Understanding the Speaker’s Voice:
Through Interpretation of Poetic Sound
Classical, Early European, Eastern and Modern poetry share structural similarities in their use of rhythm, meter and rhyme; however, sound plays a more subtle role for purposes of interpretation. Poets combine structured rhythmic patterns and the formal arrangement of words with devices such as alliteration to create images in the reader’s mind. Two contrasting poems written by William Blake titled “The Lamb” from Songs of Innocence (1789) and “The Tyger” from Songs of Experience (1794), effectively illustrate how the fundamental use of poetic structure, selective alliteration and imagery, accentuates the underlying sounds of a poem; thereby, enabling the reader to better understand the voice or tone being portrayed by the speaker.
In Blake’s opening lines of “The Lamb,” the speaker sets the initial tone for the conversation that takes place between the child and the gentle creature; “Little Lamb, who made thee/Dost thou know who made thee” (Blake 1-2). As evidenced by the speaker’s selective use of diction, the soft and non-threatening nature of the words establishes an atmosphere of child-like innocence and wonder that echoes throughout the remainder of the work. As the conversation progresses, the setting is established through the use of the words “stream” and “mead” (Blake 4), which is intended to suggest that the conversation is taking place outside, in a peaceful meadow. In subsequent lines of the poem, the child poses a series of softly worded phrases such as “Gave thee clothing of delight/Softest clothing wooly bright” (Blake 5-6). Although not initially obvious to the reader, through the selective use of alliteration, the speaker has effectively introduced the characteristics and subtle rhythmic sound that is consistent with that of a childhood nursery rhyme. The speaker’s melodious combination of repetition, diction and rhyme is further reinforced in the final two lines of the last stanza, “Little Lamb God bless thee/Little Lamb God bless thee” (Blake 19-20), which symbolically culminates in the child’s belief that the miracle of creation resides in God himself.
There is a stark contrast between the opening lines of “The Lamb” and the opening lines of Blake’s companion poem “The Tyger.” In “The Tyger,” the speaker immediately establishes a very different setting for the conversation that takes place between the child and the fearsome beast; “Tyger! Tyger! Burning bright/In the forests of the night” (Blake 1-2). Unlike the peaceful setting of “The Lamb,” the image created in the reader’s mind through the selective use of words like “burning,” “forests,” and “night,” suggests that the conversation is taking place in an environment of uncertainty and darkness.
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
“The conflict of Athens and Sparta is supposed to serve as a lesson for what can happen to any people in any war in any age” (Hanson, 7). How Thucydides was right when he made this statement, when you compare the Peloponnesian War and the Cold War, the similarities are striking. Even though these wars occurred thousands of years apart the are very similar. They both lasted for many decades and even though the Cold War had not involved any fighting it has themes that echo all the way back to the Peloponnesian War where its occupants fought with crud weapons compared to today’s modern technology. The Peloponnesian War and the Cold War can be compared to the events leading up to the war, because of their common ambition in that the nations involved
In Blake’s poem “The Lamb” from Songs of Innocence, Blake proves that in order to keep innocence alive, a child must not question. It is in a child’s nature to trust all that has been told. Therefore the lamb represents childhood as well as innocence. The lamb is personified as being a gentle creature without sin, and the poem itself is characterized by pleasant light imagery. This imagery is an indicator that innocence is a desired state of being. In the first stanza of the poem, the narrator asks questions regarding
As the economy evolves and the job market continues to get more competitive, it’s becoming harder to have a successful career without some kind of college degree. This creates a belief in many young students that college actually is a commodity, something they must have in order to have a good life. There’s many different factors that influence this mindset, high schools must push the importance of the student’s willingness and drive to further their education. College isn’t just a gateway to jobs, but it is an opportunity to increase knowledge and stretch and challenge the student which in return makes them a more rounded adult and provides them with skills they might lack prior to
"The Lamb," "The Little Black Boy," "The Chimney Sweeper," and "The Garden of Love," by William Blake, are unique in their simple structure and simple choice of words but complex concepts on life and life's experiences. His poems continue to twist and turn minds for centuries due to his style of setting up his poems with both questions and unanswered predicaments, and this is what sets William Blake apart from the rest of the other poets in British literature.
The Peloponnesian War consisted of two equal but different powers in control of Greece, Athens and Sparta. Athens and Sparta were in 480 BC when they both received an independent state of living from the Persians. The Athenians had a phenomenal navy as well as being heavy into commerce and trade by using the waterways. The Spartans lead gracefully in the agriculture community which boosted them as well as having a stupendous army. As you can tell, both powers are complete opposites, which made them bot...
In conclusion, due to being a simplistic poem using a sheep connect with Christ, shows that the poem “The Lamb” belongs with Songs of Innocence, while using a fearing tone, and using a more sophisticated language here by shows that the poem, “The Tyger” belongs with Songs of Innocence. The lamb shows emotion that involves a story revolved around God and Christ. The fact that the small lamb is cute and innocent, shows that it belongs where it is placed; along with the tiger showing that it is a fierce creature, capable of extreme bodily harm, shows that the poem, “The Tyger” belongs with Songs of Experience. Overall William Blake did an excellent job manufacturing these poems while placing them into categories of Innocence and Experiences. These are very terrific poems that deserve their titles and a spot in our literature book.
The two poems, “The Tyger” and “The Lamb,” deal with the difference between different types of people. A tiger is a person who goes and gets whatever he or she wants, and won’t let anything get in his or her way. Tigers are the rich people. Lambs are the ones who are content to get bossed around. They are scared to disobey orders. Lambs are the poor people. Blake writes, “Little lamb God bless thee.” Lambs are the people of God. Blake...
...nity of all living things, including himself. The harsh reaction of organized religion to this idea is illustrated in the second "Little Boy Lost," in which the youth is actually burned for his rebellious thinking. The first set of poems tells of the boy's lack of success in a religious system in that did not seem to really care about the boy, and left him floundering. It then describes his introduction to God in the forest, who brought him back to his mother, the earth, which showed him proper reverence of God through nature, not priestly education. The second poem captures organized religion's harsh reaction to this unorthodox and rebellious thinking, and destroys the boy for trying to reach outside of the accepted normal teachings. Together, the poems show an evolution from Blake's dissatisfaction with organized religion to an outright indictment of its practices.
Edgar Allen Poe’s alliteration and repetition of words support the poem’s flow and musicality. Poe begins with the alliteration of the m sound in “merriment” and “melody” (3). The soft m sound, also known as a liquid consonant, helps to keep a quick and continuous pace for the poem. Similarly, the alliteration of the s sounds in sledges, silver, stars, and seem, emphasize the calming sounds of the bells (1-2, 6-7). The s sound helps express the soothing and comforting effects of the bells, essentially contributing to the merry tone of the poem. Furthermore, the alliteration of t...
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
William Blake composed two series of poems: Songs of Experience and Songs of Innocence. The poems are intertwined as to compare the thoughts of children and adults on the same issues. The innocence of children is discussed on topics of religion, love, and justice. The opinions of adults are also experienced on these topics, but are given from a more experienced viewpoint. William Blake comparatively writes two series of poems to address the controversy of God, love, and justice from pure thinkers and from corrupt thinkers.
Within Blake's work The Lamb starts off by asking a little lamb who had made thee. Asking how gave you life, and how had fed you. By asking these questions to the lamb the boy questions how a lamb came into existence in this realm. "Then the boy tells the lamb that he is called by thys name since he calls himself a lamb"(Foundation). Then after that the boy realizes that the lamb was created by God. As this is read a sense of a childlike innocence that the creator is a source of gentleness, selflessness, and love. This idea is expressed by the symbol of a lamb, for being the most gentle creation.
William Blake is a poet and an illustrator. He is best known for two collections of poems, Songs of Innocence and Songs of Experience. In the two collections there are often poems that are paired together to convey one of Blake’s five recurring themes. One of the themes Blake uses is how man is born innocent and is corrupted through experience. A pair of poems that illustrates this theme is “The Echoing Green” from Songs of Innocence and “The Garden of Love” from Songs of Experience. “The Echoing Green” portrays a child who is blissful and pure. “The Garden of love” depicts the same child who is now an adult coming back to where he used play; however, he is disheartened with the sight of corruption that he did not see as a child.
William Blake’s Songs of Innocence and Experience generally support the idea that there are two states of the human soul - the pastoral, pure and natural world of lambs and blossoms on the one hand, and the world of Experience characterized by exploitation, cruelty, conflict and hypocritical humility on the other (Fonge, 2009). In this essay, I will closely examine the poems and etchings by William Blake of Introduction (Innocence), Introduction (Experience) and Earth’s Answer (found in Experience) and critically discuss the extent to which Blake succeeds in showing the duality of the human soul and condition.