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Ethnic and racial discrimination against immigrants
Discrimination of immigrants in america
Discrimination immigrants go through
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Inge Altenburg The short story “A Gravestone Made of Wheat” depicts the tale of Inge Altenburg, a young German woman who had lost her family in WW2 and traveled to America to marry Olaf Torvik, a man she’d never met. She faced bigotry in the United States due to her home country and was told that she wasn’t allowed to become a US citizen or marry Olaf. Throughout the story the author portrays Inge as a brave and courageous young woman who was determined to live happily in the United States with Olaf.
Inge arrived in Fargo, ND in April of 1920 on the Northern Pacific Railway. Olaf picked her up at the station and they went to the courthouse in Moorhead, MN to get a marriage license but were turned away because Inge didn’t have citizenship papers.
Out of This Furnace tells a impressive story of a multigenerational family of Slovakian immigrants who comes to the United States in search of a better life in the New World. The patriarch of the Slovak family was Djuro Kracha, who arrived in the New World in the mid-1880s from the "old country." The story tells of his voyage, his work on the railroad to earn enough money to afford the walk to the steel mills of Pennsylvania, his rejection by the larger mainstream community as a "hunkey," and the lives of his daughter and grandson. As the members of this family become more generally acculturated and even Americanized, they come to resent the cruel treatment and the discrimination they suffer.
Taylor (Puck, 1889) portrays how Columbia is stirring a bowl labeled “Citizenship” with a spoon labeled “Equal Rights” and a pained expression on her face indicating that she is trying to keep the immigrants under control. The labelling plays a part in identifying the problem that America is having with full assimilation. America has had the reputation of being seen as a melting pot, but in this cartoon the Irish man is being shown as a strong supporter of Irish nationalism rather than assimilating into society. There are many different nations represented in the bowl, but primarily an Irish man that jumps up yelling whilst waving a dagger and a green flag. He is wearing a sash which reads “Blaine Irishman”, which refers to the republican politician who attempted to lure Irish voters away from the Democratic Party with a combination of anti-British rhetoric and lip service to the cause of Irish nationalism. (2) The rest of the men within the bowl are Racialized and under control, but the symbolism of the colors the Irishman is wearing along with his labeling shows how the Irishman is “the one element that won’t mix”. The process of assimilation was crucial for the government at this point because they believed it would make immigrants more loyal and moral citizens. “During the war…interest focused not on the old objective of restriction but rather on new policies of repression, Americanization, and deportation.” (Closing the Gates). Newcomers were pushed to learn English and to change their cultural customs, which in turn led to prejudice against immigrants. The implementation of Americanization demonstrates the anti-immigration attitudes that were present in the country. Assimilation was used in order to make the immigrants fit the American standards so that they didn’t stand out in the crowd, it was used to bring the country closer together and retain the sense true patriotism. However, with the arrival of so many European
The novel Brown Girl, Brownstones is a fiction story that is about an immigrant family from the Caribbean country of Barbados and their struggles in America. The story is set in New York during the time between The Great Depression and also World War II and is told in a third person point of view so that the reader, being us, understands different components of the story. The story’s main character is a girl named Selina Boyce and the story is told through the stages of her life from when she was around ten years old up to when she was around her early twenties. Immigration, specifically race, played a large factor in the story, with race hindering opportunity, and different characters coping with race in different ways. (Thesis statement)
Everyone had to prove they were independent, capable, and willing to integrate into the cultural melting pot with its own identity of hard work, grit, and determination which established and fostered success in American society. But, not everyone who chooses to take the adventure and risk associated with becoming American wishes to share in this identity. Many feel it necessary to shun the American identity and observe it with a level of disdain. Disregarding the reasons themselves or previous generations may have immigrated to America for. In the short story “Mericans”, Sandra Cisneros illustrates this concept through a character in the story. “The awful grandmother knits the names of the dead and the living into one long prayer fringed with the grandchildren born in that barbaric country with its barbaric ways. (Cisneros)”. In the story it is later identified the children in reference were indeed born in the United States. “Awful grandmother” has an incredibly low opinion of the society in which her grandchildren were born. Barbaric, let’s take a look at that word shall we—“without civilizing influences; uncivilized; primitive (barbaric)”. The detriment of that perception seems to be counterproductive to the melting pot concept of the United
Born and raised in a family of storytellers, it’s no wonder that this author, Louise Erdrich became a prolific writer. Louise was born in Little Falls, Minnesota. She grew up in Wahpeton, North Dakota, near the Chippewa Reservation with her mom, who had Native American roots and her dad who was of German descent. Her parents encouraged and challenged her at an early age to read, also to write stories and even paid her a nickel for each one that she wrote. Lorena Stookey states that Louise Erdrich’s style of writing is “like William Faulkner, she creates a fictional world and peoples it with multiple narrators whose voices commingle to shape her readers’ experience of that world” (Stookey 14). Louise writes this moving story “The Shawl” as she is haunted by the sorrows of the generations of her people, the Anishinaabeg. I initially saw this tale as a very complex reading, but after careful reading and consideration, saw it as a sad and compelling story.
Leslie Marmon Silko is a Native American from New Mexico and is part of the Laguna tribe. She received a MacArthur "genius" award and was considered one of the 135 most significant women writers ever. Her home state has named her a living cultural treasure. (Jaskoski, 1) Her well-known novel Ceremony follows a half-breed named Tayo through his realization and healing process that he desperately needs when he returns from the horrors of World War II. This is a process that takes him back to the history of his culture.
The busy season for the shop she was working on came and the owner of the shop kept demanding for what we call overtime. She got fired after she said, “I only want to go home. I only want the evening to myself!.” Yezierska was regretful and bitter about what happened because she ended up in cold and hunger. After a while she became a trained worker and acquired a better shelter. An English class for foreigners began in the factory she was working for. She went to the teacher for advice in how to find what she wanted to do. The teacher advised her to join the Women’s Association, where a group of American women helps people find themselves. One of the women in the social club hit her with the reality that “America is no Utopia.” Yezierska felt so hopeless. She wondered what made Americans so far apart from her, so she began to read the American history. She learned the difference between her and the Pilgrims. When she found herself on the lonely, untrodden path, she lost heart and finally said that there’s no America. She was disappointed and depressed in the
...atly, was undoubtedly ruined by the diet and stress she experienced as a result of forcible removal by welfare workers not dissimilar to myself. Yet, this inescapable dilemma only reinforces my striving to achieve the ideals demonstrated by my profession. These ethics, complex and often at conflict with the reality of welfare are the light that guides my professional practice through the perils of historic white shame.
In "Good Country People," Flannery O'Connor skillfully presents a story from a third-person point of view, in which the protagonist, Joy-Hulga, believes that she is not one of those good country people. Joy is an intelligent and educated but emotionally troubled young woman, struggling to live in a farm environment deep in the countryside of the southeast United States, where she feels that she does not belong. Considering herself intellectually superior to the story's other characters, she experiences an epiphany that may lead her to reconsider her assumptions. Her experience marks a personal transition for her and constitutes the story's theme--the passage from naïveté to knowledge.
In the short story “The Danish Way of Life”, author Jamie Gullen, who is a native of New York City spent several months in Copenhagen. She went expecting Copenhagen to be similar culturally to the United States only to find she had a lot to learn about herself and about this new country. In another short story called “Where Are You From?” the author Patricia Park, also a native of New York City, but the daughter of Korean immigrants, also traveled to another country, Korea. She went expecting to find Korea to be the way her parents had described it. The “motherland” as she explained, was a family myth. Although both of these authors grew up in the same city, of the same country, they had two different experiences when
A picture of a woman with her two children shows that not every family is the stereotypical family with two parents and responsibilities are spilt with gender roles. The tired eyes, wrinkled skin, and aging face illustrates the struggles that a woman has to face, physically and emotionally, for her family. It shows the individual worth of being a woman, as she is not only the caretaker for her children but also the provider for their needs, which is a generally a man’s responsibility that she is executing, even though many men couldn’t provide for their families as they lost everything they had. A woman during this era is expected to stay with the children and make their home a haven, and she was stripped of the ability to do that by the necessity to become a migrant. The image cues for emotional responses with economy, as there were a few families during the Depression that hadn’t been severely affected and at least had a solid roof over their heads, food to eat and clothing to keep them covered. This image portrays a clear distinction of social class issues in the United States during the time, and “Migrant Mother” shows people what the life if a migrant worker from a poor family is really like during times of crisis. It proves that the Depression was a systematic failure in the political, economic, and social spheres, and the poor pea pickers are suffering an outcome for something they hadn’t caused. Their living government in the image show that there has been no political or economic help extended to them by a failing government. The pea crop had frozen; there was no work. There was no opportunity for prosperity and success, no possibility for an upward social mobility for the children, there was no land in which life was better and richer for everyone. This wasn’t the American Dream that everyone grows up thinking because this was about a crisis that left the entire
While many people around the world look to America and see a better life waiting for them and the American Dream waiting to be lived, often times this dream never comes to fruition, even if they do reach America. Such is the case in the short story Grandma’s Tales, by Andrew Lam in which a recently deceased Vietnamese grandmother becomes reborn as a much younger and improved version of herself ready to live life to the fullest. This rebirth symbolizes the life that she wishes she lived, however due to constant conflict and famine in Vietnam, and her deteriorating health in America, was never able to do so. Instead of mourning this fact, in her final days the grandmother chooses to live her life through her granddaughters,
This illustrates how immigrants think they’re going to have a much better life in the US than they actually end up having. Rosa and her brother both escape death in their home country, but Rosa is still not able to avoid death brought on by the destitution of an immigrant’s life.
Life and death are two things that we as humans must all face. The road from one to the other, from life to death, is a long and at times, both joyous and painful one. Robert Frost’s poems are a prime example of these times and trials. The poems I chose for this paper highlight them, and with Frost’s allegory, they present a sort of silver lining to the string of dark and dreary words he’s pieced together for these poems. The depressing tone to the poems “Acquainted with the Night”, “Nothing Gold Can Stay”, and “Stopping by the Woods on a Snowing Evening” could be attributed to the death of many of Frost’s family members, and how despite this he overcame it all, and at the end of his life, was a successful writer. These poems to not go into great explanation of the details of Frost’s life, however, I believe that they are representations of the things path that he’s walked, and how he viewed his actions and death in general.
The use of rock-cut tombs and burial caves was inherited by the Israelites from the Canaanites. However, while the Canaanite Bronze Age caves were mostly crude and undefined, one can see the deliberate shaping of rock-hewn tombs in Israel and Judah. The most common type included a square room entered through a small square opening which could be closed by a large stone. Rock-cut benches on three sides of the chamber provided space for three bodies. More elaborate examples had an additional rear chamber. Both cave and bench tomb burials remained consistent in plan, body treatments, and categories of mortuary provisions throughout the Iron Age. The only variations were in relative wealth, and beginning in the 9th century BCE, a few lavish individual tombs were cut in Jerusalem and Gibeon, and twelve of these were probably for important political and/or religious functionaries (Bloch-Smith 1992). From Judah, the total number of reported tombs are 24 cave and 81 bench tombs from the 10th through the late 8th century BCE, and 17 cave and 185 bench tombs from the late 8th through the early 6th century BCE (Bloch-Smith 1992).