In America is a movie about an Irish family that immigrates to New York in order to find better work and improve their lives, but end up finding that it is very difficult to live in the U.S. This is due to the problems they face involving health, money, and the overall environment of the place they live. There are many aspects of cultural geography that are brought up throughout the movie. Some examples include the neighborhood they live in, class of people, and the health factors that impact the people that live there.
The movie begins with John, Sarah, and their daughters Christy and Ariel cross over the border from Canada into the United States with the mission of finding a better life and jobs. There first trouble is finding an apartment, but they eventually find one in New York City in a poor neighborhood in Hell’s Kitchen. Next, John and Sarah struggle to find jobs. John is an actor and is constantly practicing, but has no success in finding an acting job. The family faces many problems due to their poverty and John feels like it is his job to provide for them and make them feel comfortable. For example, he does all he can to find an air conditioner for them because of the extreme heat in their apartment.
One idea that is clearly shown in this movie is that their dream did not work out as they expected. They came to America in search of the American Dream and went to one of the most important cities. However, they did not expect to be put into the culture that they were put into in New York. An example of the difference in cultures they experience in New York is when the girls have to make costumes for their school. Their costumes are homemade, while all of the other classmates were bought. This shows that the...
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...nment impacts who people are. However, it is not just the environment that determines the individual as suggested in determinism. An article in Environmental Review states that, “the environment is simply there, like clay, sometimes malleable by man the builder” (Sprout 1976, 64). This means that the environment suggests different paths for humans, but the path being chosen is up to the human. This is environmental possibilism. Therefore, the rough neighborhood in the movie does not completely determine how the family will turn out. Instead, Hell’s Kitchen offers chances for the family and they have to decide how they want to use them in their lives. In this scenario, John chooses to live a moderate, but happy life with his three children and wife. His environment does not force him to be like many of the other people in it such as drug dealers and criminals.
I started taking drugs at the age of 14. The first drug I had was LSD, and it was given to me by my father. He had an abundance of them. He worked for this guy named George. When I was 20 my doctor put me on Zoloft for anxiety. He did not tell me how addictive it would be. I am now on many drugs such as oxycontin, cocaine, vicodin, methamphetamine, and many other opiates and narcotics. I have tried to get sober and have gone to support groups, but I did not actually want to stop. As soon as I left I went back to drugs. This is just one out of millions of stories of people who have become addicted to psychotropic drugs in the United States. In the documentary American Addict 2 - The Big Lie, released in 2016, Sasha Knezev depicts how the pharmaceutical
This is an immigration movie geared towards kids to show and teach them about immigration to America. It shows them the reasons they (the Mousekewitz) left their homeland Russia to come to America. In their case it was to escape the Czarist rule of the cats, parallel to most immigrants who escaped their land due to religious and political persecution. Once aboard the ship to America, it showed the long and unpleasant trip to New York Harbor, where in this movie, Fievel gets separated from his family to inclimate weather. Once they arrive in New York Harbor, it shows children the happiness immigrants got when they saw the statue of liberty and the process through Ellis Island to become a citizen of America. The rest of the movie takes place in America where it shows “political machines”, such as Warren T. Rat, who really is a cat but takes advantage of new immigrants by dressing as a mouse and receiving the mice’s trust. With trust came their money and broken promises, just as “political machines” really did back then. The movie shows the immigrants hardships and poor living conditions in America with tenement housing and unsanitary conditions.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
The movie Older Than America is an informational narrative of the treatment of indigenous people in the United States. The fourth cinema is a movement in which people of indigenous backgrounds tell the stories of their people, in a realistic and less Hollywood style. The Movie, Older Than America, is set both in the present and in the recent past, and explores the conflict of identity which plagues many native people. It poses the question; does it wipe the war paint off the lens? My answer to that is yes, it more than scratches the surface of the mistreatment of “Human Beings” by Euro-Americans. The demonization of the Catholic Church, and its duplicity in the abuse of its power over helpless children was the overriding story in this film. In this film the Catholic Church is representative of the United States
The film reflects the class difference from beginning through the end, especially between Annie and Helen. Annie is a single woman in her late 30s without saving or boyfriend. She had a terrible failure in her bakery shop, which leads her to work as a sale clerk in a jewelry store. When Annie arrived Lillian’s engagement party,
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
The Latin American film genre is one of the most known genre worldwide and one of the most popular and successful of all of the genres in this business around the world. Yearly a number of productions from Latin America become favored and demanded successes, often-earning high levels of recognition and recommendation. In foreign film categories and in events and functions such as the Oscars, which are very highly respected around the world, Latin American films are awarded and praised and unquestionably make audiences sit on seat’s edge to bear mind films being produced in countries here. Latin American films are most likely to be as successful as they are because of the mixture of all of the elements, which their cinema provides, including
Gran Torino is an interesting portrayal of communication dilemmas, spread out across several characters and in particular that of main character Walt Kowalski. After the death of his wife, Walt is bombarded with unwanted attention from several angles and attempts to “deal” with the attention to the best of his ability. There are many examples of communication struggles in the film, but they all seem to follow a similar pattern, and that is distance in time and culture. I’d like to focus on some of these communication barriers between his family, neighbors and priest and see how some of these walls got broken down, or could have been removed more easily.
Youth have a certain quality and charisma that has made making films about them not only an interesting endeavor but also fundamental to cinema (Shary, 2002). Representative of hope and change, children are viewed as the future. Youth culture, with its ‘here today and gone tomorrow’ kind of dynamic, suggests that children are also the future of film. For decades the film industry has relied on young audiences for patronage and also looked to youth for inspiration and just the kind of material that makes a relevant and refreshing script (Shary, 2002). Youth-oriented film has subsequently become a genre all its own (Shary, 2002). A history of American youth cinema would indicate no different. It is thus interesting to explore youth-oriented films and how films across time, namely Lolita (1962), Marathon Man (1976), Rain Man (1988), Kids (1995), and The Perks of Being a Wallflower (2012), have depicted youth culture, specifically the theme of “Coming-Of-Age.”
In this movie, American Pastime, Kaz and Emi and their sons Lane and Lyle, were all sent to an internment camp with the rest of many Japanese descendants. Not only did the pairs have an age difference, but they did have a difference in the way they interpreted the meaning of living in the camp. Kaz and Emi are much older and since they been through it all, they truly understood the struggle. On the other hand, their sons, Lane and Lyle, although they might have faced obstacles in their lives, they both are much younger and had much to learn. As you watch “American Pastime”, you can tell how less reluctant Kaz and Emi were to get out of the camp. They didn’t fight it, they just let it happen. The reason I concluded that they don’t seem to feel
The film West Side takes place in New York City where a Polish- American gang, referred to as the Jets, competes against a Puerto Rican gang, the Sharks, to own the neighborhood streets. The central theme of this film is passionate love that defies friendships, family and other factors. To add to that, the dominating genre of the film is a musical involving drama and romance.
The Associate is an entertaining movie that brings forth gender disparities in the workplace. Whoopi Goldberg, Laurel Ayers, portrays a financial analyst who has been stuck in a position that does not give her true credit for all of her hard work and talents. The Associate exemplifies the sexism that is occurring in the workplace through satiric wit and a strong story line.
The movie “This is England” was released in 2006, written and directed by Shane Meadows , a story taken, in part, from his life as a boy growing up in the Midlands of England. Mr. Meadows work presents to the viewer a representation of the cultural depiction of the street gang known as Skinheads, in a non-stereotypical light. This is England is a drama combining peer pressure, gangs and gang violence, social gatherings, loss and companionship of youths in a working class environment of a small town in England. This is England has been nominated and has also won multiple awards, according to IMDb.com, several nominations are from the British Academy of Film and Television (BAFTA), Golden Kinnaree Award for Best Film, Best Screenplay for British Independent Film Awards and won the Alexander Korda Award for Best British Film additionally won Best European Film from the Mons International Festival of Love Films. This film stars Thomas Turgoose as Shaun, the 12-year-old troubled youth whom this film revolves around, Stephen Graham as Combo and Joseph Gilgun as Woody. Shaun's troubles seem to begin with the loss of his father, an officer, killed during the Falkland War. Subject to bullying from other local gang types, Mods, New Romantics . . ., depression takes it toll on young Shaun. Seemingly, being a loner, Shaun happens upon a small group of older teenage kids, Skinheads, led by a charismatic boy named Woody. Woody takes an immediate liking to Shaun and invites him to join his group. Shaun finds camaraderie in being a part of this group, and they all enjoying the carefree life of being kids, although sometimes the play progresses into vandalism like where a small group of abandoned, derelict housing units meet further destruction a...
My Mise-en-scene analysis is on American Beauty on page 217: number 1(The dinner scene). The frame itself is a very closed, tight shot; there is no way for the characters to escape and they're left with only confronting each other in this very little space. The shot of the camera isn't necessarily far away or close either. It's neutral, and we can see the full action of the family's dinner conversation happening right in front of us. My eyes were immediately attracted to the bright, white table and then my eyes focused on the faces of the family. The scene's texture is slightly fuzzy, and is not very detailed. But the character's faces are still recognizable. The foreground of this scene is the table with the man and woman sitting at each end; the middle is the girl-who is