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Jazz music culture in american history
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Jazz Jazz is a music genre that originated from African communities of New Orleans in the United States during the late 19th and early 20th centries. Jazz first emerged in the black cultures of New Orleans from the mixed influences of ragtime, blues, and the band music played at New Orleans funerals. Jazz the word comes from a creole word that means both African dance and copulation. As jazz grew in popularity and influence, jazz served as a means bring young people together. Jazz is a powerful vehicle for human expression. Everywhere jazz musicians look or open their ears, they can discern the emotional, creative, and musical effects of this particular mode of human expression. Jazz is the symbolic record of our elevation as people. There …show more content…
Marsalis’s brothers are; Branford Marsalis, Jason Marsalis, Delfeayo Marsalis, Mboya Kenyatta Marsalis, and Ellis Marsalis III. His child is Jasper Armstrong (son). Marsalis’s wife he had Jasper with is Victoria Rowell. The are not together anymore. Marsalis’s grandparents are Florence Robertson (Grandmother) and Ellis Louis Marsalis Sr. (Grandfather). Marsalis’s great-grandparents are Rosa Marsalis (great-Grandmother) and Simeon “Simmie” Marsalis (great-grandfather). Marsalis is the world’s first jazz artist to perform and compose across the full jazz spectrum from it’s New Orleans roots from bebop to modern jazz. Marsalis has won nine awards. He is only artist ever to win grammy awards in five consecutive years. From 1983-1987. Marsalis released his first classical recording in 1983. The jazz musicians that influenced Marsalis most are; Monk, Duke, Miles, Charlie Parker, Dizzy, Jelly Roll Morton and Wayne Shorter. The trumpet players that influenced Marsalis are; Maurice Andre, Adolph Hofner, Cootie Williams, Ray Nance, and Sweets Edison. In high school, Clark Terry influenced Marsalis a lot. In terms of classical music, Marsalis was influenced by Stravinsky and …show more content…
His trumpet was made as a one of a kind. It has personalized engravings from all aspects of Marsalis’s life. This trumpet was the first trumpet Dave Monette ever made in this way which made it one of a kind. Marsalis’s trumpet is called PRANA 3 STC Bb. It took Monette and his team 250 hours to make. The trumpet has a brilliant sound. Marsalis has some quotes. They are; “I dress a certain way because I respect the music.”, “Through first-class education, a generation marches down the long uncertain road of the future with confidence.”, “Many a revolution started with the actions of a few. Only 56 men signed the Declaration of Independance. A few hanging together can lead a nation to change.”, “What I really have in my head, my imagination, my understanding of music, I never really get that out.”, and “When did we begin to lose faith in our ability to change
The first appearance of jazz was at the turn of the century in New Orleans and is called “Dixieland Jazz,” or “Classic Jazz.” It developed out of music for street parades in the black community. It also had deeper roots in a style of music called “Blues,” which was used to express the daily experiences of the community (History). Other influences include the combination of West African folk music with the popular classical music of Europe, developing into syncopated rhythms and chord variations on classical pieces (Passion).
Although jazz first appeared in New Orleans in the twentieth century, the music it was derived from has been around for much longer. The roots of jazz can be found in both African and European influences that blend together to create a distinctive musical quality and swing character. It encompasses a wide range of music, including that of ragtime and blues, which are two of the most prominent genres that influenced jazz in its early stages. Although there are many differences between the musical styles and instrumentation of ragtime and blues, there are also some similarities in terms of common origin that helped drive the birth of modern-day jazz.
Charles Mingus is one of the most original and influential jazz composers of the twentieth century. He created the second-largest volume of jazz work after Duke Ellington (McDonough 20), and is the first African-American composer to have his work acquired by the Library of Congress (Harrington B1). Mingus is known for his unusual style of composing and playing, which attempted to reconcile jazz improvisation with orchestration, in order for the final composition to conform most closely to his vision. Also, Mingus liberated the bass from its mundane role of keeping time, turning it into a fully versatile instrument as capable of stating the theme as the horns. While forging a new role for his instrument, he also forged a new style of jazz, one that acknowledged the influence of bebop but did not cater solely to that genre. Instead, Mingus' music incorporated a wide range of styles, from Ellington's big band sound, to gospel music, to early New Orleans jazz bands. At the same time, he imbued modern sentiments and an avant-garde feeling into his music. In the 1950s, his music made several important aesthetic and technical advances, punctuated by the release of numerous influential albums. These productive years were crucial in shaping Mingus' sound, as he fully incorporated gospel elements into his music and developed a means of composing and working with his musicians that allowed for endless innovation.
The word “jazz” is significant to America, and it has many meanings. Jazz could simply be defined as a genre or style of music that originated in America, but it can also be described as a movement which “bounced into the world somewhere about the year 1911…” . This is important because jazz is constantly changing, evolving, adapting, and improvising. By analyzing the creators, critics, and consumers of jazz in the context of cultural, political, and economic issue, I will illustrate the movement from the 1930’s swing era to the birth of bebop and modern jazz.
A famous trumpeter, bandleader, composer, and singer, Dizzy Gillespie was a pioneer of modern jazz and a key figure in music of the 20th century. Dizzy was responsible for being a major figure in the development of modern jazz alongside other famous musicians such as Miles Davis and Fats Navarro. Gillespie covered the genres of jazz, and bebop music. He was well known for his swollen cheeks and famous angled trumpet bell. Gillespie worked with the jazz greats such as Charlie Parker, Duke Ellington and Ella Fitzgerald.
Not only did Davis serve as an architype for upcoming musicians, he exposed his audience to the realities of an oppressed American by way of his music. Growing up he had to work harder than his white peers to get the same chance, and he took note of this. According to the book, Miles Davis: the definitive biography, Davis commented on using injustice as his motivation, “It made me so mad that I made up my mind to outdo anybody white on my horn. If I hadn’t met that prejudice, I probably wouldn’t have had as much drive in my work” (Carr 6). Injustice made a profound influence on Miles. During the civil rights movement Miles Davis became a voice for the black community. Because of Davis’s initiative to deliver music that would bring strength and truth to the African American community, jazz music had become a symbol of power and strength instead of “black music.” In a book by Ingrid Monson she speaks about the relationship between the civil rights movement and jazz: “the defiance and resistance of jazz musicians has often been confused with romanticized politics of style that views music’s relationship to the civil rights struggle as mostly symbolic. Here the defiant attitude of musicians…has been viewed as the heart and soul of the relationship between music and politics” (Monson 56-57). Miles Davis was a manifestation of the
1955 was Miles Davis’ breakthrough year. His performance of "round midnight" at the Newport Jazz Festival alerted the critics that he was "back". Davis form a quintet which included Red Garland, Paul Chambers, Philly Joe Jones, and John Coletrain. In 1957 Davis made the first of many solo recordings with the unusual jazz orchestrations of Gil Evans, and he wrote music for film by Louis Malle.
The brass instruments in the background are played in ostinato form. This piece was written by Puerto Rican Juan Tizol, who played the trombone solo. Cootie Williams would later improvise on the piece, coming up with his own version of "Caravan."
Jazz is the kind of music that makes me want to do one of two things. Depending on the mood of the jazz, sometimes I feel like relaxing and just listening to the music and letting it run through me. Other times I feel like getting up and dancing as if I have not a care in the world. The jazz concert I attended on at SLO Brewing Company on October 6, 2001 inspired me to do both of these due to the variety used by the musicians in dynamic, rhythm, tempo, and many other aspects of music.
Imagine you are walking the streets of New Orleans. You are standing right where jazz was established in the United States of America. Jazz wasn’t just about music, it also affected the culture involving social, economic, artistic and jazz leaders.
Though Jazz has changed, the background behind it still inspires those today. Even though each artist has their particular style or expression, they all can agree that music is art. They can all agree that Music is emotions and feelings. Through the years, just as all things do, Jazz and Bebop have grown and flourished across America and the World. All in all Jazz for African Americans opened the doors in America, jazz alone opened doors and ears all across the Earth.
Jazz is an American genre that developed from ragtime and blues in the early twentieth century in urban areas of the U.S. This genre is characterized by strong, prominent meter, improvisation, distinctive tone colors, and performance techniques. The development of Jazz made a postive, lasting impact after World War One ended. It became a way of bringing young people together. Jazz became the basis for most social dance music and provided one of the first opportunities for public integration. Subcultures like the gangs of New York and Chicago encouraged the subjugation of the black artists to the white man’s economic and social power, often resulting in gang leaders having complete control over
“We Insist! Max Roach’s Freedom Now Suite,” released in 1960 is one instance of that. The record was released around the time of the civil rights movement. It was considered to be one of the first pieces of music to address social and political issues. With bassist Charles Mingus, Roach held a festival in Newport, Rhode Island to stand against the Newport Jazz Festival’s treatment of performers. He said to Down Beat magazine that he “will never again play anything that does not have social significance,” at the time of the release of “We Insist!” Later in a 1985 interview with “Fresh Air,” interviewer Terry Gross asked if Roach if he was an activist. Roach says “I’ve always been an activist. I’ve got - at that time, of course, my children were young. But you’re always thinking about, you know, their future as well. And there has to be - if they’re going to come up and be responsible human beings, that have to have education and the things like everyone else has. And the society have to accommodate that. So I guess I’ve always been an activist because of
Jazz has been a genre we have been studying over these past couple of weeks. During these weeks I have acquired new knowledge that has interested me in this genre. I never viewed jazz as being a political style of music nor did I know that there were songs that contained political messages. Finding out about these different songs and jazz having some aspect of political style to it intrigued me to write about this genre.
Ironically, it is nearly impossible to find the pinpoint of where jazz got started. Many early types of music, such as: Blues, Afro-Latin Caribbean rhythms, work songs, Protestant church hymns, Jewish songs, silly contemporary tunes, English and Irish dance music, gospel and spiritual, and ragtime, all went into the creation of jazz. A lot of credit goes to the African Americans for the creation of jazz. (Taborelli, Giorgio). “Jazz was born out of the cultural experience of African Americans and can be traced in a direct line to the slave songs of the plantations through the Negro Spirituals, Ragtime, and the Blues”("Jazz Musicians as