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What does the blues reveal about african american culture
Importance of blues in african american culture
Similarities in jazz and blues
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The interaction between Blues and Jazz can be discerned when the origins of both music are scrutinized. The development of one is hidden in the roots of one another and both use similar sound patterns for instance. In this paper the readers will be presented a brief history of Blues & Jazz within the similarities of the two.
If we trace back to the history of Blues music, the impact of African-American tradition is seen quite apparently. Blues music evolved from the songs sung by West African griots, the southern Black American songs of sadness and despair, and more hopeful Christian spirituals. It originated in the rural Mississippi Delta region at the beginning of 20th century.
Similarly, Jazz music emerged as a blend of African-American rituals; the features carried from West African Black folk music developed in the Americas, joined with European music of the late 18th and 19th centuries and turned out to be the minor voicing characteristics of the Blues. Jazz emerged in New Orleans and was characterized by strong but flexible rhythms.
Blues had its most brilliant years in America by the end of WWI. The American troops brought the Blues home with them, which they learned from the Southern Whites who had been exposed to the blues. After WWII, Blues had a different experience by the well-known Blues musicians as B.B. King and Buddy Guy by “amplifying guitar” and “emphasized drums”; thus created intensified sounds in Blues, the collection of which later called to be the “Electric Blues”.(Herman) This kind of Blues had a great deal of resemblance to Jazz music due to the increased drum beats.
Unlike Blues, Jazz music, experienced hard times during 1970’s. While Blues rose owing to the contributions of Elvis Pressley and Bill Halley who transformed rhythm & Blues into Rock’n Roll, Jazz stayed so far away from this frenzy and faced several troubles, which gave way to the foundation of the new Fusion School of Jazz.
Today, Blues has developed into a major force in contemporary music through the rock-edge style of Robert Cray, as well as roots-oriented jazz by musicians associated with Wynton Marsalis, the zydeco sound, and some rap groups. Likewise jazz music has had its impact on modern music and it maintains its role as a universal music over its interaction with different music. This interaction has formed several genres like Ragtime, Soul Jazz, Fusion, Acid Jazz, Groove, Smooth Jazz, and Post Bop.
In the textbook, religion is portrayed as the main cause of Salem’s witch hysteria. In America Possessed, however, the main reason is told to be a result of social conflicts and a power struggle between the main groups of Salem. Although the textbook addresses different causes, as does Salem Possessed, there is never a mention of the two most influential groups of Salem having an impact on the witch trials. Perhaps this is due to a time limitation of the book, as including that much detail would require the textbook and course to be much
Jazz music of the 1940’s and 1950’s was defined by a history of change since its beginning at the dawn of the 20th century. Almost every decade brought a new flavor to the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for continued change. It is important to trace the early movements in jazz to better understand the innovations of the Bebop and Cool jazz eras of the 40’s and 50’s.
Blues has played an extreme role in todays’ music. The music genre of blues, helps us express ourselves in which you can feel it from the ubiquitous in the jazz to the blues scale and the specific chord progressions. To start off, the blues is musically originated by African Americans in the deep South of the United States. Growing up in a southern household, I was used to listening to a variety music, but blues was always most listened to. Every time I listen to blues, the lyrics often deal with personal adversity, and it goes far beyond pity.
Rhythm and Blues also known as R&B has become one of the most identifiable art-forms of the 20th Century, with an enormous influence on the development of both the sound and attitude of modern music. The history of R&B series of box sets investigates the accidental synthesis of Jazz, Gospel, Blues, Ragtime, Latin, Country and Pop into a definable from of Black music. The hardship of segregation caused by the Jim Crow laws caused a cultural revolution within Afro-American society. In the 1900s, as a method of self-expression in the southern states, the Blues gradually became a form of public entertainment in juke joints and dance halls picking up new rhythm along the way. In 1910, nearly five million African Americans left the south for the
This paper will analyze the different theoretical issues pertaining to the modern juvenile court, determine their origin, and suggest a course of action for resolving these issues to the best extent possible. It is important to note, however, that the juvenile justice system alone cannot ever prevent all juvenile crime, respond perfectly to every situation or treat every suspect fairly. Furthermore, an effective antidote to modern juvenile crime would necessitate far broader action, addressing underlying social structure inequalities that breed poverty and social disorganization.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911.”. This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issues, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz. As the 1930’s began, the effects of the Great Depression still ravaged the United States, which in turn caused a dramatic change in the music industry.
Musicologists have dated the ‘birth’ of blues to be around 1890 as a West African tradition involving blue indigo in which mourners at ceremonies would wear blue dyed attires to resemble their suffering . Although, blues derived from times of slavery, the Prohibition Era (1920’s), World War Two (1939-1945), and during the Vietnam War (predominantly 1960’s to 1970’s), it has been a continuously evolved form of music in America, in which the similarities have always remained; melancholy and protest.
Through Elvis Presley, rock ‘n’ roll changed the face of American music, and influenced a whole generation’s political philosophy. Composer Leonard Berstein once said, “He introduced the beat to everything and changed everything-music, language, clothes; it’s a whole new social revolution-the 60s come from it” (Wattenberg 6B). To his credit, Elvis embraced rhythm and blues not as a from to be imitated, but as a form to honored and interprete... ...
In order to understand the outbreak of the witchcraft hysteria in Salem, Massachusetts in the sixteenth and seventeenth centuries, Paul Boyer and Stephen Nissenbaum, authors of Salem Possessed: The Social Origins of Witchcraft, explore the social and economic divisions and tensions within Salem and the surrounding communities. Both Boyer and Nissenbaum have a strong background in history. Paul Boyer (1935-2012) was the Merle Curti Professor of History at the University of Wisconsin-Madison as well as a cultural and intellectual historian who authored several other books. Stephen Nissenbaum was a Professor of History at the University of Massachusetts, Amherst who authored several other books as well. In Salem Possessed: The Social Origins of
By the end of World War I, Black Americans were facing their lowest point in history since slavery. Most of the blacks migrated to the northern states such as New York and Chicago. It was in New York where the “Harlem Renaissance” was born. This movement with jazz was used to rid of the restraints held against African Americans. One of the main reasons that jazz was so popular was that it allowed the performer to create the rhythm. With This in Mind performers realized that there could no...
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
They were a mixture of story telling and talking with a definite call and response. Religious music was very important in forming blues music. Because most blacks went to Christian churches from an early age and were exposed to Christian hymns. Ragtime was an influence that came later and is a faster blues played with the piano and someone singing which was usually played in bars called barrel houses.
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
Jazz is the best-known artistic creation of the Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues. In the formally standardized, instrumentally accompanied form of “city blues”(as opposed to the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-line strophes (but with the first line of each strophe’s text repeated, AAB) and a standard succession of harmonies underlying each strophe’s melody.... ...