth or development” (Merriam Webster, n.p.). Coyle seeks to prove that there is more to talent development than environment or allusive genetic gifts. Such talent is predicated on a series of factors, including neural construction and deep practice, not to the exclusions of such factors as environment, support systems, or will.
Coyle uses specific examples such as Mozart, music student Clarissa, Tiger woods, and the Z-boys to explore how deep practice is a significant component of talent development. According to Coyle, “The myelin model shows that certain hotbeds succeed not only because people there are trying harder but also because they are trying harder in the right way-practicing more deepl...
Three aspects of this topic will be discussed throughout this report to analyse why the Mozart Effect is being misrepresented. The difference between music listening and music instruction will be examined, as well as the different methodologies used in literature, and an alternate explanation for why a temporary increase in IQ ...
His anecdotes presented in the article are appropriate in terms of his subject and claims. The author responds back to the naysayers by saying that people only look at the test scores earned in school, but not the actual talent. He says, “Our culture- in Cartesian fashion- separates the body from the mind, so that, for example we assume that the use of tool does not involve abstraction. We reinforce this notion by defining intelligence solely on grades in school and number on IQ tests. And we employ social biases pertaining to a person’s place on the occupational ladder” (279). The author says that instead of looking at people’s talent we judge them by their grades in school or their IQ score, and we also employ them based on these numbers. People learn more each time they perform a task. He talks about blue collared individuals developing multi-tasking and creativity skills as they perform the task they are asked to
talents in music and sports; although, we have been taught the impact of individuals like
One of the issues in Gardner's model is the child prodigy. We see this reflected best in Picasso, less so in Einstein. Jerry was quite the opposite. His musical career was characterized by very, very hard work. As former wife Sara recalled, "He'd be in a bad mood if he couldn't practice for several hours a day" (32). "He'd get into an absolute funk if he couldn't get something absolutely right" (47).
Many people do not realize the positive effect that popular music has on children. At a young age one of the breakthroughs for children is music’s benefit for language development. According to the Children’s Music Workshop, the effect of music education on language development can be seen in the brain. Studies have indicated that musical training develops the left side of the brain known to be involved in processing language and can actually wire the brain’s circuits in specific ways. The relation between both music and language development can also have advantages children. Listening to music can also improve children test scores and IQ levels. Dr. Schellenberg found that a small increase in the IQs of six year olds who were given weekly vocal and piano lessons. This leads to the fact that music is very helpful when it comes to education. Professor Christopher Johnson revealed that students in elementary schools with better music education programs sc...
Whether giftedness is a product of nature or created through nurture is a controversial discussion. However, Winner (2000), Colangelo & Davis (2003), Mrazik & Dombrowski (2010) all agree the answer lies somewhere in the middle. The idea of giftedness is often evaluated under the premise of expertness or mastery. Do all gifted children become masters or experts of their gifted area? Can people become gifted through extensive training (which is required for expertness)? Winner states that families cannot make a child become gifted, however, certain parenting styles that combine nurturance and stimulation can help maintain and nurture the gift. Winner reviewed many studies on hard work, perseverance, and practice, none of which can explain the origins of giftedness, but are very necessary for high achievement. Colangelo and Davis propose that high intelligence alone will not provide high levels of achievement, but may be necessary for achievement.
According to the National Association for Music Education, SAT takers with a background involving musical instruction score significantly higher than their non-musically trained counterparts; a surprising 56 points higher on the verbal portion and 39 points higher on the math portion of the test. But what is not generally controversial though, and is supported by a strong body of evidence, is the fact that ongoing music education does help children across a wide range of criteria - including overall academic performance. Other advocates of music instruction also cite numerous non-musical benefits including the building of greater self-esteem, concentration and coordination. Formal music instruction requires focus, discipline and determination; excellent qualities which are often transferred into other areas of the student's life. When research on the Mozart Effect - the theory that listening to Mozart's music can temporarily improve performance and perhaps even IQ - became popularized in the late 1950s, parents everywhere began to try and expose their children to more classical music. Brigid Finucane, an Early Childhood Music Instructor at the Merit School of Music in Chicago, has witnessed the positive effects of music instruction first-hand. Finucane says “Teachers at the sites I work at related many stories to me about how the children have progressed more deeply because of having music in the curriculum.” S...
In 1993, a study conducted by researchers Rauscher, Shaw and Ky aimed to test the theory that listening to Mozart increased ones performance on spatial relations tasks. Now decades on, the study forms the basis of a preconception that listening to Mozart can make someone (specifically babies) smarter and is now “one of the most well-known popular interpretations (or rather misinterpretations) of a psychological finding” (Husain, Schellenberg and Thompson, 2001, p. 248). With this being said, the following essay aims to eliminate this preconception by analysing current research valid to the Mozart affect whilst reinforcing the argument that listening to Mozart does not improve intelligence, but rather, in limited cases is able to produce minimal and temporary spatial aptitude that does not necessarily pertain exclusively to Mozart’s pieces. This can be supported by analysing studies; that show listening to Mozart only boosts spatial ability, that the improvement of spatial ability can be credited to other factors such as arousal, mood or personal preference and also that the increase in spatial capacity has yet to be studied in-depth in terms of if it is able to have long-term effects. The lack of studies involving babies or even young children also supports the argument that listening to Mozart does not makes babies smarter.
Scientists used it as a model to study how a musician’s brain enables the advanced and complicated motor skills necessary to perform a musical work, how the brain processes verbal versus nonverbal communication, and how it processes complex time information.
According to a study in 2009, children who had taken music lessons for a short amount of time had brains that “…grew larger in the areas that control fine motor skills and hearing,” (Lipman 3). Because their brains grew, they could know more and they could have a better education because of the larger parts to the brain.
George Herbert Mead is a philosopher who coined the theory Genesis of the self. Mead, believes " the self develops through contact with others." Play Stage, as defined by George Ritzer is, "the first stage in the genesis of the self in which a child plays at being someone else." In play a child is acting out that of a role model in their life. Such example may include dressing up as parents, teachers, doctors, construction workers, police officers and so on. In an article called Genesis of the Self and Social Control by George Herbert Mead, it states "the child is acquiring the roles of those who belong to his society." This simply means, the child is imitating the roles of people around him/her in society and is putting themselves in place of those who fulfill this role hoping to imagine, and achieve them. According to the genesis of the self, play stage begins with simple gestures and gradually moves up in difficulty to running away when being chased or using symbols to interact. The different role playing a child goes through is what I am trying to symbolize with these pictures. Children learn, grow, act, and communicate through play. A child learns the way the world operates, by attempting to assume a role of an adult. Such examples may include play with a doll and dress up, which demonstrates a motherly roll. This involves taking care of the "baby, and feeding them, in addition to them looking the part.
Theatre-In-Education The theatre education industry/movement has seen some rapid changes since its initial developments and establishment in the 1960’s. However its origins mainly lie in the early years of the last century. It was the initial establishment of companies such as Bertha Waddell’s in Scotland and Esme Church’s in the north of England that thoroughly established the main roots of TIE.
After great practice, Josh Clark learned to spell his last name. This may not seem like a grand accomplishment, but for Josh, it is. Josh has down syndrome. He attends weekly music therapy sessions and his parents are seeing great progress. Mother said, “Within a week, he learned how to spell ‘Clark’. Without music therapy, it would have taken several weeks or several months. So how does music help Josh to learn at a faster rate than without music? Josh’s music therapist knew that Josh was accustomed with the song “Twinkle Twinkle Little Star,” so she used that to help him learn. Josh listened to her sing each letter of his last name to the familiar tune. His mom thinks, “Music therapy helps him to focus. He loves it. He’s always loved music.” It is true that music is a large part of everyone’s lives, whether it is listening to it or playing it. Josh also loves playing the maracas, so his music therapist uses the maracas as a reward for spelling his name. To the average person spelling a name is no big deal, but to Josh’s family and friends, it is much more than that. “He takes a lot longer to learn, but there are a lot more small triumphs,” his mom says (AMTA 2014). This family has seen great results from the music therapy and they are not the only ones. As more people with various therapeutic needs begin to see the benefits of music healing, it has become one of the best forms of treatment.
Outstanding talents are present in children and youth from all cultural groups, across all economic strata, and in all areas of human endeavor” (Drew et al., 2002).
[13] Miller, Leon K., Musical savants : exceptional skill in the mentally retarded. (Hillsdale, N.J : L. Erlbaum, 1989.)