Islamic Architecture: Experiential Architecture In Al-Andalusi

Experiential Architecture in Al-Andalus Less than one hundred years after Muhammad’s death in 632, Islam spread across the known world like a wildfire, from the banks of the Indus River to the Pyrenees in Spain. Part of the reasons why the new religion was able to expand at such a meteoric rate was its power to unify preexisting cultures with the teachings of the new religion through the beautiful vocal nature of the Quran. Architecture was another element that was deployed to exalt both the political and religious greatness of the Islamic empires as “there is no essential difference between spiritual and secular art in Islam” (Burckhardt 208). Throughout the periods of expansion and of permanent existence of the Islamic empires, architecture encompassed many of the ideals that the new nation offered. It was adaptable to distinct cultures, remained true to its original roots, and drew upon its vast cultural resources to come up with new ways to express itself. One of the regions where we can see this trend take place is Andalusia. Influenced by Sufi practice, Islamic architecture in

For example, mosques and other praying sites always faced Mecca. The qibla in the Great Mosque of Cordoba is an exception because it faces Baghdad however, praying sites in the gardens of the Alcazar in Granada do face Mecca. Despite that difference, the mosque in Granada has a rectangular shape and is divided into a courtyard and the praying hall just like most mosques which derive their shape from Muhammad’s home. “The courtyard was an integral part of the Mosque, for it contained the fountains for washing the face, hands, and feet for the ritual purification before prayer.” (Burckhardt 10) and the minaret which brought cities together at the time of prayer. This standardized layout across the Islamic world provides a unifying structure for its people and the