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Humanities quizlet rococo
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The art I selected is that of Jean-Antoine Watteau's "Gersaints Shopsign". This piece of art was made during the Rococo age in 1721. Watteau was fascinated by the Rococo art periods design; curving lines, decorative, and had an enjoyable style. Watteau painted this when he was ill with TB and lived with Gersaint, owner/dealer of a French gallery. During this time period, trading of art was a common practice and Watteau was able to capture the visual of this activity in his last painting. In the corner of the painting there is a significant act being portrayed; a painting of Louis XIV; "Great Monarch" being placed in a box which may represent the changing of the times. Caplan sums Watteau's purpose; "By turning the portrait of the "Great
Getlein, Mark. "Chapter 17-The 17th and 18th Centuries." Living with Art. 9th ed. Boston, MA: McGraw Hill, 2008. 384-406. Print.
Tim O’Brien in “The Things They Carried; Speaking of Courage,” his short story shows how war leaves permanent scars. O’Brien’s short story mainly focuses on a character named Norman Bowker, who returns from fighting in the Vietnam war and is unable to leave his past behind. Norman lives with his father, who only sees any war as a heroic and amazing thing. Likewise, Norman Bowker’s father is only interested in how many medals his son has earned. Bowker being unable to talk about the war with his father, and not have any connections from his old girlfriend Sally or even friends, he endlessly drives around the lake in town “feeling safe inside his father’s big Chevy” (O’Brien). In the short story “The Things They Carried; Speaking of courage,” by Tim O’Brien, the symbol of water is integrated throughout.
The painting named Portrait of Mrs. Chinnery is an artwork by Elisabeth-Louise Vigee LeBrun produced in the year 1803. It is oil on canvas rectangular painting measuring 36 by 28 inches (91.5 by 71 cent meters). Its subject is Mrs. Chinnery, wife to William. Details on her life are scarce although her maiden name is reported. She was a widely known pianist and a popular hostess in one of the buildings that many of the British rich and noble people liked to frequent. She had three children: George, Caroline and Walter. In this painting, the lady is presented sitting in a relaxed manner while reading a book which is claimed to be about the French fashion of which she was an enthusiast. The subject’s body is facing to the right of the painting, the direction in which she holds the book. She, however, is facing directly in front, in reference to the portrait, with her gaze slightly to the right. Her left arm is hidden below the book, away from view in the painting, while her right arm rests between the pages of the book, probably near the middle of the book, as if to prevent it from closing. She is wearing a red dress, with short sleeves and a V shape in the chest area. She has two necklaces hanging from her neck. She has a red bund round her head, probably to hold her hair off her face. She has gold colored hair hanging freely down her neck and back. In the forehead, the hair is parted in such a way as to form an inverted V. She can be inferred to be wearing a red lipstick, with her face tilted slightly to the left. She does not seem to be smiling; her left eye is open wider than the left eye as if she is winking with the lips closed tightly together. Part of the thigh region can be seen but the legs are hidden off the painting. She ...
In eighteenth century Paris the images on signboards served the purpose of stimulating, amusing and informing through an iconography that was complex enough to engage the great masters of the time.
In the Wallach Gallery exhibition of Anna Hyatt Huntington’s sculpture (1876-1973), the viewer gets to discover different versions of the emblematic figure that is Joan of Arc, from small bronze medals, to much bigger works of art. A digital replication of the initial statue that was unveiled at Riverside Drive and 93rd Street in December 1915 is also available the public in the gallery. The success of the Joan of Arc – or The Maid of Orleans’s depictions results from the symbol that she fosters in European and American culture: a French medieval patriotic heroine who received visions directly from God and who was told to help France combat the English domination and who died burned at the stake, as a martyr.
Both Jan van Eyck and Fra Angelico were revered artists for the advances in art that they created and displayed for the world to see. Their renditions of the Annunciation were both very different, however unique and perfect display of the typical styles used during the Renaissance. Jan van Eyck’s panel painting Annunciation held all the characteristics of the Northern Renaissance with its overwhelming symbolism and detail. Fra Angelico’s fresco Annunciation grasped the key elements used in the Italian Renaissance with usage of perspective as well as displaying the interest and knowledge of the classical arts.
During my trip to the Art Gallery of Ontario, I found there to be one painting that surely stood out and made an unique impression on me, it was certainly a painting unlike the rest of the in the gallery. When my eyes met those of the portrait of Dr. Heinrich by Otto Dix, I was deeply intrigued and found myself to be drawn to the piece and inspecting it the longest out of the all the options of paintings that I saw at the AGO.
This painting gives viewers a small glimpse into the past of the United States and the industrial revolution. Even though this picture showed a small glimpse of the past, a picture (or painting) is truly worth a thousand
During the time between 1590 to 1667 in France, a European artist named Nicolas Regnier made a quite an immense, remarkable and beautiful painting called “St. Sebastian Attended by St. Irene”. He creates an artwork that has a narrative attached to it. The painting describes the biblical references, themes, and symbolisms through dissecting the piece as a whole as well in small sections for the viewers to see. The artist easily demonstrates the different skills sets and techniques of realism through his painting using light and shadow. In addition, Reigner makes certain objects and figures important and through his painting such demonstrating the use of color, emphasis and having lighting. Reigner makes the tone of the whole art piece dramatic
Throughout history, art continues to change over time along with the change in society’s culture. But for some styles of art it has remained the same for centuries. Art work such as painting the portraits of high-class individuals such as world leaders, generals, officers and the rich. Have been seen throughout history since the Greek and Romans have made statues. Portrait paintings have always captured my imagination. I always look at the portraits featured in art museums of people who were the leaders of their time. Such, as portraits of military leaders have always captured my eye. I look to see if I can tell what kind of leader they truly where based on how the painter has them portrayed. Painters such as Nicola Marschall, who is known for painting portraits such as the painting of First Lieutenant J. Mack Walker.
1. Hunter, Sam and Jacobs, John. Modern Art, 3rd Edition. The Vendome Press, New York, 1992.
The rococo style of painting is defined as “a style of painting that emphasized irregularity and asymmetry, movement and curvature, but on a smaller, more intimate scale than the baroque” (Hunt, pg. 565) style of art and architecture. This style of painting was a direct result of the population becoming more literate and wealthy. Artists didn’t need to rely on being commissioned by the church or the government for their artwork, instead it was the private citizen who would pay for the artist for their work. This lead to art that could provide more of a social commentary, or be more political in nature. The artwork would depict small intimate scenes from the daily lives of the wealthy and middle class in the 18th century. The style of art “mirrored the extravagance and amorality of the idle rich of the 18th century” (Johnson). While the rococo style was extremely popular in France, it was looked down upon by most of the British. They considered the style of art to be pornographic in nature and women who were caught viewing this artwork could stand have had their reputations called into question (Johnson).
O’Donnell, Sr., Joseph J.. “Art and the French Revolution”. The Eerie Digest, May 2013. Web. 5th May 2013.
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.