To be successful in a dance career is a hard thing to accomplish. A person looking to have a career in dance must have experience in dance for many years and be able to take the heat of the competition. A dancer must be able to hold their own and be able to take opportunities when the time is right, not too soon, and certainly not too late (Brady). In the dancing ‘world’ a person must also be able to handle the word “no” in any field of dance that he or she decides to go into; a dancer will be told this word often. Learning of the different occupations that there are inside of dance helps someone looking for a career in dance achieve one even if they do not have the needed skills to become a dancer. Although there are a lot of hardships that …show more content…
People saying that they want to become dancers are using too broad of a career; they must first choose what style of dance they would like succeed in such as tap, jazz, lyrical, street, ballet, musical theatre and so on (Mauro 47). Whichever dance style that the dancer chooses then decides where he or she will begin to work. The work place for dancers can range from studios in California for filming music videos to the extravagant stage of Joyce Theatre (Brady). A dancer on average makes about fourteen dollars an hour when performing or during a scheduled rehearsal (Bureau of Labor Statistics). When a dancer is training he or she will not be paid. A dancer’s work schedule varies on whether their company is on a tour or not and what type of a company he or she is in. A company can be a small local one that tours the region or state, or can be large in which the company may tour the entire country and sometimes tour internationally. The average work day for a dancer depends on their workplace, “during tours, dancers… have long workdays, rehearsing most of the day and performing at night” (Bureau of Labor Statistics), meaning that when a dancer is touring with his or her company they could rehearse from seven in the morning till six with minimal breaks. After, that the dancer will have their performance on stage and normally will have a after party as well to celebrate a good performance. A …show more content…
People looking for a career in dance do not have to go to only a dance school; they may attend a regular college and be in that specific college’s dance program or take classes at a local dance company. It is recommended for a person looking for a dance career to only minor in dance and major in another occupation because after retiring he or she could look for another job without a struggle of being employed (Muaro). When preparing for an occupation in dance a dancer should start out by expanding his or her limits, step out the comfort zone of their local studio and conventions (Lee). Dancers should try and take as many classes as they can to improve their skills. Along with taking all of these classes a dancer should be able to handle their own schedule without over working their self and making sure that they acquire a sufficient amount of sleep every night (Brady). Besides having a general education a person looking for a career in dance should build networks. A network works like this; “somebody you know knows people in high places who can give your résumé some extra attention or land you the audition you always wanted” (Lee). In order to obtain networks a dancer should apply their self anywhere he or she can; conventions, workshops, and websites (Chua). By using their networks and their education right a person looking for a career in dance is almost certain to find some kind of occupation in
The typical idea of a dancer is that they are tall, slender, full of energy, and lucky because they dance with all of the “stars”. Much of this is true, however, what many people do not think of are the many hardships that a dancer goes through in order to achieve their high status in the dance world. It takes much hard work and determination along with good direction to become a dancer. However, nothing good comes without a price. Dancers often times have many pressures put on them which can lead to physical and emotional damages. These damages occur through the pressures from the media, parents, teammates, and the stereotype that society has placed on dancers.
It will allow me to be a manager and better my leadership skills. I will learn how to manage a big group of people, which is something that can be applied to many various careers. I will learn the best way to be a teacher and to stay calm and focused when things get difficult or crazy. All of these skills are not only applicable to the dance world, but to life in general.
Living life as a professional dancer is my dream job. I wish to travel the world showing off my talents by presenting shows that will blow your mind. This job interest me because it's what I look forward to every morning when I wake up. I feel so alive when I'm either dancing or putting steps together for new choreography. “While working as a dancer, dancers get to study different types of dances, and learn how to choreograph routines” ("Dancers and Choreographers). I feel very blessed that I am eligible to understand movements and connect them to real life scenarios. I want to wake up to emails, messages, voicemails, and notifications from
My traits have led me to my current path in ways unimaginable. My dancing skills allow me to persevere through difficult challenges, be more flexible, and adapt to change more efficiently, while my quiet confidence allows me to be more humble. With the help of these talents and traits and the lessons I learned from them, I am able to be the most excellent version of myself and make the best out of my life. In the present day, I can assess how these traits help me in school, at home, and in the dance studio. Ultimately, possessing these talents and traits, I have the potential to go far and be successful in the
... social dance. Many people in today’s society enjoy social; dancing. Chapter eleven dance concert, properly planning and establishing a dance concert is of the utmost importance. The partnership with the lighting designer usually takes priority over all other factors. One of the most important issues concerning customers has to do with mobility. The dancer must be able to move comfortably in the costume. The task of producing a dance concert is an overwhelming and tiring one. Chapter twelve dance in education and career in dance, many dance educators present the argument that teaching and learning dance as an art form is obviously absent from the American student education. There has always been and always will be people who have a love, desire, and passion to instruct and learn the art of dance, will ensure an important place for dance in higher education.
I have been dancing since the age of four. I started my intense training with Tanju and Patricia Tuzer, Debra Bale, and Linda Brown at Tuzer Ballet. I developed as a dancer, attending every summer intensive performing in every show, advancing from intermediate to apprentice to junior company and finally to senior company. The dance studio became my second home. I took classes in ballet, pointe, modern, contemporary, tap, jazz, lyrical jazz, theatrical movement, hip-hop, zumba, and African-Ballet, pointe, contemporary, and lyrical jazz being my favorites. Even w...
As a student studying kinesiology, I believe that professionals should acquire knowledge of dance because dance is an activity that has to do with physical movements. In my opinion, to be a professional in Kinesiology we must have enough knowledge of the human movement and dance is indeed a topic that requires the knowledge of physical movements. The physical education professionals are not like psychiatrists or physicians that give the clients medicine and tell them what to stay away from. However, people in the other fields, i.g. physical education, have to let clients know that there is a different kind of approach to their issues by introducing them to dance. Dance is related to the history of kinesiology because it has been practiced since long ago and it is still present
Dance requires a large amount of time in order to be prepared for competitions/showings.You have to be there present ready to go while working your hardest so you won’t let your team down. Personally throughout the week not including weekends, I will typically spend roughly over ten hours practicing. As you can see you need to be very dedicated in dance just like any sport. If you compare dance to any sport like football, dance requires the same work ethic, if not more. “We condition every rehearsal, which includes a six minute plank, three hundred sit ups, fifty burpees, we run laps, and a lot more. We become complete athletes. I have practice for twenty hours a week in order to prepare for the competitions,”. In conclusion dance requires the same commitments as any other sport
...dance education is to continue growing throughout public schools and colleges in the United States, students, parents, and the rest of the community will need to stand behind their dance educators. Dance has always served a form of great exercise that allows people to express themselves through movement, and will continue to do so into the future. Dance education in the elementary level is a place that may need some help in child development, and the way to solve this problem is by getting classroom teachers who are skilled in dance and creative movement instruction. Dance education in the secondary level also needs to get highly skilled teachers who are also certified in dance themselves. It would also help attract more students if dance was presented in a different department other than physical education. Dance education in the college level is taught by certified dance instructors, therefore dancers in this level are able to explore movements, while being critiqued by someone who knows what is happening. Dance education has played a major role in the development of children of all ages, and will continue to do so, as long as dance educators and dancers have the proper support.
...lly dancers have to love the dance, because for all that work, dancers get little money—workshops with master dancers usually cost around seventy-five dollars, costumes average five hundred dollars each, and dancers are usually paid only fifty dollars for two and a half hours of work. But Belinda Shakar cannot imagine her life without dance: “I’ve gone through so many careers, but I’ve always stuck with belly dance. I’ve just been doing it for so long.” From dancing, she has found freedom in being in touch with her body and the healing powers of movement. She is now working as a massage therapist, helping others free up their bodies as well. For her, dance is about enjoying her body and expressing her sensuality, not entertaining others or making money. So she is not at all concerned about making it to the top. Besides, she says, “in belly dancing, there is no top.”