Importance of Nothing in William Shakespeare's King Lear
The Tragedy of King Lear has many important themes. One major theme concerns "nothing." The main focus around the discussion of "nothing" is that "nothing" is a many things. Nothing is what binds everything.
The first mention of "nothing" is when King Lear asks his daughters to profess how much they love him. The eldest daughters shower compliments upon him tickling his ears. Yet the Lear's favorite daughter Cordelia will only speak the truth. When asked what she can say to gain her a portion of land better than her sisters, she replies, "Nothing, my Lord" (1.1. ) He exclaims, "Nothing!" (1.1. ) and she responds, "Nothing" (1.1. ). Lear's answers, "Nothing will come of nothing" (1.1. ) As he voices this, he has made something of nothing. Lear takes offense in a true and honest answer. Cordelia's "nothing" will blossom into something tremendous. This is the cause of Kent's banishment and her hasty marriage to the Prince of France.
In 1.4, the Fool rattles off a teaching to Lear. Kent (in disguise) says his spee...
But I am convinced that he was "…not in madness, but mad in craft." I also
Loneliness in Of Mice and Men by John Steinbeck This book is set in a deserted, lonely country. The individuals in the stories are isolated by particular features such as age, gender, disability. and race to the end. They appear to relate to each other, however, each is.
Mother Theresa once said, "Loneliness is a man's worst poverty." Without friends and companions, people begin to suffer from loneliness and solitude (Dusenbury 38). Loneliness is an inevitable fact of life and cannot be avoided, as shown prevalent through each of the characters in John Steinbeck's Of Mice and Men. Each and every character in this novel exhibits loneliness. Lennie was isolated for being mentally handicapped, Candy was isolated for being old and disabled, Crooks was for being black, Curley's wife for being a woman, and George for having to care for Lennie and being unable to socialize with others because of Lennie's consistency of getting into trouble from town to town.
Throughout the novel, Of Mice and Men (by John Steinbeck), loneliness is the major underlying theme of the novel. You could almost say that the book has hormonal' up's and down's. Most of the characters are very lonely because they have no family. However, George and Lennie are the contradiction to this. George and Lennie's bond towards each other are so- strong that you can almost see it as you are reading the book. Candy the old crippled man wants to be part of George and Lennie's dream to own a farm and "live off the fatta the land". Curley and his dog are like the metaphor in the book for George and Lennie. Candy has to take care of his dog and George of Lennie. The other two characters in the novel that are apart of the overall theme of loneliness are crooks the crippled stable buck and Curley's wife the flirtatious city girl. Crook's fits in to the loneliness theme because he is black. During this time in history, there was very little racial empathy. So being black means that he is isolated from everyone else at the ranch. Speaking of isolation, curley's wife feels very isolated because her husband, Curley, doesn't trust her at all, however, because Curley is so strict and concerned about her flirting with other guys it almost fuels her desire to cause trouble.
Hamlet’s first words in the play say that Claudius is "A little more than kin and less ...
to his indecisiveness. An example of this is in Act III, section III, line 73,
good, in fact, that it is questioned if he was acting insane or if he
not to be classified as maddness, for he challenges his self for life, not an
Shakespeare, William. "King Lear: A Conflated Text." The Norton Shakespeare. Ed. Stephen Greenblatt. New York:
Lear is estranged from his kingdom and friends, causing his loss of sanity. In the midst of Lear's self-pity he is discovered by the fool. Fittingly enough the fool is the one able to lead Lear back to the normal world. He is made to appreciate the people who truly cared about him from the beginning. He sees that they were right all along, and repents from his foolish decision, though it's too late to do him any good.
When Lear tells Gloucester “A man may see how this world /goes with no eyes” (4.6.146-47) he displays both of their misfortunes, but it is too late to prevent ultimate tragedy. Shakespeare proposes that their tragic saga is a mere game to the heavens. “As flies to wanton boys, are we to th’ gods,/They kill us for their sport” (4.1.37-38). This line generalizes the overall simplicity behind the tragedy of King Lear. Even though Gloucester and Lear made terrible, fatal errors the reader feels at the end as if it is intended to be their destiny.
father, King Lear. This becomes the center of the play and also leads to the
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
King Lear is a Shakespearian tragedy revolving largely around one central theme, personal transformation. Shakespeare shows in King Lear that the main characters of the play experience a transformative phase, where they are greatly changed through their suffering. Through the course of the play Lear is the most transformed of all the characters. He goes through seven major stages of transformation on his way to becoming an omniscient character: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Shakespeare identifies King Lear as a contemptuous human being who is purified through his suffering into some sort of god.
Tragedies are dominated by contrasts and conflicts between various entities such as, good and evil, legitimate and illegitimate, appearance and reality and so on. Another contrast is between wisdom and foolishness. If one associates foolishness with madmen and fools one will be surprised to find that in a tragedy such as King Lear this is not the case. Shakespeare portrays, the sane characters such as Kent and Cordelia as fools by virtue of loyalty, love and their willingness to speak the truth. On the otherhand, the Madman, Tom o’Bedlam and the fool are depicted as the true figures of wisdom. Moreover mirroring all this is King Lear’s transition from foolish behaviour through madness achieving wisdom.