Modern Poems: A Norton Introduction. New York: W.W. Norton and Co., 1989. Larkin, Philip. Collected Poems. London: Marvell Press and Faber and Faber Ltd., 1989.
Trefousse, Hans L. Andrew Johnson: A Biography. New York: Norton, 1989. Print.
Civilization and its Discontents. The Freud Reader. Ed. Peter Gay. New York: W.W. Norton & Company, Inc. 1989.
David Magarshack. New York: Hill & Wang, 1969. Eekman, Thomas A. Critical Essays on Anton Chekhov. Boston: G.K. Hall & Co., 1989.
Experimental literature is the answer for writers who want to push the boundaries of the conventional text to create an original art piece. However, movements, such as Kenneth Goldsmith’s self-indulgent idea of conceptual poetics may devalue previous understandings of originality. As a result, writers will begin pushing boundaries for the sake of pushing boundaries. This creates the reverse effect: originality will become unoriginal. Furthermore, literature has always been a way of archiving history, whether writing is fact or fiction it tells our story to future generations.
(New York: Norton, 1993), 200. Carl Gustav Jung, “The Principle Archetypes” in The Critical Tradition: Classic Texts and Contemporary Trends, ed. David H. Richter (New York: St. Martin’s Press, 1989), 666. Guerin, Wilfred L., et al., eds. A Handbook of Critical Approaches to Literature.