James Cameron was born in Kapuskasing, Ontario in Canada August 14 (16) 1954. His family later moved to Chippewa Falls near Niagra Falls. James Cameron was during his youth years always very fascinated with movies. He was mezmerized when he saw Stanley Kubrick’s 2001: A Space Odyssey, and he drew himself crazy trying to figure out how they had shot that film. Cameron also wrote sci-fi stories and fantasized a lot instead of doing his school work. It was actually during one boring biology class that Cameron wrote a short story which would later become the movie The Abyss.
When Cameron was 17, his family moved to Orange County, California because of his fathers job. When Cameron moved to Orange County he learned that getting a career in movies might not be the easiest job to obtain. He let the hope of becomming someone in the movie business fade and he started studying physics and english at a local university. He later dropped out of both studies because the math in the physics course had been to hard for Cameron to deal with.
James Cameron got a job as a miniature model maker at the Roger Corman Studios. The Roger Corman Studios were studios that made B-movies. They were fast and cheap productions, and none of the people working there were professionals so Cameron fit right in. He quickly moved up the ranks in the studio, jumping from one movie to another.
Cameron worked as art director on the sci-fi movie Battle Beyond the Stars, he did special effects work and direction on John Carpenter’s Escape from New York. It wasn't until 1981 when Cameron got his first shot at directing. It was an Italian producer named Assonitis who was to make a sequel to the movie Pirahna. It was going to be called Piranha 2: The Spawning. Assonitis wanted a debut director because it would be the cheapest, and the director would not question Assonitis cutting in the film. The movie was terrible of course, it had a bad cast, lousy effects and Assonitis was always on Cameron’s back. Assonitis kept telling Cameron that the shots looked like shit (crap), and when the main shooting ended he would not allow Cameron to edit the movie. This made Cameron mad, he knew that the movie was bad, but it was his movie, and he wanted to edit it himself. So Cameron broke into the editing room with a plastic card. The movie was shot in Italy and Cameron could not speak Italian, so he did not...
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... was not until the production of Terminator 2: Judgment Day that the effects were shown in their true colours. Another great thing is that James Cameron writes very entertaining stories that are particuarly good for movies. With great action and great characters that are unique. Cameron's movies are action movies, but they have other qualities too. For example Cameron uses a lot of messages in his movies. In the Abyss there is a message from an alien saying that all people should live in harmony, and in Terminator 2 - Judgment Day Linda Hamilton is ending the movie with this clever sentence, "If a machine can learn to respect a human life maybe we can too". These are the kind of messages which make Cameron's movies just a little bit better.
James Cameron is not afraid to reject his feminin side. In the movies there are always strong, independent women who guide the male hero (if there is one) through the movie. In Cameron's movies the women are essential, and they always steal part of the picture, if not all of it. Examples are, Linda Hamiton in Terminator 2 - Judgment Day, Sigourney Weaver in Aliens, Jamie Lee Curtis in True Lies and of course Kate Winslet in Titanic.
Steven Spielberg, the only child of Leah and Arnold Spielberg, was born on December 18, 1946 at the beginning of the Baby Boom years in Cincinnati, Ohio. It does not take a great stretch of the imagination to see that Steven’s film influences were derived from his father’s experience as a World War II veteran and computer technician and his mother’s past profession as a concert pianist. The love and amount of technology, history, and music within Steven’s films can all be traced back to his early life with his family.
The government system of Oceania is a totalitarian state. It is controlled by a group known as “The Party.” The Party claims to be headed by an entity known as “Big Brother,” though no one has ever seen him aside from in propaganda. The ideological basis of The Party is referred to as INGSOC. The three tenants of INGSOC are “WAR IS PEACE [.] FREEDOM IS SLAVERY [.] IGNORANCE IS STRENGTH” (Orwell, 6). The Party is split into two components, the Inner Party, and the Outer Party. The Inner Party - comprised of less than 2% of the population – is the upper ruling class that controls everything. The Outer Party functions as the middle class and works as lower level employees at the four Ministries of The Party. The majority of the population, known as the Proles (short for “proletariats”), are the poor working class.
During this essay the trail of Socrates found in the Apology of Plato will be reviewed. What will be looked at during this review is how well Socrates rebuts the charges made against him. We will also talk about if Socrates made the right decision to not escape prison with Crito. Socrates was a very intelligent man; this is why this review is so critical.
Anna transcribes her memories in a way that transitions from being able to love freely to being forced to love Alexander Karmyshev out of obligation; this was an arranged marriage by her mother. Anna sees the role of a noblewomen as being completely submissive towards their husbands even under unbearable conditions. The lessons learned from her mother helped shape and control her life. Labzina’s mother instilled the lessons of submission and survival in her mind before departing. Her mother’s motivation for teaching her these things was so that elite people would intercede on her behalf through respect for her. Her mother’s teachings were to:
In his defense, Socrates claims over and again that he is innocent and is not at all wise, “…for I know that I have no wisdom, small or great.” Throughout the rest of his oration he seems to act the opposite as if he is better than every man, and later he even claims that, “At any rate, the world has decided that Socrates is in some way superior to other men.” This seems to be his greatest mistake, claiming to be greater than even the jury.
For example, whenever he exchanged answers with The Laws it was an “you’re wrong,” where as it when it came to Critos it was an, “I can’t.” Socrates demonstrates that the conversation that each situation differed was that one was with an audience he could trust and one that he could not. Socrates had demonstrated The Laws that were unjust and had to come up with some “smart” way to get him behind bars because he recognized that both sides knew nothing, including him. He explains to them that their wisdom should be classified more as ignorance because all that Socrates has ever tried to do was to help the citizens of Athens. His goal was to influence the community on how one can live a more valuable life by listening to the truth rather than falsely accusations stated by the
A. Under trial for corrupting youth and not worshiping the Gods in Athens, Socrates takes an attitude that many might interpret as pompous during his trial. Rather than apologise, as Plato’s dialogue title Apology suggests, Socrates explains why he is right and those who accused him are mistaken. He speaks in a plain manner, as if the jury is just another of his followers. Socrates first cites the profit at Delphi for why he behaves in ways that lead to him being under scrutiny of the law. He explains that his friend, Chaerephon, went to ask the oracle if anyone is wiser than Socrates and the oracle responded no (21a). Socrates then explains his interpretation of this being that he is wise in knowing that he does not know certain things, where
The Apology is Socrates' defense at his trial. As the dialogue begins, Socrates notes that his accusers have cautioned the jury against Socrates' eloquence, according to Socrates, the difference between him and his accusers is that Socrates speaks the truth. Socrates distinguished two groups of accusers: the earlier and the later accusers. The earlier group is the hardest to defend against, since they do not appear in court. He is all so accused of being a Sophist: that he is a teacher and takes money for his teaching. He attempts to explain why he has attracted such a reputation. The oracle was asked if anyone was wiser than Socrates was. The answer was no, there was no man wiser. Socrates cannot believe this oracle, so he sets out to disprove it by finding someone who is wiser. He goes to a politician, who is thought wise by him self and others. Socrates does not think this man to be wise and tells him so. As a consequence, the politician hated Socrates, as did others who heard the questioning. "I am better off, because while he knows nothing but thinks that he knows, I neither know nor think that I know" (Socrates). He questioned politicians, poets, and artisans. He finds that the poets do not write from wisdom, but by genius and inspiration. Meletus charges Socrates with being "a doer of evil, and corrupter of the youth, and he does not believe in the gods of the State, and has other new divinities of his own."
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
In the first essay DON’T EAT BEFORE READING THIS Bourdain wrote humorously, comparing his kitchen staff to “The Wild Bunch”, which was a group of old western outlaws. SANDRA BLAND AND OR VUNRABLE BODIES is far from humorous, Roxane Gay wrote about a serious modern day issue for an African American. WHY WE CRAVE HORROR MOVIES by Stephen King was composed to explain that our insanity drives us towards terrifying motion pictures. Finally, Marlon James sequentially structured FROM JAMAICA TO MINESOTA TO MYSELF to reveal the discovery of himself. Even though the four essays I have chosen are different topics and styles of writing, they all passionately wrote about a subject that is dear to them. Overall my attitude about the essays. The assignment was a learning experience that has changed dreadful thoughts to an open mind breaking a piece down to find a true meaning, through figurative
Arnold Schwarzenegger was born in Thal,Austria on July,30 1947. Arnold Schwarzenegger History was first a bodybuilder, then a movie star, also the governor of California, and Arnold Schwarzenegger was in one of the predator movies in 1987. Arnold Schwarzenegger family life was sometimes rough his father was part of the nazi party and was also a alcoholic police chief
Mills’ framework introduced the notion that humans function as both individuals and as members of the larger social group context. This overlap of form and function of individual role expectations created a notion that “the sociological imagination is a quality of mind that turns personal troubles into public issues”, and thereby contextualizing the self-representation championed within the realm of sociological research and study (Burawoy, 2008, 363). Through the expansion of sociological examination and thought processes, attention was brought to the interconnected nature of the individual to the greater social context. Within his conceptual framework, Mills demonstrated that individual experiences were not the product of individual idiosyncrasy, but were the product of the influence of social forces upon the individual. This increased understanding of the influences of social forces upon a person in both an individual sense and as a member of a group was intended to create empathy and a desire to motivate positive social changes that benefitted all levels of the current and future social
Women have made progress in the film industry in terms of the type of role they play in action films, although they are still portrayed as sex objects. The beginning of “a new type of female character” (Hirschman, 1993, pg. 41-47) in the world of action films began in 1976 with Sigourney Weaver, who played the leading role in the blockbuster film ‘Aliens’ as Lt. Ellen Ripley. She was the captain of her own spaceship, plus she was the one who gave out all the orders. Until then, men had always been the ones giving the orders; to see a woman in that type of role was outlandish. This was an astonishing change for the American industry of film. Sometime later, in 1984, Linda Hamilton starred in ‘The Terminator’, a film where she was not the leading character, but a strong female character as Sarah Connor. She had a combination of masculine and feminine qualities as “an androgynous superwoman, resourceful, competent and courageous, while at the same time caring, sensitive and intuitive” (Hirschman, 1993, pg. 41-47). These changes made in action films for female’s roles stirred up a lot of excitement in the “Western society” (Starlet, 2007). The demand for strong female characters in action films grew to a new high when Angelina Jolie starred in ‘Tomb Raider’ in 2001 and then in the sequel, ‘Tomb Raider II: The Cradle of Life’ in 2003 as Lara Croft. Her strong female character was not only masculine, but was also portrayed as a sex object. Most often, strong women in these types of films tend to fight without even gaining a mark. At the end of each fight, her hair and makeup would always be perfect. The female characters in these action films, whether their role was as the lead character or a supporting character, had similar aspects. I...
The storytelling technique made use by Cameron in the film Titanic is special because history and fiction is inculcated within the plot. For example, Cameron made use of the history of RMS Titanic as the main plot of the film. But he was aware of the fact that mere history of a cruise ship will not satisfy the global viewers. So, he decided to inculcate fiction and romance to the main plot. Parisi (1998), states that “Cameron’s gift was to create a unique moviegoing experience, one audiences couldn’t get from any other film” (202). One can easily identify that inculcation of fiction and romance is helpful...