Lord Byron's Manfred is a dramatic poem that can be interpreted in many ways. Manfred is clearly distraught throughout the play, and it appears to be because of the death of his sister and lover Astarte. It is only hinted, which allows the reader to imagine how Manfred is really reacting, down to his emotions and facial expressions. In Act 2, Scene 2, Manfred makes his most revealing statement. He has spoken to many different supernatural creatures since the beginning of the play. In the middle of scene 2, he decides to summon a witch. As he is speaking to her, he gives the audience the background to this situation. He explains how he grew up feeling alone and that he found joy in the wilderness. He was insecure because he has supernatural powers. When he was among the mountains and rivers, he felt more human. He tells the witch there was only one woman he could relate to, and that he loved her. This woman is also the source of all his anguish, "the core of [his] heart's grief" (99).
The way I interpret this play, Manfred is an individual who is starving for love. When his sister Astarte showed him care, he got carried away with her affection. Their love escalated into something Astarte could not handle and she committed suicide. Tragically it seems like Manfred loved Astarte more than she loved him. When he begs her to profess her love, she responds "Farewell...Farewell!" (153-155). She does not respond in a way that shows feelings for him at all.
In Act 2, Scene 2, Manfred has already talked to many creatures searching for Astarte. He wants to see her once more and that one thought is consuming his mind. His speech (lines 49-96) expresses a grieving mood. He uses dark imagery like "I had no sympathy wit...
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... die. As he is saying this, Manfred would be tense and have confidence in his voice.
Throughout this passage, Manfred switches from a calm recollection to a desperate pleading for aid from the witch. The witch is intelligent, as she got Manfred to say what he wanted. In this scene there would not too much action. Only the witch and Manfred would be talking while they are sitting on some rocks in the Valley. When Manfred becomes angry, they do interact forcefully. One technique that would be used in the filming is flashback. As Manfred talks about his past and falling in love with Asarte, it would be helpful to show scenes of him in the wilderness and with Astarte. Then finally when it is hinted that Astarte committed suicide, a glimpse of her body would have an impact on the audience. This would also demonstrate my interpretation of the play well.
...he imagery of the more intensely-felt passages in the middle of the poem. Perhaps the poet is like someone at their journey's end, `all passion spent', recollecting in tranquillity some intimations of mortality?
The pastoral settings in Shakespeare's As You Like It, John Milton's "L'Allegro," and his "Il Penseroso" provide an escape from an urban environment. Although Shakespeare's Duke Senior and his followers physically move into a forest, they still tend to impose their urban system upon the wilderness. In "L'Allegro," Milton presents an idyllic countryside where all adversity has been safely domesticated. In "Il Penseroso," the speaker makes no attempt to change the landscape of Melancholy, but rather embraces it for its solitude and silence. All of these scenes contrast sharply with a materialistic civilization.
The early 1900s seemed like a time of great prosperity, and the American Dream was in the forefront of the working class, but was it actually good to live the American Dream? Edwin Arlington Robinson‟s poem “Richard Cory” is an example that the idea of the American Dream is not always so bright. Even though narrator of the poem seems to show envy for Richard Cory until the last stanza, the poem actually contrasts what Richard Cory has and what the workers have with each wanting what the other has; thus, the cliché of “the grass is always greener” is at the heart of this
Much like how the audience relies on physical cues from the actor to understand the nature of the character, the chamois hunter relies on his observations of Manfred’s manner of dress and speaking to draw conclusions about Manfred’s background. Upon saving him, the chamois hunter notes is Manfred’s noble status: “Thy garb and gait bespeak thee of high lineage” (7). The hunter’s methodology draws on the effect of what Lamb describes as “theatrical representation,” where the viewer’...
...ilies agree to put up golden statues of the star crossed lovers in memory of their extraordinary love. The play ends with Prince Escalus’ grief-stricken words. Ultimately their deaths were derived from their own choices and not up to fate, it was their choices that put them there in the end.
middle of paper ... ..., suggests that Shakespeare’s exploration of the theme of love is to bring us closer to the nature of the reconciliation harmony which it embodies. This is because everyone is peacefully engaging with each other and enjoying the play, since the conflict has been resolved. Not only this, but different social classes emerge together. This is paralleled with, the relationship between Titaina and Oberon. Shakespeare explores the theme of love by the tensions built up to create comic resolutions, therefore helping to diffuse possibly unpleasant impact of themes.
"She Walks in Beauty" is a love poem written by Lord Byron in 1814. In this poem, Byron describes a woman's extraordinary beauty. Throughout the poem, he explains the woman’s physical beauty as well as her spiritual and intellectual beauty. I chose this poem, because I like to read love poems, especially poems that express my feelings. Also, because This poem is creative and fresh, and I really enjoyed reading it. When I initially read this poem, it was clear that Lord Byron was writing about a woman whom he thought very highly of. Lord Byron’s first verse had me convinced that the woman in his poem was one whom he’d merely caught a glimpse of. The quote “…all that’s best of dark and bright meet in her aspect and her eyes” along with his description of the beauty in her walk gave me the impression that Lord Byron might not know this beautiful woman on a personal level since his initial description consisted of only physical features. However, as the poem progressed, I realized that this woman could be Lord Byron’s lover or wife based on the lines, “where thoughts serenely sweet expr...
This play is about the troubles encountered by young prince Hamlet as he tries to seek revenge for his father?s murder. Hamlet discovers the murder of his father, as well as the adultery and incest committed by his mother and uncle. This results with Hamlet retaining a very embittered and cynical outlook on life. "Or that the Everlasting had not fixed His cannon 'gainst self-slaughter -- how weary, stale, flat, and unprofitable seem to me all the uses of this world." (1.2.131-134). Throughout the play, Hamlet teaches the audience the depths of his depression through soliloquies. Hamlet not only regards the world with pessimism, but he also has suicidal feelings. Hamlet displays thoughts of self that questions the worth of living. The foremost cause for his exasperation and aggravation is the fact that his mother and his uncle, Claudius immediately got married right after his father?s death. His mother's actions seem to be what repulses Hamlet most as he yells, "frailty thy name is woman!" (1.2.146). Hamlet has developed a burning hate towards his mother and women in general. It is this fuming mind-set that is responsible for his terrible treatment towards dear, innocent Ophelia in Act 3.
First, I would like to talk about the love between Rosalind and Orlando. From the beginning of the play, the reader can clearly sense them are the hero and the heroine of the story. Rosalind is beautiful, and Orlando is handsome, the way they fell in love at first sight is traditional, Orlando’s good nature and bravery won her heart in Act 1, Scene 2. However, if it was just like that, it would be a bit boring, therefore, a new dimension was added to this love when Rosalind was banished by Duke Frederick in A1 S3, and decided to disguise as a male- Ganymede and escape to the Forest of Arden. Their love was tested by the new gender of Rosalind.
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
To conclude, therefore, conflict is not absent from the play totally. It is As You Like It's knowledge and recognition of the dangers of love "Men have died from time to time, and worms have eaten them, but not for love" and is still capable of being love struck: the affection being like "Bay of Portugal", and how it plays off that against the comedic exuberance of its interludes, verbal sparring and digressionary expositions, that provides the drama of the play. "Sweet", indeed, "are the uses of adversity".
The Romantic period brought a new outlook on how people viewed the world. The fight for individual rights was a major cause for the sudden change. There were too many rules that held people back from being able to express themselves. Once they began to broaden their ideas and practice new motives whether it was political, or emotional, it brought freedom of expression. Many poets took the chance to enlighten their readers on their works. They would write in order to paint a picture and gave more detailed descriptions of the conscious mind. For these poets it brought many people to enjoy their freedom of speech and encouraged a new way of thinking.
There is a certain degree of expectation with the genre of comedy that despite whatever difficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The “Twelfth Night” is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they “have learned enough about their own foolishness to accept it wisely, and their reward, as it should be, is marriage.”(Schwartz 5140). There is a resolution of harmony to a certain extent and an endorsement of romantic love yet despite the happiness evident in the last scene, there are many elements in the play that causes the audience to wonder whether the happiness is forced or genuine. The words of a departing Malvolio, “I’ll be revenged on the whole pack you.”(Twelfth Night 5.1.365) leads to a conflict being unresolved. The marriage of Olivia and Sebastian also leads the audience to question whether Shakespeare has pushed the limitations of comedy to far, as Olivia marries Sebastian who she believes to Cesario and whose identity is only revealed after. The appearance of Antonio in the last scene also casts a sombre ambience over events; he is not united with the one he loves though he was willing to sacrifice his life for what he believed to Sebastian’s safety. The last discourse of the play from Festes once again returns to the melancholic mood that was apparent in the opening and it is this mood that remains with the audience.
Lord Byron’s use of literary techniques helps the reader reach an understanding of the struggle to perform good deeds when there is a possibility of punishment. His work is centered on the mythological tale of Prometheus and his use of literary devices helps emphasize the greater message Byron is trying to depict. Allusions to the myth such as “the rock, the vulture, and the chain” in the first stanza imply that Prometheus suffered a silent agonizing pain. This is also a paradox because he is being subjected to pain only a mortal would endure. (López) Also in the first stanza Byron uses personification in the phrase “sense of woe which speaks but in its loneliness” to better display the feelings Prometheus had during his suffering. In the fifth line (Lancashire)Byron asks “what was thy pity’s recompense?” to show that Prometheus’ efforts to help man brought him under punishment rather than any form of appraisal ...
This is an autobiographical type of poem in which the author, Walt Whitman, is also that persona, who in developing this type of poetic work, and surpasses the traditional limits of the “self.” The captivating and attention-grabbing aspect of the poem is the free verse technique or style, which significantly makes the development of the “self” a calming task while celebrating a personal life. The persona is described as a lover of nature, and incorporates three sections of the self-personality that include “I,” “me,” and the “soul”. Whitman’s use of sexual or bodily imagery and his use of grass as a central image and metaphor create a poem that is bold and uncommon for his era. A unique element of the poem is that the poet declines the basic conventions and rules of poetry. Whitman’s poem doesn’t follow any specific rhyme scheme, nor does it have a particular beat count or structure. Whitman still manages to successfully represent and replicate smooth flowing thoughts and ideas from the mind to the paperwork, making it a revolutionary form of poetry.