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Analysis CamUs's The Stranger
the stranger albert camus ib essays
analysis of Albert Camus' the stranger
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Recommended: Analysis CamUs's The Stranger
It is a lesson that we all must learn at some point in life, one stated perhaps most eloquently by Spider-Man shortly after gaining his powers: “With great power there must also come—great responsibility!” Although he may have appeared to be a normal human without any great power to speak of, Meursault held a great power in Albert Camus’ The Stranger: the power of choice. As the comic book axiom states, this great power could not come without an equally great responsibility; Meursault had to have a strong individual moral code and be willing to deal with the consequences of his choices. By characterizing Meursault as a heroic figure who tells the truth even when it will bring certain death, Albert Camus demonstrates the importance of having strong individual morals and atoning for the consequences of one’s actions. From the moment Meursault is introduced, it is clear that something about him is not normal. When his mother dies, Meursault shows no emotion. When Meursault kills a man is a way that has the potential to be seen as justified by the courts, he admits the killing as a murder in cold blood and accepts the punishment of death without major protest. When he is first questioned regarding the murder of the Arab, Meursault tells the complete truth, even going so far as to explain “that at first [he] had fired a single shot and then, a few seconds later, the other four” (Camus 67; pt. 2). Any normal person wishing to avoid punishment for murder could have—and almost certainly would have—lied about small details and claimed that all five shots were fired without pause, but Meursault chooses to take the honest route. Instead, Meursault does the honest thing, motivated by his personal moral values. Meursault knows that he has co... ... middle of paper ... ...leaving him a free man in his twilight hour as he accepts his position in life. Meursault holds the ultimate power of choice over his actions, and with the power of choice comes a responsibility to atone for the consequences resulting from said choice. Meursault’s responsibility is motivated by the morals that he develops as an individual, which leads to a conflict with the morally void society. Meursault is shown to be heroic through his acceptance of his responsibilities in spite of the conflicts with society, and using Meursault as an example, Camus demonstrates that it is a heroic action to live up to one’s responsibility in the face of conflict from external sources. Meursault is not a hero because of what he does; he is a hero because of what he does not do: Meursault refuses to compromise on his moral values and responsibilities despite conflict from society.
Later, Meursault goes to the beach and ends up walking to the spring to cool off, when he arrives, he spots the Arab. The Arab draws his knife, “The light shot off the steal was like a long flashing blade cutting at my forehead.” (Page 59) and Meursault shoots him. “I fire four more times into the motionless body where the bullets lodged without leaving a trace.” (Page 59) Meursault has no recognizance of the crime he has caused at this point and shows no feeling towards it. “It was like knocking four times at the door of unhappiness.” - Meursault states on page 59; which says that he knows he should feel bad about what he had done but in reality he just can’t, he is just used to finding ways around his
Within The Stranger, Albert Camus implements a passage concerning the story of the Czechoslovakian man. Camus employs this passage not only to foreshadow Meursault’s final fate, but also to emphasize Meursault’s antihero status by creating foils between Meursault and the Czechoslovakian man. The Czechoslovakian man’s appearance in the overall story is brief, but his story plays a large part in Meursault’s emergence as a dynamic character. Meursault’s emotionless demeanor ...
Throughout the novel, coincidence also plays a part in Meursault’s murder of the Arab. His encounter with the Arab shows how the presence of other people in his life makes absolutely no impression on him. His entire life is shaped by happenstance. Taking the Arab’s life was something he did as a natural reaction; he pulled the trigger thinking it was justified. For Meursault it was as simple as asking the Arab to stop, but instead, Meursault kills him, without remorse. Albert Camus portrays Meursault, as aloof, detached, and unemotional. He does not think much about events or their consequences, nor does he express much feeling in relationships or during emotional times. His satisfaction comes above everything else in his life and controls everything he does. Anything that occurs without being a direct plan of Meursault’s is sheer coincidence. He is never concerned with what is going on in other areas of his life or others. He displays impassiveness throughout the part 1, in his reactions to the people and events.
Meursault commits murder because he’s scared of feeling his emotions. This sounds contradictory, one would think murder would make you feel even more. During Maman’s funeral, Meursault has a strong reaction when asked if he wanted to see her body. Meursault declined then became embarrassed because he, “felt I shouldn’t have said that”(6). Seeing the body of a deceased loved one is hard to process emotionally and too much for Meursault to handle. Instead of letting his emotions out he refused to see Maman and instead became embarrassed by this fact. When Meursault kills the Arab he does this because he wants his emotions to stop. Earlier that day Meursault had been happy, playing with Raymond, Marie, and Raymond’s friends, “we moved in unison and were happy”(50). Meursault and Raymond also had a nasty encounter with some enemies of Raymond, “they took off running as fast as they could while we stood there motionless in the sun and Raymond clutched at his arm dripping with blood”(54). Meursault has already been experiencing lots of emotions in the day, happiness, fear, and anger are all strong emotions. Not to mention the sun was so hot that “I (Meursault) could feel my forehead swelling under the sun”(57). All of these were building in Meursault when he again confronted the Arab. When he again sees the Arab Meursault announces, “The sun was the same it had been on the day I’d buried Maman, and like then, my forehead was hurting me, all the veins in it throbbing unrt the skin. It was this burning, which I couldn’t stand anymore, that made me move forward(58-59). It was the intensity of his emotions that he could not handle that drove him to kill the Arab. He wanted them all to stop and in that moment he thought he knew how to make
The trial and conviction of Meursault represents the main ideals of absurdism, that truth does not exist, and life is precious. The jury’s attempt to place a proper verdict on Meursault is compared to mankind’s futile attempt to find order in an irrational universe. Because there is no real truth in the trial, the verdict was unfair and illogical. Camus uses his beliefs of truth not existing and life being precious to point out the absurdity of the judicial system, and suggest the abolishment of the death penalty.
...according to him, a man who is morally guilty of killing his mother severs himself from society in the same way as a man who raises a murderous hand against the father who begat him.” This quote is telling how society input their feelings and ideas onto Meursault. The persecutor compares Meursault emotionless and lack on remorse for his killing the same as a person killing their own father. Society believes Meursault as an emotionless killer or a stranger to society’s morality, Meursault then can’t explain why he couldn’t feel any emotion, drives, or thoughts of remorse for his murder. Lastly, when the chaplain visits Meursault against his wishes, this scene showed how society expects everyone to ask for forgiveness from god when near death. Meursault then thinks it is absurd and refused to believe in him because he says it’s ridiculous and there’s no time at all.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
It is true that Meursault was different from the rest of society. However, he changes throughout the trial and eventually becomes an existentialist hero. This is because he finds meaning in life. It is ironic, though, that he learns to appreciate life after his is effectively over. His apathetic approach to life is made clear from the first page: “Maman died today. Or yesterday maybe, I don’t know.” This foreshadows his approach to everything else in the book. His indifference to Maman’s death contrast’s significantly to Salamano’s distress at losing his dog. Many of the characters in this book also function to highlight his qualities through contrast.
Every character that revolves around Meursault seems to be in direct contrast to him. Meursault is an amoral person who does not seem to care passionately about anything. He acts in accordance with physical desires. In other words, Meursault is a sensualist person. At this particular time in his life, his path crosses with his neighbor, Raymond, who feels as though his girlfriend is cheating on him. He decides to take revenge with minor aid form Meursault. Meursault helps him only because he thinks he has nothing to lose if he does. As things lead into one another, the first major violent act of the book is committed.
Has there ever existed a person that has not judged someone else over their lifetime? Judging by reality as well as literature it seems that no person like that has ever existed. It appears that it is human nature to want to pronounce others as either purely good or evil. But does everyone fit into the mold of good or evil? In Albert Camus's The Stranger, Meursault is a morally ambiguous character, and this ethical indistinctness plays a major part in the novel as a whole and the theme that Camus is trying to portray.
During the first half of the novel, we see many examples of Meursault’s freedom and how he exercises it. He does what he wants, when he wants to with no regard to how he affects the people around him. Meursault lives his life with no restrictions. He is his own boss. Relaxed and free.
Firstly, Camus juxtaposes the stories of Meursault and the Czechoslovakian man to create a presage of the denouement of Meursault. The Czechoslovakian man undergoes major life changes, and this ultimately leads to his demise. He goes to make a better life for himself, and he returns to his village with riches in wealth and in family. Unrecognizable to them, the Czechoslovakian man returns to his mother and sister, and he decides to play a simple joke “of taking a room” and “he had shown off his money” (80). This trick ends when “during the night his mother and sister had beaten him to death…in order to rob him” (80). The Czechoslovakian man’s newfound courage results in obstinacy. Contrastingly, until Meursault commits his crime of murder, his life appears nearly painfully simple. ...
Since he cares little for the affairs of the world, claiming they do not mean anything, then justice—a major concern of the world—also means nothing to him. His actions both before and after his decision to kill a man without provocation demonstrate his apathetic view of the world, and his indifference to justice. Therefore Meursault’s search for justice, culminated by the court’s decision to execute him, remains an example to all of the inability of society to instill justice in criminals. Meursault’s perpetual refusal to acquire a sense of morality and emotion instigates skepticism in all who learn of his story of society’s true ability to instill justice in the
In The Stranger (The Outsider), as in all Camus’ works, Camus’ views on freedom and death – one dependent on the other – are major themes. For Camus, freedom arises in awareness of one’s life, the every-moment life, an intense glorious life that needs no redeeming, no regrets, no tears. Death is unjustifiable, absurd; it is but a reintegration into the cosmos for a “free” man. Until a person reaches this awareness, life, like death, is absurd, and indeed, generically, life remains absurd, though each individual’s life can be valuable and meaningful to him. In a sense, The Stranger is a parable of Camus’ philosophy, with emphasis on that which is required for freedom. Meursault, hero of The Stranger, is not a person one would be apt to meet in reality in this respect; Meursault does not achieve the awakening of consciousness, so essential to freedom and to living Camus’ philosophy until the very end of the book, yet he has lived his entire life in according with the morality of Camus’ philosophy. His equivalent in the Christian philosophy would be an irreligious person whose homeland has never encountered Christianity who, upon having it explained by a missionary, realizes he has never sinned. What is the morality, the qualities necessary for freedom, which Meursault manifested? First, the ruling trait of his character is his passion for the absolute truth. While in Meursault this takes the form of a truth of being and feeling, it is still the truth necessary to the conquest of the self or of the world. This passion is so profound that it obtains even when denying it might save his life. Second, and not unrelated to the first, is Meursault’s acceptance of nature as what it is and nothing more, his rejection of the supernatural, including any god. Actually, “rejection” of God is not accurate until later when he is challenged to accept the concept; Meursault simply has never considered God and religion worthwhile pursuing. The natural makes sense; the supernatural doesn’t. It follows that death to Meursault also is what it is naturally; the end of life, cessation, and that is all. Third, and logically following, Meursault lives entirely in the present. The past is past and dwelling upon it in any mood is simply a waste of the present. As to the future, the ultimate future is death; to sacrifice the present to the future is equivalent to sacrificing life to death.
Camus writes in a simple, direct, and uncomplicated style. The choice of language serves well to convey the thoughts of Meursault. The story is told in the first person and traces the development of the narrator's attitude toward himself and the rest of the world. Through this sort of simple grammatical structure, Camus gives the reader the opportunity to become part of the awareness of Meursault. In Part I, what Meursault decides to mention are just concrete facts. He describes objects and people, but makes no attempt to analyze them. Since he makes no effort to analyze things around him, that job is given to the reader. The reader therefore creates his own meaning for Meursault's actions. When he is forced to confront his past and reflect on his experiences, he attempts to understand the reasons for existence. At first, Meursault makes references to his inability to understand what's happening around him, but often what he tells us seems the result of his own indifference or detachment. He is frequently inattentive to his surroundings. His mind wanders in the middle of conversations. Rarely does he make judgments or express opinions about what he or other characters are doing. Meursault walks through life largely unaware of the effect of his actions on others.