The event that influenced Hildegard to create her famous music was from the time when she was bedridden from a disease. This is the quote of Hildegard regarding the reason she never wrote down the visions. “But I, though I saw and heard these things, refused to write for a long time through doubt and bad opinion and the diversity of human words, not with stubbornness but in the exercise of humility, until, laid low by the scourge of God, I fell upon a bed of sickness; then, compelled at last by many illnesses, and by the witness of a certain noble maiden of good conduct [the nun Richardis von Stade] and of that man whom I had secretly sought and found, as mentioned above, I set my hand to the writing. While I was doing it, I sensed, as I mentioned before, the deep profundity of …show more content…
From just using her visions, which she said herself captured all her senses she is known as a virtuso. From Scivias Voices of Angels Voices of Ascension I listened to its unique sound. I was surprised that music without rhythm would be so enticing to me especially since for my generation music has a rhythm with originally from Bambolah. But from the Scivias musical piece the music was both calming and enticing. In the background, you can hear a singular beat while her voice provides the “substance,” of the song. Her voice is the collection of pitches and use of latin give her music such a mysterious, divine sound. In O Gloriosissimi, Lux Vivens, Angeli, Antiphona, her captivating voice has unique pitch. The dynamics of the song starts softly than gets loud to which it goes back to being soft. What is so amazing is that she is not using any instrument to accompany her voice and it allows the listener to really hear and measure the pitch range of her voice. The influence of her visions and her relationship to the church is conveyed to the listener in era where the church was the dominant influence of the
The "old" European attitude, and the attitude that attracts many modern performers to early music, is exactly the opposite of the modern attitude:
“For over one thousand years the official music of the Roman Catholic church had been Gregorian Chant, which consists of melody set to sacred Latin texts and sung without accompaniment” (Kamien 67). The credit for developing Gregorian chant music, also known as plain...
"What attracts everyone is her complete immersion in the music; she finds things that others search for but can't find," says soprano Lois Marshall. "She certainly has more of that ability than anyone else in this city and, I would venture to say, than anyone else in this country or in North America. Even a pianist of the stature of Murray Perahia hangs on Greta's every word."
... artistic renderings of the enthusiastic songs of her time. More than anything, it is this love of performing that won her the hearts of millions throughout the world.
Ludwig van Beethoven is who everyone thinks of first when someone asks if you know any composer from classical music. Beethoven changed the sound of music in the early 1800’s from bland and meaningless, to exciting and heartfelt. You felt Beethoven’s pain through his music. Was Beethoven’s deafness to blame for his spark of genius that changed the course of classicism, to romanticism? Was it not for his lonesome solitude, and lack of hearing that drove him to create the masterpieces that are still resonating through current times?
The music of George Frideric Handel has been celebrated throughout time, especially his oratorio work. Handel’s oratorios are considered to be some of the best in existence. However, much discussion and reverence is given to his Messiah, while the others are not as commonly subject to this praise. Therefore, I will investigate the origin and creation of the oratorio, Esther by Handel, with focus on his music for the scene. I will argue that Handel expresses the drama and emotion of this biblical story through the musical elements he employs, particularily
Gregorian chant is recognized by its calm, ethereal sound. The magical sound comes from the unfamiliar church modes. It as little sense of beat and was often improvised, producing an uncertain and floating rhythm. The melody could be simple or elaborate based on the importance of text the chant is set to (Book). Gregorian chant was passed through oral tradition and only began notating to ensure musical uniformity. Neither dynamic markings nor instrument indication appear on the notations that have been preserved, so little is known about how the music actually sounded. Occasionally, the vocalized melody was accompanied by a drone, which consists of one or more long, sustained notes at the interval of a perfect fifth (Sherrane).
As might be expected of one of her background and artistic gifts it is in the Part Three "The Guide" we see poetic, rhythmic and musical qualities at its best. She uses words with a keen sense of their rhythmic and musical potentialities: her style is richly figurative.
Briefly speaking, the Hymn to Demeter is similar in playing out the theme of separation and isolation by depicting Persephone picking flowers in and isolated space. In Ovid's version, the empowerment of women plays an important role by the story being told by a woman, Venus being the mastermind, and Ceres being a strong confident woman and taking swift action. Also, the roles of the gods are switched with the nymphs, and the symbolist use of the environment is seen in the abduction of Proserpine.
Gothic encompasses many genres of expression. Gothic artists speak out through the forms of literature, architecture, film, sculptures, paintings, and music. Many times, one genre of Gothic inspires another, creating fusing parallels between the two. In this way, each genre of Gothic rises to a more universal level, coalescing into the much broader understanding of Gothic. Gothic writers, such as Mary Shelley, influence Gothic music, as one sees in stylistic devices including diction, setting, and tone.
The German composer Ludwig van Beethoven, born in 1770, transformed music and revolutionized the history of music as a whole during his lifetime. As William Kinderman writes in his book, Beethoven, “His restless, open vision of the work of art reflects a modern and essentially cosmopolitan aesthetic attitude” (Kinderman). Born in Bonn, Germany, Beethoven was a visionary. He further expanded what his early contemporaries, Mozart and Haydn, had produced by escalating the scope of sonata, concerto, quartet, and the symphony. Beethoven was a radical composer who did not like to do what everyone else was doing; he pushed his limits to create the extraordinary. People argue that Beethoven was the composer that transitioned music from the Classical
The harmony of the group is perfectly shown in this song. When a person hears it for the first time it sounds like one person sings it. The song opens with hope, “Helplessly Hoping”, that even in despair, there is hope. The word choice in the song is evocative and elegant, but it can have different meanings. The words are full of mystery, and the alliteration can make one’s spirit uplifting. The song is a non-verbal dialogue between a guy who loves a girl, waiting for her, and wonders about her love for him. The guy is being her harlequin, who hovers close to her, so she could notice him. The guy sees the girl’s good qualities, and true and kind spirit she has. Spirit is considered something that flows in the air, so that is why he wished he could fly and grasp her.
The reputations of Maria Callas and Madonna as divas have both been earned for different reasons and yet, both can easily place their titles next to each other. All their musical performances have and are adapted to suit the public eye and sheltered by each singer’s creative influence, in order to improve their labels as divas. √ you give your reader a sense of the discussion that will follow, which is good.
Today, around the world, music creates an impact on our culture and history. Specifically, in the Middle Ages, music was used in such a way, that society grew around it. Many things have changed about this subject, including instruments, vocals, and style, but the impact that still reaches our society today remains the same.
The Chorus is very much an important part of Euripedes’ Medea, and indeed many other works written in the ancient Greek style. In this play, it follows the journey Medea makes, and not only narrates, but commentates on what is happening. Euripedes uses the Chorus as a literary device to raise certain issues, and to influence where the sympathies of the audience lie.