Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Religion shaping political culture
Influence of pop culture negatively
Influence of pop culture negatively
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Religion shaping political culture
Pop culture, at least very much so in America, is oftentimes shaped and influenced by many different sources and outlets such as celebrities, issues of that time, conflict between different peoples, other countries, and the list can continue on and on. One influence which has affected much of America’s pop culture today, in which not many are aware of, is of the results from the tension of the fight between“New Canaan” versus “New Israel”. Due to the fight that lasted for decades between the conservative-upper class, those who hoped for a “New Israel”, and the less-religious-lower class, those that hoped for a “New Canaan”, there were compromises that both sides had to make after means of either controlling or resisting the opposing side …show more content…
This was all according to the efforts of the Victorian Americans, who wanted leisure, pleasure, and misrule to all be contained into the mind and private homes. For example, in The Battle for Christmas, it mentions about the Kris Kringle’s Raree Show and this started based off of a character named “Old Kriss Kringle”, who was an individual very similar to that of what would later be called “St. Nicholas” or “Santa Claus”. Kris Kringle was a character that came out especially for the Christmas time and was for the children’s enjoyment and entertainment. This character later evolved to be a character that appeared in theaters, however, the theater was a rowdy world of its own which displayed carnival (Nissenbaum 126). Because rowdiness and the carnival world was not acceptable and fitting to the “New Israel” ideal, gradually, Kriss Kringle became a character found in the books. The same carnival that was able to be found in theaters was then able to be transferred into the mind at their homes. This allowed those who pursued the “New Canaan” to still have the same experience right in their homes just as they would when out in the streets. As Nissenbaum stated, “Reading is presented here not so much as an attractive alternative to misrule as a mini-version of it, one in which the rowdy …show more content…
More than the means to resist, I believe that pop culture was most effective as a means to control, especially by looking at how big of an impact the reforms that the elite and religious made, had an impact on shaping pop culture. Resisting did only so much as to prolonging acts or gaining a bit more free space to do what they wanted, however, what the “New Israel” advocates did, in that although they made compromises, they brought order to whatever unorganized or savage activity the working class desired to have in their society. They used the ideas of the people and they transformed it to be favored, or at least accepted, by majority of the elite and religious groups. The focus in which Christmas first started off on was completely altered to be catering to a much larger group of people. Sports and entertainment became orderly and more sophisticated, which allowed particular sports such as boxing to be “acceptable” to society by the majority. All which was contained into the mind, the “carnival of the mind”, people were still able to find their experiences, in which would be found usually out in the streets, without having to violate any laws or rights right in their
Fiorina, Morris P., and Samuel J. Abrams. Culture war?: The Myth of a Polarized America. 2nd ed. New York: Pearson Education, 2006. Print.
... and others whom Levine treats are a different breed of reformers because they are concerned only indirectly with morality. But when Brown laments that today’s youth are intellectually wanting and have no connection with their cultural heritage, he uses bold phrases such as “junk food for the soul,” indicating that the erosion of appreciation for high culture is changing not only the common forms of entertainment but the character of today’s youth. Another parallel exists in Brown’s conception of culture and the Springhall’s reformers’ concept of morality as something that youth can access if they choose to break away from the evil influences of “mass” or “popular” culture – with the help, of course, of their moral or intellectual superiors, who long to inculcate their own (perhaps technologically or culturally outdated) ways of thinking into the next generation.
“When a great democracy is destroyed, it will not be because of enemies from without, but rather because of enemies from within.” During the late 1940s and early 1950s, these words of Abraham Lincoln were all on the minds of Americans (McCarthyism). After fighting against Communism for decades, the fear of it taking down the country terrorized people’s thoughts. Even more so, people were extremely frightened of the idea that there could be Communists within the spotlights of American influence that were plotting the destruction of the United States. A fear swept the country for almost a decade, and it transformed every aspect of American culture. This transformation began in the entertainment industry and hit here the hardest. The fear of Communism completely spun the industry upside down and distorted everything that made American showbiz so distinct. Even today, the controversies of the 1940s and 1950s have left an impression on the current entertainment industry.
Moore does not devote much of his attention to religious ideas. Instead, he examines several different instances of the blending of the sacred and the profane in popular American culture. Moore narrates the direct and indirect effects of the public display of religion for both sacreds and seculars. History, lifestyle, work, education, government, music, sporting events, marketplace, literature, and womanhood influence people. He also brings up how religion can influence racial militancy and terrorism that threaten equality, domestic security, and national identity.
Folklores are stories that have been through many time periods. Folklore include Legends, Myths, and Fairy Tales. Legends are traditional tales handed down from earlier times and believed to have a historical basis. Myths are ancient stories dealing with supernatural beings, ancestors, or heroes. Fairy Tales are fantasy tales with legendary being and creators.
The new shift in cultural acceptance of the times has changed the culture war. Many Americans argue that “there is a religious war going on in this country, a cultural war as critical to the kind of nation we shall be as the Cold War itself, for this war is for the soul of America” (Fiorina). However, some argue that the culture war is only based on small differences between the Democrats and Republicans. The issue at hand is how divided the American public is today and how much time is spent on this polarization. This division is not just a small difference in parties, but more a difference in moral and religious issues.
The media has been a part of the daily life of the American people for the longest time, because of this fact, the media influences the decisions and views of how people should live. One big part of the media that tends to start to develop a sense of how the day-to-day American should live is Disney. Since kids are the main source of Disney’s billion dollar industry children have become an important dimension of the social theory (Giroux 1999: 65). “Within this context, television emerges as a consumer-oriented medium that reflects advertisers’ desire to reach a young, upscale, and primarily White audience” (Goodale1999; Henderson and Baldasty 2003: 100). As a result other races and ethnic groups other than white Americans are often put aside when it comes to the social media view of how Americans should live.
In America, the existence of so many different cultures and religions can inadvertently cause one religion to impose its values upon another religion. In Grace Paley’s “The Loudest Voice”, however, the school system directly imposed Christianity onto Shirley Abramowitz and other non-Christian students in the school. Teachers in the school tried to enforce Christianity onto the non-Christian children whenever and whichever way possible. The major illustration of this attempt of “brainwashing” was the production of a Christmas play performed mostly by Jewish students. This was an obvious attempt by the school to try to force the other students to learn the value and history of the Christian religion.
Ideology is “a system of meaning that helps define and explain the world and that makes value judgments about that world.” (Croteau & Hoynes, 2014). According to Sturken (2001), the system of meaning is based on the use of language and images or representation. Therefore, media texts come along and select what is “normal” and what is “deviant” to the extent that this hegemony of constructed meanings in the viewer’s head becomes “common-sense” (Gramsci in Croteau & Hoynes, 2014). From this standpoint, what America claims to be pop culture which is omnipresent in media internationally, is a representation, through “politics of signification” of what is right or wrong (Kooijman, 2008). An example of America’s cultural ‘manifestation’ is Mean Girls,
The way in which black people, especially black women, are represented in film perpetuates harmful stereotypes about black people in the real world. The heavy bias against black people, both on film and off, creates an environment in which black people are held back from the opportunities that white people take for granted in a variety of arenas. This relates to gender politics, which, while wide reaching on a global and societal scale, are deeply rooted in firmly personal matters. In order to more fully understand the larger gender relations on a state-wide basis, it is important to view them in relation to the more personal politics of the individual.
Pop culture in the 1950s and 1960s began to spread and infest the nation from front to back through radio shows, books and magazines, television programs, and even motion pictures. Whether it is culture in terms of political affairs, clothing or the latest musical sensations, the United States has always played the dominant role when it came to who knows what is best, first. Some cases of Americanizati...
Epstein, Dan. 20th Century Pop Culture: The Early Years to 1949. Philadelphia: Chelsea House Publishers, 2001. Print.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
MTV has reached a high of 12.45 million viewers on its 2011 Video Music Awards. MTV was engendered on August 1, 1981. It amalgamated television and rock-and-roll, which was very consequential to pop culture at the time. As Rob Tannenbaum and Craig Marks expounds, “Children had cartoons; adults had the evening news and most of the exhibitions that followed it. Teens are an untapped audience”(xxxviii). It commenced with tyro videos. There were 125 videos in the rotation including Duran Duran, Eurhythmics, and Boy George. MTV became much more popular when Michael Jackson relinquished three videos: Thriller, Billie Jean, and, Beat It. Now, it features shows like Teen Wolf, Teen Mom 2, Wild N’ Out, and other comedies, dramas, and authenticity TV
Globalization is a phenomenon that arose from the industrial revolution in the 19th century, and has been progressively expanding since. According to Joan Ferrante (2015), globalization is the “ever increasing flow of goods, services, people…and other cultural items across political boundaries.” There is much speculation associated with globalization in terms of social and economic growth, but the cultural aspects of globalization are often overlooked and misconstrued with global Americanization (Legrain 2003). Globalization has had resulted in a major downplay on cultural individualism, and also on the way that different cultures view each other. In this paper I will explore globalization’s cultural impact on