In Hiding - Original Writing
From that day on, I lived, ate and washed in our small sinister
cupboard under the rotting wooden staircase. It was the day that
Britain declared war on Germany, since that day I have hated and
despised anyone German, I could never forgive a nation that murdered
my family and caused such devastation to my home land. I vividly
remember visiting my aunt who was a little richer than us most
weekends in the run up to the war; it was such a treat because she
owned a black and white television. My brother and I always wanted to
watch the films but my parents insisted on watching the news; I can
picture even now the blurred clips of Hitler talking to his troops, my
brother and I used to tremble as he spoke. My mother always used to
sympathize with us; were as my father used to get very irritable and
rather cross with both my mother and us.
My mother use to work in a factory and my father was a fugitive of the
Home Guards; instead he worked in the mines pulling along the heavy
coal carts. Because my parents earned so little they could not afford
to send my brother and I to school, instead we would just stay at home
and cycle around on some old shabby bicycles we found lying beside the
canal. Most days we would cycle to the RAF base, which was a few miles
away from, were we lived to watch the planes being prepared for the
inevitable war that lay ahead. My brother and I used to think watching
the planes was fun until the day the war began; at that point we
realized what a brutal and terrifying affair war was going to be, this
is when we took to living under the staircase because we were so
scared. My mother and father only earned enough to feed us as much as
necessary to survive on, a few years ago my father was made redundant
that's when my little sister Margaret died because there was not
Just envision you were a soldier running, ducking, and dodging bullets. The heat from exploding grenades burning the back of your neck, having to hide in wet, smelly, muddy trenches in order to survive. The only way to keep in touch with your family and friends is by writing a letter, not knowing when they will receive it or if they will even write back. Imagine having to carry a large amount of weapons, for example: machine guns, pistols, grenades, flamethrowers, or rifles. Now, we are lucky that's only a vision in our minds, because in 1914, that was reality for the soldiers of World War I. the author Eric Maria Remarque used these visions and facts in hi novel titled All Quiet on the Western Front. The question to be answered is; did the characters and setting of this novel deeply portray the time period of World War I or did Remarque make everything up?
Erich Maria Remarque’s novel, All Quiet on the Western Front gives you detail and insight into the long, destructive “Great War”. Quickly, romantic illusions about combat are disintegrate. Enthusiastic teenage boys convinced to fight for their country by their patriotic teachers came back feeling part of a lost generation . This novel teaches us what a terrifying and painful experience World War I was for those fighting in the trenches on the front.
In "Our Secret" by Susan Griffin, the essay uses fragments throughout the essay to symbolize all the topics and people that are involved. The fragments in the essay tie together insides and outsides, human nature, everything affected by past, secrets, cause and effect, and development with the content. These subjects and the fragments are also similar with her life stories and her interviewees that all go together. The author also uses her own memories mixed in with what she heard from the interviewees. Her recollection of her memory is not fully told, but with missing parts and added feelings. Her interviewee's words are told to her and brought to the paper with added information. She tells throughout the book about these recollections.
Susan Griffin's "Our Secret" is a study in psychology. It is a look into the human mind to see what makes people do the things they do and in particular what makes people commit acts of violence. She isolates the first half of the twentieth century and in particular the era of the Second World War as a basis for her study. The essay discusses a number of people but they all tie in to Heinrich Himmler. He is the extreme case, he who can be linked directly to every single death in the concentration camps. Griffin seeks to examine Himmler because if she can discern a monster like Himmler than everyone else simply falls into place. The essay also tries to deduce why something like the Holocaust, although never mentioned directly, can take place. How can so many people be involved and yet so few people try to end it.
The book Revealing the Invisible was written by Sherry Marx, a formal teacher, who went in-depth to explore the racist beliefs of white female teacher education students. The book began with Marx talking about pre service teachers that focused on English-language learning school children (ELLs). During this course she discovered just how low the expectations her students had for ELLs students. Throughout her interviews she will explore more beliefs of white females and their thoughts about race, racism, whiteness, and the children they tutored.
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
The women during the war felt an obligation to assist in one form or another. Many stayed at home to watch over the children, while others felt a more direct or indirect approach was necessary. Amongst the most common path women took to support the war, many "served as clerks.filled the ammunition cartridges and artillery shells with powder at armories, laboring at this dangerous and exacting task for low wages. Both sides utilized women in these capacities (Vol. 170). " Women that stayed away from battlefields supported their respected armies by taking the jobs that men left behind.
knowing that she needed to do something to support her child. After the war, she
A theme in “Our Secret,” by Susan Griffin that is developed through the character of Himmler, and the symbolism with the development of a cell is that if individuals hide constantly behind masks, they will struggle internally.
Through the novel All Quiet on the Western Front, novelist Erich Maria Remarque provides a commentary on the dehumanizing tendencies of warfare. Remarque continuously references the soldiers at war losing all sense of humanity. The soldiers enter the war levelheaded, but upon reaching the front, their mentality changes drastically: “[they] march up, moody or good tempered soldiers – [they] reach the zone where the front begins and become on the instant human animals” (Remarque 56). This animal instinct is essential to their survival. When in warfare, the soldiers’ minds must adapt to the environment and begin to think of the enemy as objects rather than human beings. It is this defensive mechanism that allows the soldiers to save themselves from the feeling of guilt, yet also desensitizes them and causes the loss of humanity. At one point, Paul states “we have become wild beasts. We do not fight, we defend ourselves against annihilation…No longer do we lie helpless, waiting on the scaffold, we can destroy and kill, to save ourselves, to save ourselves and be revenged” (Remarque 113). All Quiet on the Western Front admonishes both the horrors of combat and its dehumanizing tendencies by showing soldiers, regurgitated by the machine that is war, turned into animate objects incapable of emotion.
This was the start of a new age in the history for women. Before the war a woman’s main job was taking care of her household more like a maid, wife and mother. The men thought that women should not have to work and they should be sheltered and protected. Society also did not like the idea of women working and having positions of power in the workforce but all that change...
to see him less and less.“They don’t want to be around me at all now,”
The Internet is a surveillance state. Whether we admit it to ourselves or not, and whether we like it or not, we're being tracked all the time. Google tracks us, both on its pages and on other pages it has access to. Facebook does the same; it even tracks non-Facebook users. Apple tracks us on our iPhones and iPads. One reporter used a tool called Collusion to track who was tracking him; 105 companies tracked his Internet use during one 36-hour period. Increasingly, what we do on the Internet is being combined with other data about us. Unmasking Broadwell's identity involved correlating her Internet activity with her hotel stays. Everything we do now involves computers, and computers produce data as a natural by-product. Everything is now
The representation of race in Hollywood cinema has been a widely discussed topic in film analysis since the medium’s inception. Historically, non-caucasian ethnicities have been underrepresented and/or misrepresented on the silver screen. It was normal for a white actor or actress to adorn themselves in black or yellowface to represent these races and further alienate them into the category of “the other”. This exclusion has been used time and time again as a tool for distinguishing not the race being alienated but those who are doing the alienation. In the following essay I aim to assess this phenomenon specifically in relation to representation of Asians in Hollywood cinema. To support my theory, I will put into conversation both Gina Marchetti’s essay, “White Knights in Hong Kong” and Anne Cheng’s essay, “Beauty and the Ideal Citizenship: Inventing Asian American in Rodgers and Hammerstein’s Flower Drum Song (1961)”. It was when asked to consider the question of national identity projected upon the bodies on screen as written about by Marchetti and Cheng that I came across my own thesis. Through their in depth analysis I was able to code an underlying theme in the historical representation of Asians in cinema. The theme in which Asian identity is derived through strategically situating them as “the other” in order to explain what it truly means to be an American.
The wood was enormous. It was dark and it was cold and I needed to get