Jean Paul Sartre's No Exit And Its Existentialist Themes

3041 Words7 Pages
bulb-icon

Recommended: Using no exit to explain existentialism

Jean Paul Sartre's No Exit And Its Existentialist Themes

I would like to take this opportunity to discuss Jean Paul Sartre's philosophy and it's integration into his play "No Exit". Embedded within the character interactions are many Sartrean philosophical themes. Personal attributes serve to demonstrate some of the more dominant ideas in Sartre's writings. Each of the three characters in the play show identifiable characteristics of sexual perversion, bad faith, and interactions of consciousness.This play takes an interesting setting, that of the afterlife.

The plot centers around three main characters, Joseph Garcin, Estelle Rigault and Inez Serrano. Hell, as portrayed in this work, is no more than a room with three couches and Second Empire decorum. There are no mirrors, no windows, no books, generally no form of amusement. Some very human privileges that we take for granted have also been taken away: sleep, tears, and even momentary reprieves of blinking.

Each of the three characters is introduced into the room by a surprisingly polite Valet. Initial confrontations are "uncomfortable", each person knowing that he/she is deceased, but they are not impolite. However, as the true reasons why each person has been sentenced to Hell are revealed, the true nature of the place takes shape. Rather than try to explain the chronological progression of the play, I would rather take each character and their opinions individually in an attempt to highlight what I believe are the important parts. The first person to appear in the play is Mr.Garcin.

At first glance, he is a very polite, gentlemanly, and moral individual. However, the further into the play that we read, we find that he is none of these things. Instead, he represents some of the worst ails that afflict humankind (according to Sartre). He was graced with a wife that loved him unconditionally, and he loathed for no other reason. In fact, one the first memories that he has of her is how "she got on his nerves".

There is one story that is obviously intended to shock the reader, and provide a good interpretation of Garcin's true character. He states:"Well here's something you can get your teeth into. I brought a half-caste girl to stay in our house. My wife slept upstairs; she must have heard - everything. She was an early riser and, as I and the girl stayed in bed late, she served us our...

... middle of paper ...

...tolen away their ability to close their eyes. There is no way to turn off the sinks! Oaklander gives us a good description of the system, and how it applies to this situation:Rather it appears that the world has a kind of drain hole in the middle of its being and that it is perpetually flowing off through this hole. The universe, the flow, and the drain hole are all once again recovered, reapprehended, and fixed as an object.

All this is there for me as a partial structure in the world, even though the total disintegration of the universe is involved. Moreover these disintegrations may often be contained within more narrow limits.. (Oaklander, pg. 284)In conclusion, Jean Paul Sartre takes less than fifty pages to materialize his existentialist ideas for the stage. He has given us interpretations of sexual desire, bad faith, and conscious interactions. As a note: I truly believe that this play could be analyzed on an even deeper level. Each comment could be dissected and applied to part of Sartre's theory. However, this scope was limited to stay within the bounds of this paper.

Works Cited

Sartre, Jean Paul. No Exit and Three Other Plays. 1944. NY: Vintage Books, 1989.

Show More
Related

  • Existentialism In 13 Going On Thirty By Jean-Paul Sartre

    1391 Words  | 3 Pages

    In his lecture, Existentialism is a Humanism, Jean-Paul Sartre discusses common misconceptions people, specifically Communists and Christians, have about existentialism and extentanitalists (18). He wants to explain why these misconceptions are wrong and defend existentialism for what he believes it is. Sartre argues people are free to create themselves through their decisions and actions. This idea is illustrated in the movie 13 Going on Thirty, where one characters’ decision at her thirteenth birthday party and her actions afterwards make her become awful person by the time she turns thirty. She was free to make these decisions but she was also alone. Often the idea of having complete free will at first sounds refreshing, but when people

    Read More

  • Exploring Existential Ethics: Beauvoir's Response to Sartre

    647 Words  | 2 Pages

    At the end of Being and Nothingness,Jean-Paul Sartre concedes that he has not overcome one of the key objections to existentialism viz., an outline of ethics, and states that he will do so later. Although Sartre attempted the project of an existential ethics, it was never quite completed. Enter Simone De Beauvoir. In this book, De Beauvoir picks up where Sartre has left us, refusing to answer the question of ethics. For De Beauvoir, human nature involves and ontological ambiguity whose finitude is bound in a duality. This duality of body and consciousness is the ambiguity which remakes nature the way we want it to be as a facticity of transcendence. It is within this understanding that the project of ethics must begin in ambiguity. However,

    Read More

  • Contemplating Sartre's No Exit

    978 Words  | 2 Pages

    In No Exit, Sartre provides a compelling answer to the problem of other minds through the medium of drama. He puts two women (Inez and Estelle) in one hotel room with one man (Garcin) for all of eternity. This is his concept of hell, and he makes this point in one of the last few lines of the play: "Hell is--other people!" There are no torture racks or red-hot pitchforks in hell because they're after "an economy of man-power--or devil-power if you prefer." Each person is there (in hell) for a specific reason: Garcin because he cheated on and tormented his wife, Estelle because she killed her own child and her lover, then committed suicide, and Inez because she tormented (female) lover until that lover killed both of them. Each person is attracted to someone else: Garcin to Inez, for her strength, vitality (if it's possible to use that word on someone who's dead) and power over him; Inez to Estelle, because Estelle would be, with her weak personality, easily dominated by Inez's strong personality; and Estelle to Garcin, because he is the only man and, as a woman who is weak, she requires a masculine approval to validate her existence.

    Read More

  • Sartre: Authentic Existence in Living in Bad Faith

    311 Words  | 1 Pages

    We choose, act, and take responsibility for everything, and thus we live, and exist. Life cannot be anything until it is lived, but each individual must make sense of it. The value of life is nothing else but the sense each person fashions into it. To argue that we are the victims of fate, of mysterious forces within us, of some grand passion, or heredity, is to be guilty of bad faith. Sartre says that we can overcome the adversity presented by our facticity, a term he designs to represent the external factors that we have no control over, such as the details of our birth, our race, and so on, by inserting nothingness into it.

    Read More

  • Jean-Paul Sartre's No Exit and Existentialis

    981 Words  | 2 Pages

    is exemplified in No Exit. It is a portrayal that life in Hell is just

    Read More

  • Comparison: Jean-Paul Sarte & Martin Buber's Theories

    1798 Words  | 4 Pages

    In order to explicate Sartre’s notion of intersubjectivity I will follow the progression that Sartre takes in Being and Nothingness. I will first distinguish between “being-for-itself” and “being-for-others”. Second, I will provide an explication of the subject’s encounter with the Other as an object. Third, I will explain the significance of “the look”. Here I will show how the look provides the foundation for the self. I will also show how the look of the Other affects the subject’s freedom.

    Read More

  • Jean-Paul Sartre and Radical Freedom

    1790 Words  | 4 Pages

    Jean-Paul Sartre claims that there can be no human nature, or essence, without a God to conceive of it. This claim leads Sartre to formulate the idea of radical freedom, which is the idea that man exists before he can be defined by any concept and is afterwards solely defined by his choices. Sartre presupposes this radical freedom as a fact but fails to address what is necessary to possess the type of freedom which would allow man to define himself. If it can be established that this freedom and the ability to make choices is contingent upon something else, then freedom cannot be the starting point from which man defines himself. This leaves open the possibility of an essence that is not necessarily dependent upon a God to conceive it. Several inconsistencies in Sartre’s philosophy undermine the plausibility of his concept of human nature. The type of freedom essential for the ability to define oneself is in fact contingent upon something else. It is contingent upon community, and the capacity for empathy, autonomy, rationality, and responsibility.

    Read More

  • Analysis Of Jean-Paul Sartre's No Exit

    1149 Words  | 3 Pages

    Three people, trapped in a lavish room, and stuck together for all of eternity. The only communication any of them can have is with the other members in this room. Not bad, right? Wrong. These three people exemplify one another’s imperfections and create a high level of torment with one another. Welcome to hell. Literally, this is the view of hell according to Jean-Paul Sartre in his play, “No Exit.” The characters are unknowingly alone, in terms of finding betterment within inner selves. The only thing the other people in the room create is anguish for one another. The epitome is although these characters are truly not alone, each is lonely and the hell in this is a timeless never ending torture in one another dragging each of themselves into furthered grief and despair. What is hell then? Simply, it is our current living. Sartre is clear in saying “hell is other people” (Sartre 45). The repulsiveness of human nature makes us all infinitely empty and it is something that is inescapable. Depression and loneliness are simple byproducts of acceptance of the ugliness of our world at least according to Sartre. Even if the concept of “hell is other people” is refuted, it does not place one’s own inner nature. Regardless, “No Exit” holds a message of being forever alone at least to achieve a state of happiness. Therefore, loneliness must be examined in three scopes sadness, love, and communication as to understand the purpose of this life, which John G. Mcgraw addresses in his article, “God and the Problem of Loneliness.”

    Read More

  • Characters in Sartre's No Exit

    1602 Words  | 4 Pages

    “No Exit,” by Jean-Paul Sartre, is a play that illustrates three people’s transitions from wanting to be alone in Hell to needing the omnipresent “other” constantly by their sides. As the story progresses, the characters’ identities become more and more permanent and unchangeable. Soon Inez, Garcin, and Estelle live in the hope that they will obtain the other’s acceptance. These three characters cannot accept their existentialist condition: they are alone in their emotions, thoughts and fears. Consequently, they look to other people to give their past lives and present deaths meaning. Forever trapped in Hell, they are condemned to seek the other for meaning in their lives; even when given the chance to exit the room, the characters choose to stay with each other instead of facing uncertainty and the possibility of being detached from the stability of their relationships with the others. Without other people, the characters would have no reason to exist. Each characters’ significance depends on the other’s opinion of them; Garcin needs someone to deny his cowardliness, Inez yearns for Estelle’s love, and Estelle just wants passion with no commitment. This triangle of unending want, anguish and continual disillusionment because of the other is precisely Sartre’s definition of pure Hell.

    Read More

  • Jean-Paul Sartre’s Philosophy: Radical Freedom and Responsibility

    1238 Words  | 3 Pages

    ...vious objections. In this paper argued that man creates their own essence through their choices and that our values and choices are important because they allow man to be free and create their own existence. I did this first by explaining Jean-Paul Sartre’s quote, then by thoroughly stating Sartre’s theory, and then by opposing objections raised against Sartre’s theory.

    Read More

  • How Hamlet's Mental State Changes in the Soliloquies in Hamlet by Shakespeare

    759 Words  | 2 Pages

    changing attitudes toward life and the other characters in the play, particularly the women; and his reflection on the

    Read More

  • Black and White

    817 Words  | 2 Pages

    ...e’s theory relies upon his belief that because there is no creator, human beings have no essence, and so they are “left alone, without excuse” and “born without reason.” He says that people realize this “the moment you lose the illusion of being eternal.” Similarly, White too admits to Black that he has always hated life and that when he realized that religion was just a “guise,” his hatred turned into boredom (138). White’s skepticism about life and God echoes throughout the play and through the suicidal choice that White makes even before the dialogue begins. Comparably, Father Vincent Minceli voices similar concerns about Sartre, concluding that Sartre’s philosophy leads directly to despair and suicide. McCarthy’s comparison of White and Sartre is remarkable, as both are not only atheists, but also convey life’s useless nature through using synonymous phrases.

    Read More

  • John Paul Sartre

    808 Words  | 2 Pages

    John Paul Sartre is known as one of the most influential philosophers of the twentieth century. He wrote many philosophical works novels and plays. Much of his work is tied into politics. The essay Existentialism is a Humanism is just one of his many works. Existentialism is a Humanism is a political essay that was written in 1945. Its purpose was to address a small public during World War II in Nazi occupied France. This essay stressed the public not to conform. Sartre introduced a great number of philosophical concepts in Existentialism. Two of these concepts are anguish and forlornness. They are simply defined, as anguish is feeling responsible for yourself as well as others and knowing that your actions affect others and forlornness is realizing that you are alone in your decisions. These two concepts are interwoven throughout the essay and throughout many of Sartre's other works. Sartre's view of anguish and forlornness in Existentialism is a Humanism addresses his view of life and man.

    Read More

  • Existentialism By Jean-Paul Sartre: The Common Man's Meaning

    1287 Words  | 3 Pages

    Man goes through life, waking each day and participating in his own existence without truly existing. He is always in search of a greater meaning, and in the process fails to find one as he is on a constant search for something that cannot be grasped by the normality that is the human psyche. A similar example can be found in the capitalistic work force of modern day. Man works the majority of his life, always training and aiming for more, only to retire and live on a portion of what he was making. During his time working he lost out on his family, his sleep, often times his own enjoyment, for an ideal that often times is never achieved. This is a trivial situation, yet it is painted in a rather angelic light in our society. Why is it, then, that Sartre can be dismissed as trivial when trivialities exist in nearly every day to day life? Quite likely, this is because Existentialism is an “on-paper theory” so to speak, and in theory is looks quite differently than in reality. Man, as in this case, does not realise that he often follows the rules which he opposes. In addition, much of today’s society exists under a form of organized religion, a society with which Existentialism exists in

    Read More

  • Freudian Psychoanalysis

    1474 Words  | 3 Pages

    Sartre, J. (1981). Being and nothingness: an essay in phenomenological ontology /by Jean-Paul Satre; translated and with an introduction by Hazel E. Barnes. New York: Philosophical Library.

    Read More

More about Jean Paul Sartre's No Exit And Its Existentialist Themes

Open Document