Jazz

2053 Words5 Pages

When World War II broke out in Europe, the situation for French jazz enthusiasts changed as both the Nazi and Vichy regimes attacked jazz as a foreign institution. Jazz represented everything that the Nazi party opposed. It was a genre of music created and performed by African Americans, as well as gypsies and Jews—their most hated enemies. The Nazis hatred for blacks was extreme. Blacks were distinctly different from Nazis not because of their differing religions, but because they viewed blacks as a fundamentally inferior race. The Nazis' belief in their own "superior race" was deeply rooted. Towards the beginning of the war, the Nazis were more focused on eradicating blacks from their lands than Jews. Their music encouraged improvisation—musical freedom--and stressed the importance of non-conformity, directly opposing the strict, regulated life of the Nazis. " When the Nazis invaded France in 1940, it was believed that jazz would be quickly extinguished. The opposite occurred. Without the German occupation of World War II, there would not have been a cultural resistance against the Reich Regime and jazz would have failed to develop as a French institution.
The cultural resistance against the Reich Regime allowed jazz to represent freedom and equality, and inspired those such as members of the Hot Club to take action. Jazz was considered a foreign music, originating in the U.S.—a clear enemy of the Nazis. It represented freedom of expression and individualism, the qualities that the U.S. formed its government upon many years earlier. The Nazis did what they could to suppress this "degenerate music" by issuing widespread propaganda and denouncing the music as illegitimate forms of entertainment that was toxic to the public. N...

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... scene of jazz, but to the cultural resistance as well. An Aryan gypsy by birth—a race equally hated by the Nazis—Reinhardt was a man who survived and accumulated significant wealth and fame during the occupation. His survival has been noted as "borderline miraculous." These musicians were able to distinguish particular aspect about French jazz that was unlike anything heard before. They were the first to pioneer real French jazz.

In conclusion, jazz would not have evolved and flourished without the Nazi occupation of World War II. Cultural resistance served as a catalyst for musical ingenuity throughout the war. Jazz prospered due to the repressive environment imposed by the Reich Regime. Ironically, the Nazis forced French musicians to create their own original sound and styles. In short, jazz was the French resistance's rebellious answer to Nazi repression.

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