The Place Beyond The Pines (2013) is a beautifully complex film written and directed by Derek Cianfrance. It’s told in triptych, meaning The Place Beyond The Pines is essentially three different films. The film covers the connection between two families (both from different social classes), whose paths cross over two generations in Schenectady, a town in New York [3]. In The Place Beyond the Pines, the criminal, his deviant path and his eventual entanglement with the police, serve merely as catalysts from which the real focus of the film emerges [2]. It brings attention to the relationships between fathers and sons and explores the roles that destiny, circumstance and chance can all play in a person’s life. Cianfrance used Post Modernism, Neorealism, descriptive and prescriptive models, and Freudian theories when he wrote The Place Beyond The Pines and it shows throughout the film.
The first act of The Place Beyond The Pines revolves around the story of Luke Glanton, played by Ryan Gosling. Luke is a motorcycle stunt driver for a traveling circus, but he gives it all up when he finds out he has a son named Jason. Jason is the son of Luke and Romina (Eva Mendes). Luke wants to be a part of his son’s life, but Romina has already found a new man. Since Luke gave up his job, he has no financial stability to provide for his son so he meets a man named Robin (Ben Mendelsohn) and they start robbing banks. Luke’s robbing days don’t last long and he is soon pursued and eventually gunned down by a rookie police officer named Avery Cross (Bradley Cooper). The two cross paths for mere seconds, and their worlds meet. This is the conclusion of the first act, and leads into the second act, which is focused on Avery Cross, but it’s surprising whe...
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...Matters. N.p., 6 Aug. 2013. Web. 19 Mar. 2014.
[3] http://www.theguardian.com/film/2013/apr/14/place-beyond-the-pines-review
French, Philip. "The Place Beyond the Pines." The Observer. Guardian News and Media, 14 Apr. 2013. Web. 19 Mar. 2014.
[4] http://www.rogerebert.com/reviews/the-place-beyond-the-pines-2013-1
Roeper, Richard. "The Place Beyond the Pines." All Content. N.p., 3 Apr. 2013. Web. 19 Mar. 2014.
[5] http://www.wsws.org/en/articles/2013/04/18/pine-a18.html
Walsh, David. "The Place Beyond The Pines: Fathers and Sons." WSWS. ICFI, 18 Apr. 2013. Web. 19 Mar. 2014.
[6] Rosalind Coward, Sacred Cows (London 1999) p. 130
[7] Patrick Casement, Further Learning from the Patient (London 1997) p. 68 and p. 116
[8] Salman Akhtar, Comprehensive Dictionary of Psychoanalysis (2009) p. 106
[9] Erich Neumann, The Origins and History of Consciousness (1995) p. 190
The medical values learned in chapter 11 are, emotional detachment, professional socialization, clinical experience, mastering uncertainty, mechanistic model, intervention, and emphasis on acute and rare illnesses. The three that I mainly care about are, emotional detachment, mastering uncertainty, and clinical experience. Emotional detachment is a very important medical value because this can strongly affect not only the patient but the doctor as well. The doctor is supposed to sustain emotional detachment from patients. (Weitz 276). A doctor should try and keep their distance because their emotion can strongly affect the patient. How a doctor reacts or approaches a situation will show how they are with emotional detachment. Mastering
Thoreau, Henry David. Walden, or Life in the Woods. The Pennsylvania State University, 2006. PDF file.
Davis, Jane. "Notes Of A Native Son." Masterplots, Fourth Edition (2010): 1-4. Literary Reference Center. Web. 5 Mar. 2014.
One motif which reappears in the film is the power of nature, especially in relation to the individual. In fact, the film begins with a majestic shot of the Rocky Mountains showing its beauty and height. The beauty of nature and even friendliness of nature changes as the film develops. As the movie progresses the snow still seems white and pure, almost virgin like, but nature becomes an isolating force, not providing the family with a retreat from the pressures of modern life, but forcing the family to turn in on its dysfunctional and psychopathic self. Imprisoned by the snow and the tall mountains , the family seems weak and vulnerable.
The theme of isolation is established and developed through the setting of Crow Lake. Located against the deserted territory of Northern Ontario, Crow Lake is a diffident farming settlement that is “... linked to the outside world by one dusty road and the railroad tracks” (Lawson 9).
Hunt, Jonathan. "In Darkness." The Horn Book Magazine Mar.-Apr. 2012: 111+. Academic OneFile. Web. 29 Apr. 2014
Strayed, Cheryl. Wild: From Lost to Found on the Pacific Crest Trail. New York: Alfred A. Knopf, 2012. Print.
Desert Solitaire: A Season in the Wilderness is an autobiographical narrative written by naturalist Edward Abbey. Abbey composed the account based on his personal experiences as an employee for the United States Park Service at Arches National Monument in Utah. Abbey’s anecdotal account is nonlinearly comprised of occupational experiences and renditions of the region’s folklore. These illustrations analogous because they exhibit related themes and trends associated with the author’s experiences and beliefs.
Kelchner, Heidi. "The Call Of The Wild." Masterplots, Fourth Edition (2010): 1-4. Literary Reference Center Plus. Web. 17 Nov. 2013.
Some believe that Walter, McCandless’ dad, affair is what drove McCandless to his journey to the wild but during his journey he met a man who represented a father figure but was the opposite of his actual father. This man was Wayne Westerberg, grain elevator operator. Westerberg gave McCa...
The mid 1800’s was a time of continued physical exploration of the landscape of America, and an era of opportunity for an intimate inspection of the land; areas sometimes found by the traveler with the assistance of Travel Journals and maps. These detailed records, reflected a destination, and also allowed an intellectual travel of the mind. In Margaret Fuller’s, “Summer on the Lake,” and Henry David Thoreau, “Cape Cod,” we experience both their physical, and internal travels, and how each author relates, both physically and mentally, to the natural landscape; the similarities, the differences, and what elucidated each, to seek their journeys. The observed, physical differences of the natural landscapes will be compared, followed by a deeper encounter with Thoreau, as to why, and to whom, his more desolate and dark descriptions of the natural landscape, reached a distinctive, psychological appeal, and how these two views relate to contemporary America.
back, without a head. It was said to be the ghost of a Hessian trooper.
Tobias Wolff’s “Hunters in the Snow” and William Faulkner’s “A Rose for Emily” have related elements, but also divergent styles. The two stories expose that their characters were desperately looking and needed a change in their lives; either a change to help get over the limitation of the character’s freedom or a change in domination. The way Wolf and Faulkner wrote their stories caught many different types of audience by how similar and different their stories share, even though the stories were written in different time periods.
Hotchman, Jhan. "An overview of "Stopping by Woods on a Snowy Evening." Literature Resource Center. 3 August 2010 .
"Desire Under the Elms" takes place on the Cabot farm in rural New England. The people in the play are low on the social ladder and not of noble birth or royalty. The subject matter is not mythological and the plot is serious and complex and throughout the play there is evidence of harsh and cruel treatment of the individuals by the Puritan society.