The film has some inaccuracies. For example, Kammerer was a sexual predator who had taken advantage of Lucien's naivete, while in the film their relationship is different:in fact the director romanticizes everything, even the self-destructive instincts that plagued these writers and inspired their work. There are some of the 50s beat typical features , but it's also revealing about the role played by violence, shame and denial at the birth of beat and of Ginsberg's career. These ignited the poetry, and the film suggests that the poetic impulse is an impulse away from a horrible real-world mess to a vantage point from where the mess can be controlled. All of the poets and writers were young and they haven't discovered yet who they really were:
The word choice throughout the last four paragraphs must have been very deliberate. The decision for the story to be a short story must have been a very conscious one that Baldwin made. He uses only what is necessary and combines musical terms and common speech to pack the myriad of emotions evoked into as few words as possible. The narrator never really verbalizes the actual feelings that he or his brother feels but rather lets the readers see them and feel them for themselves through the images he portrays and the history attached. Much as music infers emotion through the gut rather than the ear and gives you shivers without saying a word at all Baldwin's descriptions convey maximum emotion with minimal language.
When the “decently dressed” Lengel tried to tell the girls to be “decently dressed” because the girls were wearing “bathing suits”, the girls first argued they “are decent” and left because the girls thought what they were doing was not wrong since they have different perspective than Lengel. The result of feeling empathy for the younger generation in "Railway Club Blues" is that the older generation saw the younger generation as themselves and the protagonist mentioned that teens were the “Strange children of the simple punks we were”. Also, despite of the younger teens “clothes are odd [and] their attitudes obscure”, the protagonist saw their faces that gave him “a kindred memory” of how the teens “repeat the ancient dance”. Ultimately, because the two generations were able to enjoyed a small jazz performance together, the protagonist felt “all cardboard boundaries are erased.”. Both authors used contrast to show the results of feeling empathy for the younger generation, and in “A&P”, the result of Lengel feeling empathy for the teenagers is that he was rejected by the youth due to their contrasting perspectives. When the protagonist from “Railway Club Blues” felt the “boundaries are erased” when the music began to play, this demonstrates how the the protagonist felt how everyone shared the same feelings and empathize the teens despite
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
Throughout their fun and crazy adventure, they realize more what the world has to offer, opening their realistic minds. At this part of the poem, he begins to sound frustrated, confused, questioning the status quo. By line 65 and beyond, he begins talking about the time he spent in a psychiatric ward. Ginsberg wants people to know that someone like him, whose mind wandered over life’s truths, ends up at a madhouse. Why? Because he practiced Dadaism, a artistic art movement that opposed social, political, and cultural values, when he threw potato salad at a professor in CCNY. At this psychiatric ward, he was introduced to many therapies such as ping pong, shock therapy, and hydrotherapy. Also, his close friend, Carl Solomon, and Ginsberg’s mother was in a psychiatric ward, blamed for their insanity. For this, Ginsberg grew angry at
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
A few cases in which this poem is particularly relevant in today’s society, apart from just the general hipster culture, is the fact that in many ways we’re faced with similar issues of social oppression of certain sects of the population, homophobia, discord amongst different cultures and excessive consumerism – all these being matters than Ginsberg felt strongly about and sought to fight against.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Ginsberg was a literary revolutionary as can be seen in his poetry. He pushed form and genre, theory and confrontation, confession and controversy right to the threshold and over the doorway of societal standards. In pushing and pushing, Ginsberg creates a new vocabulary for certain words by capitalizing them and giving them the significance of the ‘proper noun.’ By capitalizing the first letter of certain words, Ginsberg gives a solid identity to intangible things and redefines their role in a corrupted society that has destroyed the “best minds” of his generation.
Born June 3, 1926, Allen Ginsberg is known as one of the most influential poets of the Beats Generation. With his forward political views and content that pushed limits, he was always working toward equality for the all. Ginsberg is considered to have “[grown] up in a conventional and uneventful fashion,” with politically active parents as an influence (Lewis, Critical Survey of Poetry). It is no mere coincidence that as he continued to grow, he also became involved with politics. Many of his poems tend to address issues that Ginsberg did not agree with. It is said that many of Ginsberg’s poems have something to do with what has influenced his life. They are considered to have some autobiographical elements.
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
In his essay "Hiroshima," John Berger examines the bombing of Hiroshima on August 6, 1945. As he flips through the pages of the book Unforgettable Fire, he begins to relay his own views on the dropping of the A-bomb. Berger suggests his belief that it was an act of terrorism on the Japanese.
Whitman opted to publish his own passionate evaluation of Leaves of Grass. Whitman’s style of writing was quite unnerving to readers and critics. His poems received minimal public acclaim owing to a number of reasons: this openness in regard to sex, his self-portrayal as a rough working man and his outstanding innovations. He appeared to be a poet who didn’t adhere to the normal meter and rhyme schemes as set by his contemporaries.
Simpson, L.A.M., A revolution in Taste: Studies in Dylan Thomas, Allen Ginsberg, Sylvia Plath and Robert Lowell (London: Macmilan, 1978)
Allen Ginsberg is one of the most prominent voices of the Beat Generation. The Beat culture consists of rejection of established standards, experimentation with various drugs, expression of different sexualities and exploration of distinctive religious beliefs. As a leading figure of the Beat Generation; Ginsberg opposes conformity, authorities and sexual repression, but favors travels, various religions and freedom of self-expression. This attitude can be clearly seen in the title, structure and theme of his epic poem Howl. The poem consists of explicit portrayals of the frustration and self-destruction suffered by the artistic minds of his generation. Due to its revolutionary sexual, social, political and religious ideas, the poem remains as the great work of American Literature.
Feminist perspectives began to enter the discipline of international relations since the end of the Cold War, gaining increasing recognition. However, the voice of women is still scarce within the discipline, especially in the US and the West where mainstream international relations theories such as neorealism and neoliberalism still dominate. This essay will postulate that Tickner’s aim is not to make classical realism into a straw man, but instead that her critique of Morgenthau is apt because what she strives to do is to offer a feminist perspective to the field of IR to make it more accessible to women practitioners and scholars. Moreover, Tickner’s main contention throughout is that she does not view Morgenthau’s political realism as incorrect and invalid through the way in which he depicts the international system, but believes that he only offers a partial account of international politics because its assumptions of human nature favours the male perspective. A female perspective is required to make this account whole. To do so, this essay will discuss why international politics is male-dominated. Furthermore, it will analyse how Tickner critiques Morgenthau’s political realism and discuss briefly why she chooses to use Morgenthau to highlight the relative lack of feminist approaches within the discipline. This essay will come to the conclusion that Tickner’s critique of Morgenthau is useful and apt because it promotes the incorporation of feminist approaches, allowing for multiple perspectives especially within the dominant fields of international relations and consequently, allows us to have a better understanding of the international system. Her critique hardly invalidates or defeats Morgenthau’s teachings but merely ...