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Native american stereotypes research paper
Stereotypes of indigenous people
Stereotypes of native americans
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Deloria, with his analytical survey, Indians in Unexpected Places, recounts the synthesis of western white expectations, and American Indians. The book takes its title from the general thesis, which explores not only the relationship between Indians and their introduction into an alien culture, but also the expectations that we have of Indians and how they “should” interact with our white western culture. According to Deloria, the common notion is that, “Indian people, corralled on isolated and impoverished reservations, missed out on modernity- indeed, almost missed out of history itself.” (Deloria p. 6) This falsified expectation that we have of the Native American peoples causes us to balk at the anomalies of an Indian when combined with Western culture. Deloria, in the introduction, begins with the picture of an American Indian using a modern bubble-style hair dryer at a hair salon. This image often evokes a chuckle, as Deloria states, because of our inherent expectation for an Indian to be wearing buckskin in the plains, rather than in a hair salon. Often, once the topic of stereotype, malice, and expectations are brought up, the chuckle or grin is gone. The preconceived ideal of what an American Indian should be is so deeply ingrained within us that we do not even give it a second thought when judging a supposed anomaly as the woman under the hair dryer. Deloria organizes his work into five sections, in the form of essays. These tackle the issues surrounding the stereotypes and expectations that we have for the Native peoples, in a variety of different aspects. The first one focuses on the idea of violence, and the popular notion of a savage depiction of the Indians. The second focuses on the Native American view of themsel... ... middle of paper ... ...perception of Native People, as the current state is less than satisfactory. Deloria succeeded in his argument and presentation during this work, and enabled me to realize my expectations that may have been latent and subconscious. My personal favorite essay in the book was the one that focused on technology and automobiles in Native American culture, until that chapter, I had not realized how anachronistic “savage and primitive” Indians looked when depicted in an automobile or with a gun. This realization in my mind was truly interesting to see, as I had always thought it strange to see a headdress next to a man made machine, yet couldn’t articulate why this was before the analysis by Deloria. The unnaturalness of the anachronism was due to my own personal expectations of where an Indian should be, and even a latent superiority that caused me to judge the picture.
Pages one to sixty- nine in Indian From The Inside: Native American Philosophy and Cultural Renewal by Dennis McPherson and J. Douglas Rabb, provides the beginning of an in-depth analysis of Native American cultural philosophy. It also states the ways in which western perspective has played a role in our understanding of Native American culture and similarities between Western culture and Native American culture. The section of reading can be divided into three lenses. The first section focus is on the theoretical understanding of self in respect to the space around us. The second section provides a historical background into the relationship between Native Americans and British colonial power. The last section focus is on the affiliation of otherworldliness that exist between
In The White Man’s Indian, Robert Berkhoffer analyzes how Native Americans have maintained a negative stereotype because of Whites. As a matter of fact, this book examines the evolution of Native Americans throughout American history by explaining the origin of the Indian stereotype, the change from religious justification to scientific racism to a modern anthropological viewpoint of Native Americans, the White portrayal of Native Americans through art, and the policies enacted to keep Native Americans as Whites perceive them to be. In the hope that Native Americans will be able to overcome how Whites have portrayed them, Berkhoffer is presenting
Neil Diamond reveals the truth behind the Native stereotypes and the effects it left on the Natives. He begins by showing how Hollywood generalizes the Natives from the clothing they wore, like feathers
In the book Bad Indians, Miranda talks about the many issues Indigenous People go through. Miranda talks about the struggles Indigenous people go through; however, she talks about them in the perspective of Native Americans. Many people learn about Indigenous People through classrooms and textbooks, in the perspective of White people. In Bad Indians, Miranda uses different literary devices to show her perspective of the way Indigenous People were treated, the issues that arose from missionization, as well as the violence that followed through such issues. Bad Indians is an excellent example that shows how different history is told in different perspectives.
In the introduction, Hämäläinen introduces how Plains Indians horse culture is so often romanticized in the image of the “mounted warrior,” and how this romanticized image is frequently juxtaposed with the hardships of disease, death, and destruction brought on by the Europeans. It is also mentioned that many historians depict Plains Indians equestrianism as a typical success story, usually because such a depiction is an appealing story to use in textbooks. However, Plains Indians equestrianism is far from a basic story of success. Plains equestrianism was a double-edged sword: it both helped tribes complete their quotidian tasks more efficiently, but also gave rise to social issues, weakened the customary political system, created problems between other tribes, and was detrimental to the environment.
In Thomas King’s novel, The Inconvenient Indian, the story of North America’s history is discussed from his original viewpoint and perspective. In his first chapter, “Forgetting Columbus,” he voices his opinion about how he feel towards the way white people have told America’s history and portraying it as an adventurous tale of triumph, strength and freedom. King hunts down the evidence needed to reveal more facts on the controversial relationship between the whites and natives and how it has affected the culture of Americans. Mainly untangling the confusion between the idea of Native Americans being savages and whites constantly reigning in glory. He exposes the truth about how Native Americans were treated and how their actual stories were
Talking Back to Civilization , edited by Frederick E. Hoxie, is a compilation of excerpts from speeches, articles, and texts written by various American Indian authors and scholars from the 1890s to the 1920s. As a whole, the pieces provide a rough testimony of the American Indian during a period when conflict over land and resources, cultural stereotypes, and national policies caused tensions between Native American Indians and Euro-American reformers. This paper will attempt to sum up the plight of the American Indian during this period in American history.
According to Deloria, there are many misconceptions pertaining to the Indians. He amusingly tells of the common White practice of ...
Adjusting to another culture is a difficult concept, especially for children in their school classrooms. In Sherman Alexie’s, “Indian Education,” he discusses the different stages of a Native Americans childhood compared to his white counterparts. He is describing the schooling of a child, Victor, in an American Indian reservation, grade by grade. He uses a few different examples of satire and irony, in which could be viewed in completely different ways, expressing different feelings to the reader. Racism and bullying are both present throughout this essay between Indians and Americans. The Indian Americans have the stereotype of being unsuccessful and always being those that are left behind. Through Alexie’s negativity and humor in his essay, it is evident that he faces many issues and is very frustrated growing up as an American Indian. Growing up, Alexie faces discrimination from white people, who he portrays as evil in every way, to show that his childhood was filled with anger, fear, and sorrow.
Stereotypes dictate a certain group in either a good or bad way, however more than not they give others a false interpretation of a group. They focus on one factor a certain group has and emphasize it drastically to the point that any other aspect of that group becomes lost. Media is one of the largest factors to but on blame for the misinterpretation of groups in society. In Ten Little Indians, there are many stereotypes of Native Americans in the short story “What You Pawn I Will Redeem”. The story as a whole brings about stereotypes of how a Native American in general lives and what activities they partake in. By doing so the author, Alexie Sherman, shows that although stereotypes maybe true in certain situations, that stereotype is only
For example, in the local school, stereotypes such as the image of the ‘wild man’ are consolidated by claiming that there was cannibalism among the indigenous people of the northwest coast (Soper-Jones 2009, 20; Robinson 2010, 68f.). Moreover, native people are still considered to be second-class citizens, which is pointed out by Lisamarie’s aunt Trudy, when she has been harassed by some white guys in a car: “[Y]ou’re a mouthy Indian, and everyone thinks we’re born sluts. Those guys would have said you were asking for it and got off scot-free”
Whereas Clements spoke about cultural survival in a more familial setting, the speaker in “Real Indian” by Chrystos expressed her cultural survival and the loss of it through the lens of mainstream America. The speaker who is standing in front of a tobacco shop compares herself to the Indian dolls
By analyzing Sherman Alexie’s poem, “How to Write the Great American Indian Novel”, through the lens of Bell Hook’s essay, “Eating the Other”, we can see how commodity culture in the United States uses gender and sexual desire to exploit race and ethnicity. Specifically within the poem, we see Sherman Alexie use irony and stereotypes in a way that puts on display all the racist issues that we find in films and novels as well as the way in which our culture exploits those people and their culture for its own gain.
Once Buffalo Bill seized all the properties and belongings of the Native Americans such as land and traditional garments, he established a museum and demanded that the Indians pay five dollars per head for their visit to the museum (Alexie, 1992). This picture represents the numerous occasions when the Native Americans’ way of life has been illegitimately depicted by the non-Native American communities. These cultures are often depicted by individuals or communities that bear no decency or connection to the Native Americans. In fact, they do this with an interest in financial benefits without any advantage to the Native Indians. Similarly, the Museum of Native American Culture also illustrates the methodical deprivation and oppression of the Native Americans. This is an uncommon, however, a strong type of oppression. The mass media and the government are the present central force of the subjugation and quieting of the Native American communities. It can be concluded that it is the contemporary Buffalo Bill and whereas it is not evident what preventions should be put in place to stop this, it is important for the Native American people to repossess their identity and demonstrate to the universe who they actually
In the early part of the century, Edward Curtis, a great photographer and man, published a 20 volume set of photographs that captured the lives of Native Americans. To him, he thought Indians were people that would eventually disappear. But to him the photos had to be perfect, he would bring proper cloths, and pose photos, and make the Indian life seem very vacant almost. These photographs created people’s ideologies of what Indians looked like, even though most were kind of fake. Another photographer who looked to take pictures of Indians was Frank Matzura. But the difference between him and Curtis was that he liked to shoot Indians in their natural habitat. No staging of the photos, or giving them clothes to wear, but just the normal life of what an Indian lived