Jane Campions, The Piano

In the spring of 1993, a film was released to the world that would end up changing the way many people perceived and appreciated films, especially those made internationally. It would be delivered from New Zealand’s most famous female filmmaker. Jane Campion, the director whom was previously known for her films, Peel-an Exercise in Discipline, and Sweetie, would achieve even higher acclaim for her masterpiece to date, The Piano.

The Piano portrays the story of a mute, unwed Irish woman in late 1800s New Zealand, arranged into a marriage with a colonial New Zealand settler. The main character, Ada, expresses herself with the keys of her piano. She finds herself falling in love with Baines, one of the natives of her new home, after he persuades her to give him piano lessons in exchange for her beloved musical instrument. Ada is very emotionally distant with her new husband, and as he discovers the romance between her and his intense neighbor, he becomes competitively jealous. In a pit of rage, Ada’s husband severs one of her precious fingers and eventually gives up on the failed marriage. In the end of the film, Ada and her young daughter, Flora, set off from the island with Baines to start a new life, without her once loved piano.

The characters in this film hardly come shy of delivering performances that make for amazing cinema. The actors in The Piano include Holly Hunter, Harvey Keitel, Anna Paquin, and Sam Neill. Holly Hunter’s character, Ada, delivered a fantastic performance on camera. Although many average moviegoers and few critics may discard Hunter’s role as achievement since she didn’t have to memorize any lines, the majority of film critics worldwide certainly disagreed, as Holly Hunter ended up taking home the Palme d’Or and an Academy Award for best actress soon after the films release. Hunter’s films previous to The Piano included films Raising Arizona, and a film by acclaimed Simpson’s producer, James L. Brooks, entitled Broadcast News (Davis 1.) Campion noted that as she was deciding whom to cast as her admirable Ada, that Hunter was not her imaginative image of the character at all:

Holly was my image of Ada at all. But, in fact, I was very much saved from myself by Holly. Originally, I had an almost clichéd, romantic view of this tall, statuesque, black-haired, black-eyed beauty. In many ways, she wasn’t a very real human being, and when meeting Holly I was not very willing to see her as Ada.