Initially, when her character is introduced, she displays her masculine traits with complete disregard for any form of femininity. She commands the heavens in these lines, ”Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty.”(1.5.30-33). In this, Lady Macbeth sheds any attachment she has to her natural embodiment as a woman, and asks the supernatural to help her in her quest to power. It is clearly shown that Lady Macbeth yearns to achieve ambitions that weren’t considered womanly in the time period that this play is set in. As a consequence, she pushes her husband to fulfill her horrendous dreams, because she knows that she will not be affected if Macbeth fails to execute his plans. If Macbeth gets caught, then she remains blameless, and if he doesn’t, she becomes a queen. Either way she doesn’t get hurt. Nonetheless, Lady Macbeth hides another aspiration, one which is evidenced from her humane actions. As a loyal companion to Macbeth, Lady Macbeth wants to ensure that her husband achieves his dream, to be king, at any cost, even if that means sacrificing her femininity and humanity. Generally speaking, this unique perspective on Lady Macbeth shows that her demeaning of Macbeth’s masculinity is actually a display of her true feminine traits; to always support her husband regardless of the price. Lady
In Macbeth, from the very beginning Shakespeare presents Lady Macbeth deliberately trying to suppress her feminine qualities in order to show her power. She was an evil, scheming person whose greed and selfishness was a part of the destruction of her character. Her wicked character has a big impact on her husband, convincing him to kill Duncan.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Macbeth's Unacceptable Female Roles
William Shakespeare's tragic play Macbeth scarcely deals women a fair hand; the drama contains only misfit women in the major roles. In fact, the witches are not fully women, with their beards and supernatural aspect. In this essay we will treat on Lady Macbeth, the greatest misfit of them all, in detail, and on other women only incidentally.
A.C. Bradley in Shakespearean Tragedy demonstrates Lady Macbeth's inflexibility of will which enables her to dominate her husband:
Sharing, as we have seen, certain traits with her husband, she is at once clearly distinguished from him by an inflexibility of will, which appears to hold imagination, feeling, and conscience completely in check. [. . .
In Macbeth, Lady Macbeth is motivated by ambition to raise her own status as well as that of her husband. In the letter she receives from her husband he refers to her as his “dearest partner of greatness” (1.5.11). The strength of her marriage to Macbeth is what enables her to have such a great influence over him which then spurs him to action. Just as ...
On the other hand, Lady Macbeth views on manhood are much different from her husband's and the other characters in the play. Unlike Macbeth, Lady Macbeth envisions a man to be opportunist, cruel and ruthless instead of honorable and loyal. When she receives the letter from Macbeth and learns of her chance to be queen, she prays that the spirits "that tend on mortal thoughts [would] unsex [her]", and that she will be "fill[ed] from the crown to the toe of direst cruelty", so that she would have the strength to murder Duncan. Believing the spirits would "unsex" her, she hopes that she wouldn't be bothered by a woman's kindness or remorse and thus would become a cruel killer, like a man.
Both ‘Of Mice and Men’ and ‘Macbeth’ present their female characters in relations to their husbands. In ‘Macbeth’ at the beginning of Act 1 scene 5, Lady Macbeth is shown as a strong and powerful woman, who loves her husband dearly. Lady Macbeth and Macbeth are clearly in love as he addresses her as, “my dearest partner in greatness”. The word “partner” suggests equality, loyalty and trust, the word “greatness” shows he thinks very highly of his wife. We know this when Macbeth has an encounter with the witches and she was the first person he chose to tell about his prospects for being king. During this time witches were seen as evil, devious demons that were not to be trusted and should be exterminated like vermin. The audience would have been shocked about Macbeth and Lady Macbeth’s reactions to the witches. Their show of love and intimacy would have often been unusual due to the fact that marrying for love would have been rare especially during the Jacobean era as most women married because of family arrangements rather than love. Lady Macbeth knows her husband very well and does not trust him to proceed with the prospect of murdering Duncan. This is shown when Lady Macbeth says, ‘I fear thy nature. It is too full o’ the milk of human kindness’. This reveals that Lady Macbeth thinks he is too cowardly and weak; she believes he is too kind hearted and lacks courage to kill the king.
At the beginning of the play, Lady Macbeth is introduced as a dominant, controlling, heartless wife with an obsessive ambition to achieve kingship for her husband. After she learns of her husband's plan to murder Duncan, she realizes that her husband is not man enough to commit the murder. She believes he "...is too full o' th' milk of human kindness..."(I.v.15), and he would be great except he is "...not without ambition, but without/ The illness should attend it..."(I.v.17-18). Lady Macbeth is clearly presented as the dominant person in the relationship; which, is a reversal of the stereotypical roles of the time. She is presented as one of the strongest characters featuring in the beginning of play.
In act 1 scene 5 Lady Macbeth sees the perfect opportunity to make her husband king from a letter she has read about him becoming ‘Thane of Cawdor’. Lady Macbeth doubts him; her husband “is too full o' th' milk of human kindness ”implying that he is too kind-hearted to do such things. Lady Macbeth’s motivation and feminine wiles will help influence Macbeth to seize the throne. At this point we read her character as single-minded. Lady Macbeth has no desire to be typically womanly as she calls out for “spirits that tend on mortal thoughts, unsex me here and fill me from crown to toe top full of direst cruelty” this soliloquy uses a semantic field of evil “knife wound” “cruelty”, we can portray that Lady Macbeth wants to feel remorseless, she
The first thing Lady Macbeth does to damage Macbeth’s psyche is insult his manhood and courage. By doing this she was able to pressure him into anything, including murdering King Duncan so he could take over the thrown. She starts off by telling Macbeth he is too kind to do the job. “Then, she manipulates him through a meticulous process of cruel and piercing emasculation, purposefully designed to attack his warrior status, an identity of utmost importance in his medieval and brutish realm” (Astride, Thompson, He says/she says: Shakespeare's Macbeth (a gender/personality study) ). She does this by telling Macbeth “Art thou afeard/ to be the same in thine own act and valor” (I,iiV,40-41). This is a question of his bravery; she is asking if he is afraid of his desires. She goes on to say “Wouldst thou have that/ Which thou esteem'st the ornament of life/ And live a coward in thine own esteem/ Letting 'I dare not' wait upon 'I would/ 'Like the poor eat i'th’adage (I,iiV,36-46).” Here she is pushing Macbeth into the murder by mocking him with questions such as: will you take what you want or will you live a cowardly life hoping for so...