We are still learning from the Great White and in 1973 we knew less. “Jaws” by Peter Benchley is the first fiction novel written about the Great White and is inspiration for the book comes from an actually incident in early 1900’s. In 1913, four people were killed off the Jersey Shore by sharks. Sharks will mistake a human for food but will release once it realizes it. Peter Benchley creates a monster from realism and brilliantly describes the great fish in scientific terms is his book. He speaks of it small primitive brain, the dorsal fin, and the fishes need to keep water rushing over its gills. He never specifically names the fish and allows the reader to form a picture of the fish. In doing so we are forced to believe the possibilities that there is a shark who is just hunting for survival, and the fish does not possess some extraordinary power. The book first published in 1974 by Doubleday. The book was a success and made The Book of the Month Club, and was given many praises in newspapers such as The New York Times. While this is going on, Richard D. Zanuck and David Brown, at Universal Studios was contemplating the possibilities of creating the movie. Neither, Zanuck or Brown knew that the book would be such a hit, and will later state “if either of us actually understood the difficulties in actually creating the movie it never would have happened”. The film originally slated with Director Dick Richards, and when he dropped out the film was assigned to a young protégé Stephen Spielberg. Stephen Spielberg early in his career with only two other movies out was intrigued by the story and jumped on it. He would later say “We were either naïve or stupid”, and the movie production would go over budget, miss deadlines, and it seemed that nothing went right. The movie production will begin without an intact screenplay, without the completed mechanical shark, but Spielberg knew how he wanted to direct it. “I want to develop it from the raw material” (Brode), and would eliminate the sub plots in the book. He will eliminate the internal struggles within the characters Mayor Vaughn (Murray Hamilton), and Ellen Brody (Lorraine Gray); with the aid of sound and a theme song written by John Williams keep the great fish intact, add explosive special effects and camera angles; and the direction Spielberg takes with the final act is aesthetically pleasing for the audience.
In Blackfish, Director, Gabriela Cowperthwaite, addresses the accidents that occurred at SeaWorld involving trainers and whales. Cowperthwaite’s purpose is to educate the audience on the cruel treatment and rough conditions of whales that occur in SeaWorld. The film maintains a shocking tone in order to persuade the audience and appeal to feelings of sadness and anger.
Before seeing this film and looking into it all I was aware of is what was shown on social media, which is what awful creatures sharks are supposed to be. Saveourseas.com had eye-opening statements comparable to the film. There were many persuasive arguments such as “Great white sharks, like all animals, are individuals with individual behaviors and characteristics. As the largest predatory fish, reaching six meters, they don’t have much to fear and are confident and curious animals.” This is a large point in both the documentary and paper. Since most people are constantly worried about how scary the animals are. It is hard for these creatures to get good publicity since our society is so judgmental and believes every detail the media puts out into the world. There are many points that focus on how hunting great whites is becoming more and more illegal, which is necessary for how important they are in the world. These sharks are able to help maintain a healthy balance in the
The novel Big Fish, written by Daniel Wallace, contains many themes that are an important aspect to the story. Forming the father-son relationship between Edward and his son, William, was the key theme to Big Fish. William believes that his father’s stories are fictional stories and do not establish the truth, which frustrates him. In an interview with New York Times, Tim Burton said, “"Big Fish is about what's real and what's fantastic, what's true and what's not true, what's partially true and how, in the end, it's all true.” At the end of the movie, William finally starts to understand his father and the stories that have been told. After his father died, William keeps his father’s legacy alive by replacing himself as the storyteller and by retelling his father’s stories.
David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book jacket that would visually depict the context of the David Kirby’s book. The photographer uses his work to persuade people to look into the claims of the book and see another side of the animal park. Grom’s Photograph image uses the picture, the words of the title, and the subtitle to create a twist of the logos, and uses David Kirby’s ethos to create an appeal to the book.
Steven Spielberg’s Jaws was a branch off the novel Jaws written by Peter Benchley . The Novel was written in 1974 receiving a best sellers award and therefore setting up for a movie just one year later in 1975, which soon invented the phrase “blockbuster”which simply is to gross over 100 million dollars. Since this was a highly publicized and successful novel Steven Spielberg was held to a high expectation for this movie to be an ultimate hit. The book and the movie have a lot of differences. The book gives you an all around synopsis on every character while the Movie gives you a breath description on what the character was about and more emphasis on the shark.
Steven Soderbergh’s Ocean’s 11 movie is produced with so much wit, brains, dazzle, and virtuosity that hit me like a bucket of ice-cold water. It made me wonder what was gonna happen next.
It is terrifying without being grotesque, and spectacular without being unbelievable (if the shark looks a little fake, remember that, at the time 'Jaws' was released, 'Space Invaders' was on the cutting edge of computer graphics design and there was no such thing as 'Shark Week on the Discovery Channel'). Roy Scheider's Brody is a quintessential everyman, an average guy beset by fear and guilt who finds himself in extraordinary circumstances and rises to the occasion. Dreyfuss' Hooper is brash and brave enough not to come off as nerdy or self-righteous, and his friendship with Brody becomes the backbone of the movie (Spielberg and screenwriter Carl Gottlieb wisely deviated from the novel in regards to the character of Hooper, who was originally Brody's nemesis). Robert Shaw's Quint is a modern-day Captain Ahab, a worthy foe for the malevolent shark. The suspense is potent and the action thrilling, but the humor, emotion, and character development make this movie much more than a summer
Directed by Steven Spielberg, Jaws (1975) figures into one of the most iconic films in the history of Hollywood filmmaking most notably for the visual experience that is created with the creative use of various tools of filmmaking that allow its impact to be felt even now. The classic Amity Island beach scene shown in the clip artfully uses editing techniques like long takes, wipes, split diopter, point of view shots, the zolly, and background score to intensify the suspense ridden impending shark attack without actually showing the shark.
Steven Spielberg's Jaws and Ridley Scott's Gladiator The two films being examined are the thriller Jaws, directed by Steven Spielberg, and the action film Gladiator directed by Ridley Scott. Both directors create epic films; the films are momentous and are designed to manipulate the emotions. A thriller is intended to appeal to basic human instinct to the need of feeling fear and survival. Action movies are designed to appeal to our sense of danger: pace and experience is something we want but don't have in our everyday lives to this extent. Both films are examples of media, which manage to induce you into a certain way of thinking: Jaws into being scared and Gladiator into sympathising and rooting for Russell Crowe in his fight against evil.
Steven Spielberg’s summer blockbuster Jaws from 1975 is a dramatic thriller that has audiences afraid to go in the water. Dealing with the terror of the unknown is the major theme in Jaws (Goodykoontz, B., & Jacobs, C. P. 2014). In this film Spielberg uses many different techniques to draw in the suspense of the audience and to capture their imagination. This essay will analyze how the theme of the film is established by the use of cinematic techniques such as camera shots, sound, and camera edits/movements.
In a crucial scene in Jaws, chief Martin Brody must use his mistake as guide for to him complete his goal of saving the town from the antagonistic shark. After catching a tiger shark, the local town fishermen all celebrate their victory together with Brody and the mayor believing they have solved Amity Island’s problem. Soon the mother of the deceased child who was killed by the great shark appears on the boardwalk. Her costume, a solid black dress appropriate for a funeral, contrasts with the bright sunny day on the beach that is represented with high-key lighting. The dress also symbolizes the mother’s multiple feelings of mourning for her child and her anger towards Brody, which again juxtaposes the feelings of success among Brody and the fishermen. Her conversation with the police chief is executed through a shot-reverse shot sequence but she catches Brody’s attention with a smack to his face. She goes on how Brod...
In 2015 only 59 shark attacks have occurred around the world compared to the millions of sharks killed by humans every year. Due to these accidental shark attacks people tend to think that sharks, especially Great Whites are evil creatures with malice intentions when attacks do occur; but, on the contrary that is wrong. Sharks are not the only beautiful and unique creatures in the ocean, they also play a vital role in our ecosystem; however, due to human interference they might not be around much longer, through awareness sharks can be protected from endangerment.
Spielberg incorporates these various styles in order to show how much tension the shark brings and how focused Brody is on the beast. The audience is forced to watch from the shark’s point of view as it rips apart a little boy. The shark POV shot and the inability to even see the shark suggests that instead of a man versus nature approach, the shark is a seemingly lifeless monster that represents fear. Spielberg’s use of quick cuts, color scheme, and diegetic sound helps build tension and make the film Jaws come to
As soon as the film starts, from the title sequence, these techniques are being used. The music begins very quietly and slowly. In my opinion, I get the impression that danger is on its way, and, also, it is dark, which builds up the suspense. The opening credits are written a sharp pointy writing, which is perhaps suggesting the teeth of the shark, and its capabilities.
The fish withholds a great part in this book. The Old Man and the Sea is a book that’s about a small town where the residents revolve their lives around fishing. The fish is a symbol of beauty and it is a greatly admired creature to these people. An example from the book is on page 49. Santiago has been fishing for 84 days and decides not to return home without a fish on the 85th day. On the 85th day, alone in the boat, he manages to hook an enormous marlin, the biggest fish he's ever seen in all his life. The fish is larger and stronger than Santiago. Santiago's experienced fishing skills and his will to catch and survive push him to pursue the fish for many days and many miles out to sea.