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Gender inequality in literature topics
Essays on gender bias
Gender bias in English language textbooks
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In Iris Marion Young’s composition Throwing Like a Girl, Young highlights how the body movement of women reflects the stressors of their environment: a patriarchal society. Young places an emphasis on how the behavior of women prioritizes the protection of their bodies, and that the “immediate bodily impulse [of women] is to flee, duck, or otherwise protect [themselves]” (Young 34). I view this as a repercussion of the indisputable fact that men are more often than not the instigators of violence, and women are their most frequent victims. Young sheds light on how the fear perpetuated by a world predominantly centered in the ideals of male chauvinism drives women to complete tasks with “timidity, uncertainty, and hesitancy” (Young 34), as they
The Girl I Used To Be was written by April Henry and published in 2016. This book is about a girl named Ariel Benson. Well she was born Ariel Benson but is now called Olivia. In this book you will find that (back then) Ariel’s mother was killed and her father dissapered. Alot of this book has to do with the real world. It was inspired by a real case from the 1980s. April added in her life expernces with her mom. Henry grew up in in Medford and a large portion of this book was written here. She pur eveything she loved about Medford in this book.
The short stories, “The Girl with the Hungry Eyes” by Fritz Lieber, “Bits and Pieces,” by Lisa Tuttle, “While She Was Out” by Edward Bryant, “Cold Turkey” by Carole Nelson Douglas, and “Lightning Rod” by Melanie Tem Historically, in literature, women are stereotypically placed in one of two roles, the doting wife and beloved mother, or the more outwardly psychotic, witch-like, temptress. As the feminist approach to the criticism of literature has blossomed over time, the need for empowered female characters has surfaced. To rectify the absence of this character, “wild women literature” has made many advances in the defiance of gender role stereotypes and gender norms. The women in the collection of wild women short stories are difficult to define because of society’s pre-conceived notions of how women should and do behave. The term “wild women” conveys a slightly negative and sometimes misinterpreted connotation of a woman’s behavior; however, in this collection of stories, the female characters are generally vindicated because of the motivation behind their actions. The motivation can be linked to the popular cultural phenomenon of women taking charge of their lives, making decisions for themselves, being independent, rising above their oppressors (most commonly the close men in their lives), and becoming empowered. Vigilante actions by the wild women in these stories are not entirely representative of madness, but also re...
The perspective of the population in Western Culture has been impacted by prejudicial attitudes that are then implemented into the younger population, creating a very high emphasis on male dominance as well as a lack of power in certain aspects for women. “Pigskin, Patriarchy, and Pain” by Don Sabo exemplifies the male patriarchy to be the primary source in Western Culture for implementing pain into the lives of young males as a means of attaining power and success . Sabo takes a look into the corruption that occurs from conforming to the values of a society that praises male superiority through his background of sports and it’s teaching of dominance over men and women. Aaron H. Devor of “Becoming Members of Society: Learning the Social Meanings
She’s just so weak. If she would stand up for herself, no one would bother her. It’s her own fault that people pick on her, she needs to toughen up. “Shape of a Girl” by Joan MacLeod, introduces us to a group of girls trying to “fit in” in their own culture, “school.” This story goes into detail about what girls will do to feel accepted and powerful, and the way they deal with everyday occurrences in their “world.” Most of the story is through the eyes of one particular character, we learn about her inner struggles and how she deals with her own morals. This story uses verisimilitude, and irony to help us understand the strife of children just wanting to fit in and feel normal in schools today.
This essay is based on ‘Silent Dancing’ by Judith Ortiz Cofer and it is her memoirs of her childhood and the difficulties of growing up between two different cultures. The story looks back on her childhood and adolescence through the form of a video tape showing the movement between her hometown of Puerto Rico, and her New Jersey home, of which she spent six months of the year. The differences in culture, gender values, and racial profiling are prominent; as to is the symbolism between the images of the home movie being described and the silent undertones which only become clear when the home movie is focused upon in hindsight.
Teenage rebellion is typically portrayed in stories, films, and other genres as a testosterone-based phenomenon. There is an overplayed need for one to acknowledge a boy’s rebellion against his father, his life direction, the “system,” in an effort to become a man, or rather an adult. However, rarely is the female addressed in such a scenario. What happens when little girls grow up? Do they rebel? Do they, in a sudden overpowering rush of estrogen, deny what has been taught to them from birth and shed their former youthful façades? Do they turn on their mothers? In Sharon Olds’ poem, “The Possessive,” the reader is finally introduced to the female version of the popular coming-of-age theme as a simple haircut becomes a symbol for the growing breach between mother and daughter through the use of striking images and specific word choice.
This poem by Christine Hemp, “Icarus”; is a poem that she uses to describe loyalty, and how one another can give or receive it. Hemp’s point she tries to make is that people don’t always get loyalty from those that love them, even though that is the expectations it is not always true, and could be a reason that lovers get turned off. Icarus in this poem has the be the narrator mainly because of Hemp’s word choices. For example, the beginning in this poem Icarus says his father has plans to escape the island by creating wings. By doing so Icarus and Daedalus can fly from the island by using the wings.
Eric Fischl’s Tumbling Woman created quite a stir when it was put on display at the Rockefeller Center, just one year after the events of September 11, 2001. After being displayed, it was quickly removed. Many thought the sculpture was too graphic to be displayed. Even though the statue brought back painful memories for many, the Tumbling Woman should not have caused controversy because it recreated an important event in every Americans’ life and captured the emotions of the individuals trying to escape from the Twin Towers. The sculpture allows us to rethink and re-experience the events of 9/11, as well as remember the event as not just a tragic event that killed over 3,000 people, but also as an event of human tragedy. Why did the Tumbling
Throughout the years, women have been mistreated brutally by gangs in their neighborhood. In a memoir by Luis Rodriguez, Always Running, the main character experiences many random acts such as shootings, rape, and many arrests. Even though, Luis may seem like a very tough young man, he gives the women the respect and love they wish to receive from a gang member. In today’s society, many young girls are attracted to what society calls a “bad boy” because their lifestyle seems exciting. When one decides to join a gang, one must prove their loyalty to their new family by getting “jumped” by the whole gang or committing a serious crime. When a young girl begins to date a gang member, she begins to see how quickly a situation can escalate to a violent scene and abuse. As soon as a young girl is expose to that lifestyle, they tend to get mistreated mentally and physically by other gang
Pearson, Patricia. When She Was Bad: Violent Women and the Myth of Innocence. New York: Viking, 1997
In addition, these women were often subjected to control, domination, and violence by men” (Global). This validates Azuela’s stance on how women should stay within their traditional roles because fighting for equality has been ineffective even today.
The sexualization of women in the 21st century has led many to wonder whether or not the feminist movement actually resulted in more harm than good. Although the progress and reform that came out of the feminist movement is indisputable, things such as equal rights under the law, equal status and equal pay, the reality is that the subjugation of female roles in society still exist, and the most surprising part about this is that now women are just as much as at fault for this as men are. Ariel Levy defines female chauvinist pigs as “women who make sex objects of other women and of ourselves” (Levy 11). This raunch culture is mistakenly assumed to be empowering and even liberating to women when it is in fact degrading and corrupting to the modern feminist movement and makes it more difficult for women to be taken seriously in society. The shift in the nature of the feminist movement is in Levy’s opinion attributed to by the massive industry now profiting off of the sexualization of women, the reverse mindset now adopted by post-feminists and women in power roles in our society, and ultimately the women who further their own objectification as sex objects and thus, so by association, deem themselves lesser than man.
The social normality of the world is that men are required to be strong, determined and career driven, but for women, they ought to be weak, acquiescent to their male counterpart, and domestic. As of late, women have been acting against this stereotype. Rather than being complacent, women are beginning to stand in solidarity and dismantle the patriarchy that reigns over the nation. With this new-found empowerment for women, countless obstacles in the form of other social groups, particularly men, face them, working against women from allowing true equality to be achieved. Women in literature and media are beginning to be portrayed as women in power, something that was a rarity to previous generations. Contrary to traditional feminine gender
... sabotages the subject-object relationship. To display an autonomous, free willed being will dismantle the taken for granted passivity and vulnerability of the victim. Meanwhile, it is crucial for women to acknowledge the vulnerability of male genitalia. Yet this is not the final solution to rape, Marcus argues. Rather, individuals need to “frighten rape culture to death” (p. 379).
As women, those of us who identify as feminists have rebelled against the status quo and redefined what it means to be a strong and powerful woman. But at what cost do these advances come with?... ... middle of paper ... ... Retrieved April 12, 2014, from http://www.feminist.com/resources/artspeech/genwom/whatisfem.htm Bidgood, J. 2014, April 8 -.