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love theme in romantic poetry
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As an audience member of playwright Edmond Rostand’s renowned production of Cyrano de Bergerac, one comes to adore the heroic, witty, affectionate, poetic, and honorable French soldier, Cyrano; however his unique qualities are overshadowed, literally, by his rather gargantuan nose. It is through discussions and insults concerning this physical attribute that the audience discovers he is in fact in love with the woman he has held close to his heart for many friendly years, his cousin Roxane. Completely unbeknownst to Roxane, Cyrano’s love and admiration for her is not simply on a relative scale as she perceives it to be, but rather the much more drastic level of physical, emotional, and intellectual attraction. As the play’s focal point is the life of Cyrano, the audience effectuates in the idea that he, being the sincere and devout man he is, is deserving of Roxane’s love. However, the true question is: is she worthy of him even though her afflictive unattainability and major faults?
From Act One, the audience is able to clearly understand that Cyrano is a very well-spoken individual who fights for what he desires. In most any case, this statement is nothing but utterly true; however, when dealing with his cousin, it proves to be a falsity and is, by no means, accurate. In any other situation, a general response from him is:
CYRANO. What-still there?
(Turns back his cuffs deliberately.)
Very good-then I enter-Left-with knife-
To carve this large Italian sausage. (Act One)
His responses are, of course, very metaphorical, well-spoken, and thought out as shown throughout the play. However, when speaking of or with Roxane, he loses his ability to formulate artistic and conceptual responses such as:
CYRANO. I…The shop of R...
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...a woman through his words, he knows not true love and since he knows not the love of Roxane, she is unworthy of his love.
Throughout the play, Cyrano de Bergerac, there is a constant theme of internal versus external beauty and the importance it plays in the simplest to the most complex relationships. In the case of Cyrano, his nose affected his relationship with Roxane for she makes him feel unworthy of her love by jumping to the conclusion that those who exhibit unbearable masks are unacceptable and the ill witted are not hidden by faces of gold. The impact that her rash decisions, oblivity, and manner have on the protagonist make her unworthy because one should always feel comfortable and open with the ones they adore. And in the case of Cyrano de Bergerac he did not feel that the mask he bears could be overlooked in her eyes and the love he has could be met.
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
Superficial passion revolves around outward beauty, but true love is always found in the heart. In Cyrano de Bergerac, Edmond Rostand conveys this truth beautifully. This play follows Cyrano in his quest for love from Roxanne, believing she could not love him due to his oversized nose. Little do they know that she does not truly love the handsome Christian, but rather Cyrano, the master of words.
“Everything has beauty, but not everyone sees it.” (Confucius) Cyrano’s insecurity of his nose effects his relationship with Roxane. In Edmond Rostand’s play Cyrano De Bergerac, Cyrano’s insecure and eloquent self-perception results in Cyrano’s companionship & loving in his relationship with both Christian & Roxane. Cyrano’s level of eloquence helps him combat the insults of his nose. Cyrano is a poetic, witty, & eloquent man who is insecure & has trouble showing his true feelings for Roxane .Cyrano and Christian work together to win Roxane’s heart, and at the end Cyrano allows love to kill him, even after Roxane discovers & reciprocates his feelings.
Appeal to emotions, individualism, and intellectual achievement were three important elements of Romanticism. This essay will explore the degree to which Cyrano de Bergerac exemplifies these elements of Romanticism.
Many people in the world have a set of characteristics, which they desire in a romantic partner, and these characteristics may include money, maturity, honesty, trustworthiness, beauty, and intelligence. These traits were used to help people in the 1600s find love as well. In Edmond Rostand’s play, Cyrano De Bergerac, the conflict between the desire for beauty and the coveting of intelligence takes center stage as Cyrano, the intelligent one, helps Christian, the handsome one, woo the love of their lives. Throughout the play, Rostand glorifies the trait of intelligence, while indirectly depreciating the trait of beauty, using the literary device of tone, which was mocking throughout the play. Although the play is meant as a light-hearted comedy, Rostand underlies the events in the play with his take on the conflict itself, through the characterizations and descriptions of Cyrano and Christian.
One of Cyrano’s most significant traits as a friend was his loyalty. He would always look out for friends in their time of need, which makes the audience feel sympathetic towards him. Because Cyrano is such a loyal friend, the audience feels angry with Roxane for manipulating him, and taking advantage of his loyalty. An example of Cyrano’s loyalty was when Ragueneau’s wife was having an affair with a musketeer, Cyrano confronted her, “Make sure you do./I like your husband, and I don’t intend/To see him made a fool of./Is that clear?”(II.iv.115-118). He stood up for his dear friend, and did not want him be made a joke of. I believe this is important because it shows that he is not only loyal to his friend, but also caring and has strong moral principles. What Lise was doing was wrong, and the author put this part in to emphasize the reader’s sympathy for Cyrano. Later when Ragueneau’s wife left him, Cyrano did not hesitate to support Ragueneau by talking him out of killing himself and providing him with a proper job. Furthermore, as everyone must be aware of, Cyrano was in love with Roxane. But because he was such a trustworthy friend, he agreed to protect Christian...
Cyrano De Bergerac has had an enormous, revolting nose ever since birth. Cyrano is an idealist who fights against the harsh reality of ordinary life. He feels that love is based too much by looks and appearance and thinks that no one will ever love him because of his appearance. Because of this, Cyrano alienates himself from society and lives in a world where love exists without appearance. Throughout the book, Rostand uses the motifs platonic love and beauty to highlight the idea that idealism requires nobility, integrity, courage, and self-sacrifice.
In The play Cyrano de Bergerac, the main character, Cyrano, is a noble idealist who fights against the harsh reality of ordinary life, and creates his own world. On the outside he is a strong man with a hard shell, but inside he is a melancholy poet yearning for love. He feels that the world bases love too much on appearance. He believes that no one will ever love him because of his grotesquely long nose. For this reason Cyrano cuts himself off of true reality and creates a world where love exists without appearance.
Few words can be more humorous, or more upsetting, than a well thought out and witty phrase. The only skill that matches Cyrano’s skill with a sword, is his skill with his tongue. With a wit unmatched by any poet, Cyrano made enemies wherever he went, simply by out-smarting all who came against him. In the first act of the play, Cyrano crashes a performance of the well-known actor Montfluery. After many insults, Cyrano heaps upon them by saying, “I would never venture out in public with a soiled conscience, a tarnished honor, or scruples grimy and dull. I do not adorn myself with gems and ribbons, like you. Instead, I decorate myself with truth, independence, and a clean soul.”
This is one aspect of romanticism which Cyrano most definitely embodies with his characteristics of a tragic hero. He is a man controlled by fate, which is a favorite theme of Rostand. With this theme, Smith emphasizes that Cyrano is a pawn of his fate. Smith then proves this notion by explaining how romantic heros are pawns of “fate and events” (374). This shows how Cyrano, despite his positive qualities, is bound for failure due to the nature of the play. It could be argued that Cyrano is not a failure in the fact that his love for Roxanne does not go unanswered. It is devastating that Cyrano spent so much time trying to obtain this happiness and realises all along that “he could have won Roxanne’s love for himself” (“Debating Deception,” n.p.).
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
Ragueneau, a baker, watches for Cyrano. Cyrano had told Montfleury not to appear onstage for a month, yet Montfleury appeared onstage anyway. Cyrano shows up and interrupts the play. He forces Montfleury to leave the stage and in the process of doing so he insults forty-eight people. Valvert insults Cyrano by making a remark about his nose so they duel. While dueling, Cyrano recites a ballade he created and wins the duel. Everyone was delighted and congratulated him.
First, no matter what is represented on stage, the fact that boys are actually playing cross dressing men and women is insistently metaphorical; the literal fact of trans-vestism (that is, the boy actor impersonating either a woman, a woman cross dressed as a man, or a man cross dressed as a woman, not the represented character) is divided between the homoerotic and the blurring of gender. On the other hand, the represented female character who cross dresses functions literally to relieve the boy actor, at least for a time, from impersonating a woman. Represented characters who cross dress may pre-sent a variety of poses, from the misogynist mockery of the feminine to the adroitly and openly homoerotic. In the case of the title character of Jonson's Epicoene, the motif is utilized as disguise intended to effect a surprise ending for Morose and his heterosexual audience, for whom the poet also pr...
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.