"I've got to keep experimenting. I feel that I'm just beginning. I have part of what I'm looking for in my grasp, but not all."
This phrase, from the liner notes of "My Favorite Things" clearly defines Coltrane's life and his search for the incorporation of his spirituality with his music. John Coltrane was not only an essential contributor to jazz, but also music itself. John Coltrane died thirty-two years ago, on July 17, 1967, at the age of forty. In the years since, his influence has only grown, and the stellar avant-garde saxophonist has become a jazz legend of a stature shared only by Louis Armstrong and Charlie Parker. As an instrumentalist Coltrane was technically and imaginatively equal to both; as a composer he was superior, although he has not received the recognition he deserves for this aspect of his work.
In composition he excelled in an astonishing number of forms – blues, ballads, spirituals, rhapsodies, elegies, suites, and free-form and cross-cultural works. The closest contemporary analogy to Coltrane's relentless search for possibilities was the Beatles' redefinition of rock from one album to the next. Yet the distance they traveled from conventional hard rock through sitars and Baroque obligatos to Sergeant Pepper psychedelia and the musical shards of Abbey Road seems short by comparison with Coltrane's journey from hard-bop saxist to daring harmonic and modal improviser to dying prophet speaking in tongues. Asked by a Swedish disc jockey in 1960 if he was trying to "play what you hear," he said that he was working off set harmonic devices while experimenting with others of which he was not yet certain. Although he was trying to "get the one essential . . . the one single line," he felt forced to play everything, for he was unable to "work what I know down into a more lyrical line" that would be "easily understood." Coltrane never found the one line. Nor was he ever to achieve the "more beautiful . . . more lyrical" sound he aspired to. He complicated rather than simplified his art, making it more visceral, raw, and wild. And even to his greatest fans it was anything but easily understood. In this failure, however, Coltrane contributed far more than he could have in success, for above all, his legacy to his followers is the abiding sense of search, o...
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...requested "Summertime" and "But Not For Me," old friends begged him to bring his music back inside. In 1966, toward the end of a three-hour "tune," Jimmy Garrison, the only member of the original quartet left, picked up his bass and walked off the stage. "You know, that's going to cost you a hundred dollars," Coltrane told him later. Garrison said it didn't matter because he could not figure out what was going on and wanted to leave anyway. "James, I understand," Coltrane said. "It's difficult for me too. But I can't do any more than what I'm doing."
John William Coltrane was a very hard working musician. He would practice ten to twelve hours a day, besides a number of performances that included a tour of Japan during the summer. It was just after returning from Japan that he died prematurely on July 17, 1967. The cause of death was liver cancer but it was probably a combination of overworking and alcohol. Coltrane remains the most influential jazz musician of the past 40 years. His expeditions on tenor saxophone stand as testament to his unbridled emotion and curiosity. The country has not produced a greater musician.
John Coltrane was a jazz saxophonist from 1955 to 1967. He was born in Hamlet, North Carolina on September 23, 1926. A few years later he moved to Highpoint, North Carolina.(D) As a child he was surrounded by a musical family. When he turned thirteen he started to play the alto saxophone. 1939 was a life changing year for Coltrane because his father, uncle, and grandparents died.(C) In the middle of that same year he graduated from grammar school.(D) Sadly when his family started to split and go to different states Coltrane moved to Philadelphia in 1943.(C)
Robert Johnson I went down to the crossroads fell down on my knees. Robert Johnson went to the crossroads and his life was never the same again. The purpose of this essay is to tell you about the life of Robert Johnson. He is the root of much of the music of today. If he didn't influence the musicians of today directly, he influenced the bands that influenced today's music.
Edward Kennedy Ellington, American jazz composer, orchestrator, bandleader, and pianist, is considered to be the greatest composer in the history of jazz music and one of the greatest musicians of the 20th century. He composed over 2000 works and performed numerous concerts during his musical career. A compilation of some of his most popular music is collected on a CD called "The Popular Duke Ellington."
First, he redefined the rhythmic conception of jazz by getting rid of the stiff nature of ragtime, creating a swing eight-note pattern, introducing syncopated rhythmic figures, and staggering the phrases to make it seem as if he was always playing behind the beat. Second, he began to have more control over the forms of solos. He focused on allowing them to flow in a more relaxed manner, while suggesting that they have a sense of drama and build tension. Third, he possessed an imagination for melody and embellished it so that other melodies could match specific chord progressions. “West End Blues,” recorded by Louis Armstrong and His Hot Five, is a composition that powerfully brings all of these contributions together with the different solos and overall character of the piece (Harker, 2005, p. 76). All of these contributions helped make jazz what it is today, and we have Louis Armstrong to thank for that.
In 1968, Armstrong's demanding lifestyle finally caught up with him as his heart and kidney problems constrained him to stop acting in 1969 and that same year, his former manager, Joe Glaser, died, so Armstrong spent much of that year at home, but he still managed to continue practicing the trumpet every day (“Louis Armstrong”).
The brilliant composer Clara Schumann was born as Clara Josephine Wieck on 13 September 1819. Even before her birth, her destiny was to become a famous musician. Her father, Friedrich Wieck, was a piano teacher and music dealer, while her mother, Marianne Wieck, was a soprano and a concert pianist and her family was very musically gifted. Her father, Friedrich, wanted to prove to the world that his teaching methods could produce a famous pianist, so he decided, before Clara’s birth, that she would become that pianist. Clara’s father’s wish came true, as his daughter ended up becoming a child prodigy and one of the most famous female composers of her time.
JOHN PHILIP SOUSA John Philip Sousa was born in 1854, the third child of ten. He was born in Washington, D.C. His parents were immigrants. John Antonio Sousa is his dad. He was originally from Spain, even though his parents were Portuguese in origin.
Ever since humans first learned how to make music with their voices and with instruments thousands of years ago, music has been changing. Some changes took place over hundreds or even thousands of years, stunted by human isolation or by guidelines set in place by religious institutions. The 20th century, in contrast, experienced several rapid, radical changes in the popular genres of music. This made the 20th century a very rich time period for musical culture. These remarkable genres--including, but not limited to jazz, rock and roll, and the music of the “British invasion”--all influenced one another, and all influenced the culture we still live in today.
“I have lived every day of my life asking myself ‘is what I’m doing reflective of who I am? Or who I want to be?’ If not...”
successful lyricist. Also, it was Ira’s interest in music that made their parents purchase the
Western Music has developed in many ways since the middle ages through its form, sound, and message. Throughout these different periods in western music one thing has remained constant, the true essence of music, a way to communicate with someone on a much more divine level than be by rudimentary conversation. Though Ludwig Van Beethoven and Paul McCartney may seem completely opposite they have one in common through their music they changed the world’s perception of its self
One of the most important and prevalent issues in healthcare discussed nowadays is the concern of the organ donation shortage. As the topic of organ donation shortages continues to be a growing problem, the government and many hospitals are also increasingly trying to find ways to improve the number of organ donations. In the United States alone, at least 6000 patients die each year while on waiting lists for new organs (Petersen & Lippert-Rasmussen, 2011). Although thousands of transplant candidates die from end-stage diseases of vital organs while waiting for a suitable organ, only a fraction of eligible organ donors actually donate. Hence, the stark discrepancy in transplantable organ supply and demand is one of the reasons that exacerbate this organ donation shortage (Parker, Winslade, & Paine, 2002). In the past, many people sought the supply of transplantable organs from cadaver donors. However, when many ethical issues arose about how to determine whether someone is truly dead by either cardiopulmonary or neurological conditions (Tong, 2007), many healthcare professionals and transplant candidates switched their focus on obtaining transplantable organs from living donors instead. As a result, in 2001, the number of living donors surpassed the number of cadaver donors for the first time (Tong, 2007).
In this paper I will be using the normative theory of utilitarianism as the best defensible approach to increase organ donations. Utilitarianism is a theory that seeks to increase the greatest good for the greatest amount of people (Pense2007, 61). The utilitarian theory is the best approach because it maximizes adult organ donations (which are the greater good) so that the number of lives saved would increase along with the quality of life, and also saves money and time.
Music and literature are constantly evolving with each new release, but how ground breaking are these pieces compared to its contemporaries? Miles Davis and Jorge Luis Borges have contemplated and answered this question frequently. Rather than add on to a previous style, these two took the future of their genres into their own hands. In Davis’s “Kind of Blue” as well as Borges’s “The Garden of Forking Paths,” old ideas are completely abandoned and new, inventive styles flourish. Not only do these two play with the content of their work, but they also explore different styles and means of composition. Both Davis and Borges experiment with new innovative ideas and concepts in their works successfully creating a unique style of their own.
... passed away. The reason for his death is unidentified, however an extremely popular hypothesis is that he died of a severe rheumatic fever, something he suffered many times during his life.