Spiritual Thoughts in the Poetry of Tulsidas
Dr.Pragya Sharma
Assistant Professor of Education
Sri Satya Sai University of Technology and Medical Sciences,
Sehore,
Madhya Pradesh.
Goswami Tulsidas is considered as an incarnation of Valmki, the composer of the original Ramayana in Sanskrit. Tulsi was born at Rajapur in Banda district. As in the case of Kabir, there is uncertainty about the date of Tulsi’s birth which is variously assigned to sometime in 1554, 1585 and 1586.Tulsidas wrote his work in Avadhi and Brij Bhasha with equal competence, and displayed a remarkable mastery of word and phrase. He has produced vast poetry but his credentials rest on the Sri Ramcharitmanas and Vinay Patrika, He is Known as the composer of Hanuman Chalisaa (Forty verses to Hanuman) too. Vinay Patrika is a collection of prayers and hymns to different Gods of the Hindu mythology. The magnum opus of Tulsidas is, however, Ramcharitmanas in Hindi or Avadhi.The Ramcharitmanas is considered as one of the greatest works of Hindi literature. The work has been acclaimed as “the living sum of Indian culture”, “the tallest tree in the magic garden of medieval Indian poetry”, “the greatest book of all devotional literature”, “the Bible of Northern India”, and “the best and most trustworthy guide to the popular living faith of the Indian people”.It is the life story of Rama as narrated by Valmiki in his Ramayana with slight modifications. The Manas has been adjudged as the
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It elaborates the story and deeds of Lord Rama, an incarnation of Lord Vishnu, Sri Ramcharitmans is a testimony of the dignified state of devotion that Tulsidas attained. The story of this greatest saint of India inspires devotees that God can be attained even in this Kaliyug. Tulsidas prays to each and every one of this world as the incarnation of God himself. He
Narayan, R. K., and Kampar. (2006). The Ramayana: A Shortened Modern Prose Version Of The Indian Epic (suggested by the Tamil version of Kamban). New York: Penguin Books. PDF e-book.
Dafydd ap Gwilym has been acclaimed as the greatest poet of the Welsh language. As Rachel Bromwhich commented, Dafydd’s life "coincided miraculously in both time and place with an unprecedented opportunity to mate the new with the old" (Brom 112). Perhaps "mate" is a more appropriate choice of words here than Rachel intended. As his poetry depicts, Dafydd tried to mate a great many things in his time; the man is immortalized as a ball of raging hormones. A self-proclaimed "Ovid’s man," Dafydd took pleasure in identifying himself with the authoritative source of courtly love, a fresh trend in Wales during his life (Summer 29). Love, specifically courtly love, was among the new themes Dafydd merged with the traditional themes like nature. Even the ancient topic of nature, under Dafydd’s molding, took on new forms. Dafydd personified elements of nature to be his trusted messengers in poems such as "The Seagull." In the "Holly Grove," nature is subtly described as a fortress or protector of sorts. Variations of these elements of secret, protected, and secluded love mesh with images of nature throughout Dafydd’s poetry. However, nature seems to be much more than a confidant or mere factor in his search for love; Dafydd’s poems such as "Secret Love" suggest that nature is essential in this endeavor. Though Dafydd’s attempts at love are not limited to the natural realm, poems such as "Trouble in a Tavern" make it evident that only in the natural setting is Dafydd a successful lover.
Yolanda is a young girl from the Dominican Republic. She is not use to Americas antics of war and bombs. In the short story she accounts her first sight of snow for what she thought were bombs, "I looked out the window warily. All of my life i had heard about the hite crystals that fell out of American skies in the winter"(5). The way the poet decribes how Yolanda saw th ice fall out the sky lets us know that snow is something that is unfamiliar to her. Also the way she describes the new vocabulary, "nuclear bomb, radioactive fallout, bomb shelter" (2). This lets us know that the seeting takes place ina time of nuclear warefare and the country is in a state of emergence.
"From the Ramayana." Prentice Hall Literature. Trans. R. K. Narayan. Upper Saddle River: Pearson Prentice Hall, 2004. 190-98. Print.
“Ramayana.” The Language of Literature Ed. Arthur N. Applebee, et al. Boston: McDougal Littell, 1983. 130-140. Print.
I would like to preface this by saying that one of the things I learned from this exercise is that, just because an article exists in published form, does not necessarily mean that it is a good article. This is the conclusion I reached after plowing, dictionary in hand, through two articles that were, respectively, ridiculously elementary after one hacked through the jargon, and entirely absurd and unsupported. Disheartened, I went searching again, and this time, came up with "Cloistered Closets: Enlightenment Pornography, The Confessional State, Homosexual Persecution and The Monk," by Clara Tuite, and it is this article that I am writing about.
The Ramayana is the most famous and well-known of all Indian epics, originally based on an epic poem it has taken many variations and forms over the centuries. Traditionally the story centers on the hero Prince Rama, who is the embodiment of virtue and perseverance, as he is wrongfully denied his birthright of being crowned king and instead is unjustly exiled into the forest where he encounters his fair share of dilemma. In R. K. Narayan’s condensed, modern version of The Ramayana the classic conflict of duality is a predominant theme, as Rama faces many instances of uncertainty and trivial chaos which are eventually balanced by order and goodness under the laws of karmic causation and dharma alike which he virtuously strives to uphold. Nina
Valmiki's Ramayana was written around 300 B.C.E. (Carrier 207). Typically, the character of Rama is seen as the hero and the character of Sita is seen as the hero's wife. In this essay, I will compare Sita's journey of capture and inner growth with the "save the kingdom" journey of Rama, show how the two correlate, and eventually connect in the influential chastity scene. I will also prove that Sita is the "hidden hero" of this epic even though she is seen as taking a secondary role to Rama and show how this reflects women's secondary roles in society today.
Death is one of the only true constants in the universe and is the only guarantee in life. Everyone knows of death and everyone will experience it, but to the living death is still one of life's greatest mysteries. In some cultures death is celebrated and embraced, while in others it is feared. However it is perceived, death holds different meanings for different people. Through the art of poetry a writer can give a reader many different outlooks and maybe a better understanding of life and death.
“The Odyssey” is an epic poem that tells the story of Odysseus and the story of his many travels and adventures. The Odyssey tells the main character’s tale of his journey home to the island of Ithaca after spending ten years fighting in the Trojan War, and his adventures when he returns home and he is reunited with his family and close friends. This literary analysis will examine the story and its characters, relationships, major events, symbols and motifs, and literary devices.
Khan, Benjamin. The Concept of Dharma in Valmiki Ramayana . Delhi: Munshi Ram Manohar Lal, 1965. Print.
de Bruijn, Thomas. "Many Roads Lead To Lanka: The Intercultural Semantics Of Rama's Quest." Contemporary South Asia 14.1 (2005): 39-53. Academic Search Premier. Web. 27 Feb. 2014.
The epic hero’s journeys hold the hopes for future of ordinary people’s lives. The Epic of Gilgamesh was written in approximately 2000 B.C.E which is highly enriched with Ancient Mesopotamian religions, and The Ramayana was written by ancient Indians in around 1800 B.C.E. The stories were written in two different parts of the world. However, these two stories etched great evidence that show people from generation to generation that different cultures and religions are interconnected; they share ideas with each other. Both Gilgamesh and Rama traveled long journeys in these tales. These epic journeys played a role in the creation of different archetypes. We can clearly see that these two tales share similarities between these archetypes. Although
The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.
Alfred Tennyson gifted the Victorian Era, and the literary world with two iconic poems. The author explored the themes of personal development and culture clash in one of his most famous poems, “Ulysses”. Tennyson also discovered and analyzed the themes of love and death through his renowned and eminent poem, “Tears Idle, Tears”. The poet was born in Somersby, Lincolnshire in 1809 in the East Lindy district of England. Tennyson experienced numerous amounts of difficulties in his childhood and growing adolescent phases that spilled into his adult life. These trials and tribulations became a foundation and source of inspiration for Tennyson, who used them as a stimulus and catalyst to aide his literary progress and ideas. Two of the most prominent poems that Tennyson wrote were “Ulysses “and “Tears Idle, Tears”. These poems defined the peak of his literary endeavor and symbolized the struggles that Tennyson had experienced in his life. Throughout time readers have been able to distinguish a direct correlation between his life journey and the poems he crafted.