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The taming of the shrew the role of women
Shakespeare on women in the taming of the shrew
Shakespeare on women in the taming of the shrew
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Importance of Masks in Taming of the Shrew
As a passing traveler in Padua, one could easily make superficial assumptions about the inhabitants. On the surface, Katherina seems like a vicious tiger that is angry at the entire world. Petruchio first appears like the type of man that anybody would like to have as a friend. At first glance, Bianca seems like a heavenly vision of beauty that any man would be lucky to have for a wife. However, after the courtship of Katherina begins, the true personalities of the characters are revealed.
When a person's own family fears them, one would assume that there is good reason for it. In Katherina's case though, nobody ever takes the time to listen to what she actually feels. When she says, "A pretty pet! It is best put finger in the eye, an she knew why." (Pg. 16), she is not acting maliciously but rather calling out for attention. In contrast to all the flattery that Bianca receives, the only time people ever talk about Katherina is when she acts like a shrew. A more vulnerable side to Katherina actually surface...
.... She now obeys what is asked of her by Petruchio like such as when she is told to lecture the other wives about how to be a good wife, “Katherina, I charge thee, tell these headstrong women, what duty they do owe their lords and husbands.” Without arguing and saying a word against what is asked of her she gives her advice, “Thy husband is thy lord, thy life, thy keeper, thy head, thy sovereign, one that cares for thee.”
There are many similarities and differences between each of the characters. For example, in the film Kat (Katharina) used to be popular and kind, but ever since she slept with Joey because “He said everyone was doing it,” she decided she would “never do anything just because ‘everyone else’ was doing it.” In the play, however, she had been unkind, unpopular and smart-mouthed her entire life. Another similarity between the two versions of the character is her age. Bianca portrays a very similar character in both the film and the play. She is a smart, pretty, popular and kind girl who is frustrated with her older sister, constantly venting out that frustration by saying things like “I think you're a freak. I think you do this to torture me. And I think you suck,” to Kat. Another similarity between Kat and Bianca’s characters is their age. Kat was 17 in the play, and Bianca was 16, (in the era in which the play was written, girls got married at a young age). In the film, Cameron represents Lucentio. He is very similar to Lucentio, disguising himself as a tutor in order to gain access to Bianca. Joey, the other boy who likes Bianca, represents both Gremio and Hortensio. However there are a few differences between these characters, such as the fact that Joey is a popular high school student in the film, however in the play Gremio is an older man and Hortensio disguises himself as a musician to gain access to Bianca, and Joey
In Taming of the Shrew, the first introduction to Katharina, by Gremio and Hortensio, tells that she is a shrew, (1.I .54-60) and that she will never find a groom. When she first speaks we see her responding to these insults, but she was provoked so her words seem appropriate. Yet as the play continues we see Katharina tying up Bianca, (2.I.29) and hitting her. This can be rejected as sibling rivalry, but later Katharina slaps Petruchio when he is trying to woo her (2.I.214). Katharina seems to have a physically violent side that isn't present in Beatrice. She also does not seem to have as strong as a character as Beatrice, especially when one considers that Petruchio was able to tame her in a very short time.
Lorenzo de Ponte’s libretto provides the main character traits of Don Giovanni , Leporello , and The Commendatore. It gives an easy way of distinguishing between the characters. Don Giovanni is portrayed as being smart , charming , and brave , yet selfish , arrogant , womanizing , and pompous. We see all of these traits in the final dinner scene. These opposing traits set up a love hate relationship of Don Giovanni.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
In the beginning of the play Kate is “consistently in opposition to everything around her”2, meanwhile “Bianca obeys so gently and with such sweet submission that it is obvious why she is Baptista’s favorite daughter”2. In the end of the play, the roles switch and Katherina is submissive to every word of Petruchio and Bianca resists the commands of her new husband.
From the beginning of the play, the differences between Katherina and Bianca are highlighted through their interactions via dialogue. Early in the second act, Bianca pleads with her sister to not “make a bondmaid and a slave of me” because, as deemed by society, Bianca is not supposed to marry before her older sister (2.1.2). Bianca asks Katherina to “unbind [her] hands” so that she can get rid of all the gawdy implements she is forced to wear as a polite woman of the time, because if she doesn’t want to follow one rule, she doesn’t see why she should follow any of them (2.1.4). This immediately sets up these two sisters by showing how one depends on the status of the other to be truly happy, or happy as deemed by the doctrines of society anyway.
Petruchio – The male protagonist and husband of Katharine. Petruchio moves from Verona with his servants after his father’s death. He has moved to Padua with a motive to enjoy his coming life. He takes up the challenge of taming the shrew i.e. Katharina though initially he agrees with her and tries to charm her. He doesn’t value Katharina as her Bride and only sees her a challenge to be conquered. He treats her cruelly and is shown in believing traditional orthodox patriarchal male dominant character.
The younger sister cannot have a relationship with a man until her older sister does remain the same in both the play and the film. In the play, Lucentio wants to marry Bianca and pretends to be her tutor so he can spend more time with her. He pays Petruchio to wed Bianca’s sister, Kate, so he can marry Bianca. Cameron acts as Bianca’s French tutor to gain more face time with her. He convinces Joey Donner to pay Patrick to date Kat. Patrick is nice to Kat throughout the movie and tries to win her back after she finds out that he was paid to go out with her. Kate never finds out that Petruchio was paid to marry her. Petruchio and Patrick both use deceitful tactics in order to be with their respective loves. They disguise their true feelings and motives for being with their girl. Both Kat and Katherine fall in love with the man who was paid to be with her. The fact that they fell in love is meant to show how they were tamed. Kate gives a speech about how she understands how she should be subordinate to her husband. Petruchio has tamed her bec...
A very prominent theme in Shakespeare's The Taming of the Shrew is society's double standards of men and women. In the play, Katherina is a very free-willed, independent woman who wishes to follow her own path in life and is not dependent on a man for her happiness. Petruchio is also free-willed, independent and speaks his mind freely. However, where Petruchio is praised for these characteristics, Katherina is scorned and called names. Petruchio is manly and Katherina is bitchy for the same traits.
... between Petruchio and Kate is contrasted with the superficial properness of the relationship of bianca and lucentio.
John Faustus - the main character - is educated in many fields: medicine, law, divinity, and philosophy, yet his appetite for knowledge is still insatiable. Despite his vast knowledge he is unfulfilled because he still lacks power. As the play unfolds, Faustus is overcome by a craving for power. He eliminates God from his life: "And Faustus vows never to look to heaven,/ Never to name God, or pray to him,/ To burn his Scriptures, slay his ministers,/ And make my spirits pull his churches down" (5.270-3). In western society today, people still lust for power - it is human nature to want. In Faustus' claim that he has nothing more to learn from this world his ambition turns to arrogance, and his intelligence turns into ignorance. Faustus believes that he can attain power beyond mortal ability. Why would God help Faustus, when he refuses to listen to God, and ignores the signs God gave him? Faustus makes several choices in ignorance of the final consequence. When he is having an argument (with the Good Angel and Evil Angel), and chooses to ignore the Good Angel (1.70-73).
The story is about two sisters Katherine and Bianca. Bianca has a suitor who would like to marry her, Lucentio, but the only way that he will be able to marry her is if her older sister is married first. When Petruccio arrives to Padua he agrees to court and marry Katherine because she will provide a lovely dowry. Rumor has it that Katherine is a cynical, unruly, and extremely unpleasant female. Bianca on the other hand is the typical image of a lovely woman, beautiful, soft-spoken, and very feminine.
Bianca and Lucentio are considered stock characters in this play for many reasons. On the surface of things, Bianca is a sweet, mild-tempered young woman. She shows obedience towards her father and fosters his favoritism for herself by playing the part of a noble victim who cannot marry until her shrewish sister is wed. "Bianca is the epitome of a stock character. She is the sweet, innocent girl that all the g...
Unaware that he is guilty of committing these sins, pride first leads Faustus into being extremely greedy, and this greediness acts in opposition to the will of God. While ambition is admirable, it appears to be a negative trait when it is not used for good. It appears that Faustus wanted to gain this knowledge for himself and not for the well-being of all people. Being so adamant about gaining this power