Mary Wollstonecraft’s A Vindication of the Rights of Woman and Leo Tolstoy’s Anna Karenina both illustrate feminist ideals as well as the continual gender gap that plagues our society. Wollstonecraft lays out very specific qualifications for modesty and portrays how imperative a modest society is to achieving gender equality for both sexes. Similarly, the character of Anna in Anna Karenina chooses to become an advocate for feminist ideals in Russia during a time in which her society was ruled by men and women had very little say. Anna’s character and Wollstonecraft were both pioneers in paving the way for women’s rights and creating a society in which women and men would be able to allow each other to grow without oppressing one another.
Wollstonecraft’s
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This further exemplifies the rift between male and female sexuality that still takes place in modern society in which males are often praised for their sexual escapades while females are repeatedly shunned. Wollstonecraft says that “modesty must be equally cultivated by both sexes” in order for both genders to reach their highest capacity of modesty. During the 18th and 19th century, the modesty gender gap was far greater than it is today but unfortunately there is still a long way to go. Another occasion that the patriarchal society of Anna Karenina’s time shows the submission of females is when Anna’s husband does not allow her to divorce him (Webster & Wright, 2012). While in one light, her husband can be seen as trying to protect her from throwing away her family and becoming the “guilty party,” it is also seen throughout the film that he endeavors to have a tight grip on Anna and thus will not allow himself to be ashamed by her betrayal (Webster & Wright, 2012). His expectations involved Anna staying in their marriage to protect an image, and although women such as Stiva’s wife agreed to this type of compromise, Anna remained poised and chose to follow her heart instead of following orders from her cold
Wollstonecraft, Mary. “A Vindication of the Rights of Women with Structures on Political and Moral
In today’s society, gender issues are often discussed as a hot topic. In literature, feminist views are used to criticise “societal norms” in books and stories. Two popular pieces by authors Kolbenschlag and Hurston paint two very different views on women. One common assumption in the use of a feminist critical perspective is that gender issues are central. Kolbenschlag who wrote the literary criticism “Cinderella, the Legend” would most likely disagree with this statement, she feels that women bare greater burdens in society and are more largely affected by social norms.
To force me to give my fortune, I was imprisoned-yes: in a private madhouse…” (Maria 131-32). These lines from Mary Wollstonecraft’s (1759-1797) unfinished novella Maria, or the Wrongs of Woman substantiates the private operation of the madhouse where the protagonist Maria is confined. The importance of private ownership is that this places the madhouse outside the discourse of law. It is illegitimate yet it is legitimized as it is a symbol of male-dominated state oppression. Parallel to this Bastille becomes the direct symbol of the same repression which is used by Wollstonecraft to depict the predicament of dissenting revolutionary women in the late Eighteenth- century England. The language which she is using is evidently from the French Revolution as we know the symbolic importance of the dreaded tower of Bastille where political ‘criminals’ were imprisoned. So, Wollstonecraft’s objective is to politicize the genre of novel as the other Jacobin women writers- novel, for them, is a vehicle of political propaganda.
Indisputably, Mary Wollstonecraft was one of the most influential figures of Enlightenment, also considered the ‘first feminist’. It is certain that her works and writing has influenced the lives of many women and altered the outlook of some societies on women, evolving rights of women a great deal from what they used to be in her time. It is clear that Wollstonecraft’s arguments and writing will remain applicable and relevant to societies for many years to come, as although there has been progression, there has not been a complete resolution. Once women receive so easily the freedom, rights and opportunities that men inherently possess, may we be able to say that Wollstonecraft has succeeded in vindicating the rights of women entirely.
Chimamanda Ngozi describes a feminist as “A person who believes in the social, political, and economic equality of the sexes.”During her Ted Talk from April 12th, 2013, She talks about how since she knew she was female she would have to try and prove her worth in school. She states that “I was worried that if I looked too feminine I would not be taken seriously. I really wanted to wear my shiny lip gloss and my girly skirt, but I decided not to. I wore a very serious, very manly, and very ugly suit.The sad truth of the matter is that when it comes to appearance we start off with men as the standard, as the norm. Many of us think that the less feminine a woman appears, the more likely she is to be taken seriously.” Her words ring true especially
Throughout history, women have struggled with, and fought against oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structure. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society. Writing based on their own experiences, had it not been for the works of Susan Glaspell, Kate Chopin, and similar feminist authors of their time, we may not have seen a reform movement to improve gender roles in a culture in which women had been overshadowed by men.
The memoir gives a unique perspective of the noblewoman in this period of Russian society. A male-centered society made it difficult for women to shape and control their lives, however it was possible through means of gaining respect. The society respected woman who had a virtuous demeanor. Especially, those who lived with an immoral spouse and still were able to show virtuous characteristics. Anna is able to gain the respect of people higher in authority than her husband receiving special treatment for various requests. Through her marriage, she recognizes that her husband has rights that she doesn’t have in shaping and controlling her life privately and especially publicly. This society causes for women to depend on men completely.
Ihara Saikaku’s Life of a Sensuous Woman written in the 17th century and Mary Woolstonecraft’s A Vindication of the Rights of Woman written in the 18th century are powerful literary works that advocated feminism during the time when women were oppressed members of our societies. These two works have a century old age difference and the authors of both works have made a distinctive attempt to shed a light towards the issues that nobody considered significant during that time. Despite these differences between the two texts, they both skillfully manage to present revolutionary ways women can liberate themselves from oppression laden upon them by the society since the beginning of humanity.
In Mary Wollstonecraft’s The Wrongs of Woman, or Maria and Mary Robinson’s The Natural Daughter, women are subject to many hardships economically, simply because they are women. Women are not given sufficient opportunity, as men are, to pursue a living. Even if she is a woman of taste and morals, she may be treated as though she is a criminal and given no means to protect herself.
A wise man once said “Man is only great when he acts from passion.” When you hear the word passion, the first thing that might come to your mind is something related to love, and you’re not entirely wrong. According to Merriam- Webster’s dictionary, passion is defined as a strong feeling of enthusiasm or excitement for something or about doing something or a strong feeling (such as anger) that causes you to act in a dangerous way. All in all, it is a strong feeling, be it happiness, sadness, anger or liberality. You can be passionate about many things such as love, sports, food, or intimacy. However, it can also mean having a strong yearning for something.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
In the late 1800’s slavery was slowly being abolished. Unfortunately it was not until the second half of the century that serfdom found an end in Russia and many were given the rights they deserved. On the contrary the liberation was not so simple for women. They continued to fight for their rights to attain true freedom and faced severe consequences for their radical efforts. As shown through Elizaveta Kovalskaia’s memoir, she, like many women in Russia, was faced with many challenges and adversaries in her attempts for change and fairness for all women.
Mary Wollstonecraft was a self-educated, radical philosopher who wrote about liberation, and empowering women. She had a powerful voice on her views of the rights of women to get good education and career opportunities. She pioneered the debate for women’s rights inspiring many of the 19th and the 20th century’s writers and philosophers to fight for women’s rights, as well. She did not only criticize men for not giving women their rights, she also put a blame on women for being voiceless and subservient. Her life and, the surrounding events of her time, accompanied by the strong will of her, had surely affected the way she chose to live her life, and to form her own philosophies.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
Throughout literature’s history, female authors have been hardly recognized for their groundbreaking and eye-opening accounts of what it means to be a woman of society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women character in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a